“Phantom Thread” solidified Vicky Krieps as an acting force to be reckoned with. Her incredible performance in that film felt new, like a beginning of sorts. Her latest is Mia Hansen-Løve’s “Bergman Island.” She talks about figuring out ways to turn the difficulties of that production into opportunities to create something magical. Plus she gives us a glimpse inside her process-less process, made up of deconstruction, openness, acceptance, listening, embracing chaos, exploding the method, living with failure, holding space for the unknown, and letting intuition lead the way.  Follow Back To One on Instagram

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Vicky Krieps

Noomi Rapace returns to the podcast (first time: Ep. 43) to talk about her new film, the atmospheric, slow-burn thriller “Lamb.” Set in Iceland, which Noomi knows well from her childhood, the film’s landscapes feel almost like supporting characters. She talks about using the emotions they brought up in her, and the delicate way she entered grief into the performance. After I share my embarrassing animal parenting story, Noomi matches it, and illustrates why it was not hard at all to make her motherly love for the lamb baby believable. She schools us on the importance of not sticking to decisions that are “expired,” avoiding the trap of self awareness, and operating on instincts. Plus much more! Follow Back To One on Instagram

Noomi Rapace

Julia Ducournau’s new film “Titane” is, on many levels, an overwhelming cinematic experience. If you’re like me, it might take a second viewing to begin to fully appreciate the astounding work Agathe Rousselle and Vincent Lindon deliver (no pun intended) to us in this film. Lindon is a seasoned actor with decades of accolades and experience in French cinema, and Rousselle is a wet-behind-the-ears newcomer making her feature film debut. But, serendipitously, as you’ll gather from this discussion, that is precisely what each of them needed in the other to energize their own performances. They talk about facing fears, letting go, finding freedom within restriction, and the instinctual, trancelike experience of filming that intense final scene. Plus much more! Follow Back To One on Instagram

Titane (Special Episode)

Tom Skerritt is the very definition of a veteran actor. “MASH,” “Alien,” “Steel Magnolias,” “Top Gun,” “A River Runs Through It,” and countless other supporting credits in films and television grace his esteemed resume, plus an Emmy for “Picket Fences.” But never a lead role in a feature film! Until now. “East Of The Mountains” just might be 88 year old Tom Skerritt’s best work on the screen. It’s an assured, vulnerable, simple yet extremely powerful performance, utilizing, as he describes in this episode, his “less is more” approach to acting. He talks about what he learned mentoring with Robert Altman and Hal Ashby, on the other side of the camera, that still helps his work today. And I ask him what’s the worst thing a director even did to him. Get ready for a laugh and some inspiration. Follow BACK TO ONE on Instagram

Tom Skerritt

The last time Alessandro Nivola was on Back To One (Ep. 37), he had just landed the role of Dickie Moltisanti in “The Many Saints of Newark,” the feature film prequel to “The Sopranos,” and had nearly six months to prepare the role. On this episode, he takes us from there, detailing the extensive research, geographical immersion, voice and body work that went into the preparation process for the biggest role of his career. He talks about the importance of authenticity in every aspect of the character, how “Raging Bull” played a big part in keeping him on track, why David Chase told him to ignore any mention of his character in the series, how “leaning in” to his various intimidations of Ray Liotta helped his work, and if starring in the biggest movie of the year after 25 years of supporting roles changes the game plan going forward. Plus MUCH more. (There are no spoilers in this episode. “The Many Saints of Newark” opens on October 1st in theaters and on HBO Max) Follow Back To One on Instagram

Alessandro Nivola

When Dominic Burgess is not stealing scenes as a guest star, he’s getting raves as Jerry Summers in “Dr. Death,” Ember in “The Magicians,” and Victor Buono in the Ryan Murphy miniseries “Feud.” On this episode, he talks about why the vibe on a set is a big factor in his work, his struggles lately gauging exactly what “gay” means as a descriptor in heteronormative projects, why he appreciates when actors don’t let their unsettling methods infect others on the set, and how nearly every golden opportunity he’s had recently can be traced back to something that will forever force us to put quotes around the word “failed” when speaking of auditions that don’t lead to the intended job. Plus much more! Follow BACK TO ONE on Instagram

Dominic Burgess

John Pollono is a playwright, screenwriter, and actor. You know him from “Mob City” and “This is Us.” He wrote the film “Stronger” and the play “Small Engine Repair," which had successful runs in Los Angeles and New York. The filmed version, which he also stars in and directs, is about to open after Covid delayed its release. It co-stars Jon Bernthal and Shea Whigham. In this episode, he talks in-depth about working with those guys, the changes that needed to be made from stage to screen that served to enrich the experience, and the factors that played a part in it all coming together in an organic way. Plus much more! Follow BACK TO ONE on Instagram

John Pollono

Her riveting and revelatory performance in Kazik Radwanski’s “Anne At 13,000 Ft.” is the latest in a run of risky work by the Canadian indie phenom Deragh Campbell. In this hour, she talks about the process of sinking into Anne as the production went on and the great benefits and humorous backfires of immersing with non-professional actors in some scenes. Blending non-fiction into her performances is something she does often, particularly in collaboration with director Sofia Bohdanowicz. She talks about the character they created together, Audrey Benac, and the interesting ways performing as her has evolved over five projects. Plus how escaping from self-consciousness has helped the work and maybe even other aspects of her life. And MUCH more. Follow BACK TO ONE on Instagram

Deragh Campbell

A Q&A with Dylan and Sean Penn on the opening night of their film "Flag Day" at the Alamo Drafthouse in Brooklyn, moderated by Back To One host Peter Rinaldi. August 20, 2021 Follow Back To One on Instagram

Bonus Episode: Q&A with Dylan and Sean Penn

When it comes to her characters, Emmy nominee Jurnee Smollett is guided by truth. In this episode, the “Lovecraft Country” star talks about how painting in the tiny details helps her know how to live in a character, and why she doesn’t need to know what her character doesn’t know. She talks about why actors shouldn’t be afraid to speak up when they are not getting what they need, and why she needs to express herself through acting for her very survival. Plus we go off on a pretty cool Al Pacino tangent, and much more! Follow Back To One on Instagram

Jurnee Smollett

Actor, rapper, writer, producer, Daveed Diggs loves wearing many hats, often at the same time. “Hamilton” made him a star. He won a Tony for it. Now he’s nominated for an Emmy for his incredible work in the filmed version of the musical. In this episode, he talks about his need to find the character somewhere in his body, and why attending editing sessions for his new show “Blindspotting” on breaks from acting in the television series “Snowpiercer” was the opposite of overwhelming. He paints us a picture of his creative life in the lead-up to the life-changing experience of “Hamilton,” and the times, toward the end of his run, where it was hard to find the required energy. Plus I ask him about the time I watched him make a whole quiche from scratch, and MUCH more! Follow BACK TO ONE on Instagram

Daveed Diggs

After six seasons, Matthew Rhys won an Emmy for his stellar work on “The Americans.” Spielberg’s "The Post,” and “A Beautiful Day in The Neighborhood” (opposite Tom Hanks) followed, and now he’s nominated for another Emmy for his incredible work in “Perry Mason” on HBO. In this half hour, he compares the experience of building (and “wrestling”) his two major television characters into life. He talks about the humiliating way he learned the acting lesson that listening is just as important as speaking. He shares a few tools he uses when he can’t get in the groove, explains why he’s easily distracted while performing, and lists the brand new worries he’s fortunate enough to have as a leading man. Plus MUCH more!  Follow Back To One on Instagram

Matthew Rhys

“Teeth,” “Somebody Up There Likes Me,” “Chained For Life,” “The Good Wife,” are just a few of the great Jess Weixler’s credits. Ten years ago she co-stared in “The Lie” with Joshua Leonard. They played a couple with a baby and one big problem. He directed. Most of the dialogue came out of improvisation. Now they’ve done it again with “Fully Realized Humans.” They again play a couple. This time the baby is in utero and the laughs are bigger, the situations more absurd yet also more thought-provoking. Weixler is credited as co-writer. In this episode she details the improv method they used to build the dialogue out of the circumstances in the scene. We try to figure out what Leonard meant by “the phantom leg of naturalism,” and she talks about what it was like to film this indie comedy while 8 months pregnant, including one moment of empowerment prompted from an unlikely source. Plus lots more!  Follow Back To One on Instagram

Jess Weixler

Phillipa Soo’s first time on Broadway was in the unprecedented phenomenon that is “Hamilton.” She was nominated for a Tony for her portrayal of Eliza, and now she’s nominated for an Emmy for her incredible work in the filmed version. In this episode, she talks about how she managed to not let the superlatives overwhelm her into paralysis during that run, and the surprising way deeper, more playable meanings began to grow out of the text. She details a few specific ways the tools she was given at Juilliard came in handy, particularly in her first New York stage production, “Natasha, Pierre & the Great Comet on 1812,” and why it’s important to “let the little guy drive,” plus much more! All of this recorded outside, in a thunderstorm, with only a tree as cover! This episode doubles as a soothing nature recording. Follow Back To One on Instagram

Phillipa Soo

Back To One is a podcast about acting. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft. No small talk, no celebrity stories, no inane banter—just the work.

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