  A masterly mix of romance, drama, mystery, suspense, love and jealousy, The Phantom of the Opera by Gaston Leroux will haunt you long after you've turned the last page. Today the world knows it by Andrew Lloyd-Webber's long running musical on stage and its 2004 film adaptation, and earlier from Lon Chaney's screen portrayal of the dark intruder who roams the Paris Opera House. However, Gaston Leroux's novel was first released as a serial in the French magazine, La Gaulois over four months in 1909-10. Gaston Leroux, himself led an extremely colorful life. Born into an immensely wealthy family, he had to abandon his early dreams of becoming a writer and began studying law. As a student, he inherited millions of francs on the death of his father and embarked on a debauched life which culminated in bankruptcy. Leroux then went to work as a journalist. He covered crime and theater and traveled extensively. He was almost forty when he took up writing as a full time profession. Detective fiction, plays, novels and tales of mystery were his forte. The Phantom of the Opera was translated from the original French by Alexander de Mattos. A tale of fatal obsession, it owes its inspiration to classic fairytales like The Beauty and The Beast, where physical ugliness leads a person to seek anonymity. Erik is a young man, tormented by his physical deformity. He runs away from home as a child and hides his hideous visage in the vast cellars of the Paris Opera House. As he grows, so does his knowledge of music. He falls in love with a young singer, Christine Daae, whom he lures into his lair with his angelic singing. This fatal attraction takes a tragic turn as Christine and her fiancé Raoul are caught in a web of horror and deceit. As a classic Gothic novel, The Phantom of the Opera is matchless in the atmosphere of mystery and evil that it evokes. However, it is also a story of human tragedy and the cruelty we practice on those who look different. The novel is structured in a very interesting way—it's in the form of bits of information available from journal entries, police reports, interviews alternating with first person accounts. A great read for music lovers, mystery fans and Gothic romance enthusiasts!

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The Phantom of the Opera | Chapter 25 | The Scorpion or the Grasshopper: Which?

The Phantom of the Opera | Chapter 24 | Barrels! Barrels!

The Phantom of the Opera | Chapter 23 | The Torture Chamber

The Phantom of the Opera | Chapter 22 | In the Torture Chamber

The Phantom of the Opera | Chapter 21 | Interesting Vicissitudes

The Phantom of the Opera | Chapter 20 | In the Cellars of the Opera

The Phantom of the Opera | Chapter 19 | The Viscount and the Persian

The Phantom of the Opera | Chapter 18 | The Commissary, the Viscount and the Persian

The Phantom of the Opera | Chapter 17 | The Safety-Pin Again

A masterly mix of romance, drama, mystery, suspense, love and jealousy, The Phantom of the Opera by Gaston Leroux will haunt you long after you've turned the last page. Today the world knows it by Andrew Lloyd-Webber's long running musical on stage and its 2004 film adaptation, and earlier from Lon Chaney's screen portrayal of the dark intruder who roams the Paris Opera House. However, Gaston Leroux's novel was first released as a serial in the French magazine, La Gaulois over four months in 1909-10. Gaston Leroux, himself led an extremely colorful life. Born into an immensely wealthy family, he had to abandon his early dreams of becoming a writer and began studying law. As a student, he inherited millions of francs on the death of his father and embarked on a debauched life which culminated in bankruptcy. Leroux then went to work as a journalist. He covered crime and theater and traveled extensively. He was almost forty when he took up writing as a full time profession. Detective fiction, plays, novels and tales of mystery were his forte. The Phantom of the Opera was translated from the original French by Alexander de Mattos. A tale of fatal obsession, it owes its inspiration to classic fairytales like The Beauty and The Beast, where physical ugliness leads a person to seek anonymity. Erik is a young man, tormented by his physical deformity. He runs away from home as a child and hides his hideous visage in the vast cellars of the Paris Opera House. As he grows, so does his knowledge of music. He falls in love with a young singer, Christine Daae, whom he lures into his lair with his angelic singing. This fatal attraction takes a tragic turn as Christine and her fiancé Raoul are caught in a web of horror and deceit. As a classic Gothic novel, The Phantom of the Opera is matchless in the atmosphere of mystery and evil that it evokes. However, it is also a story of human tragedy and the cruelty we practice on those who look different. The novel is structured in a very interesting way—it's in the form of bits of information available from journal entries, police reports, interviews alternating with first person accounts. A great read for music lovers, mystery fans and Gothic romance enthusiasts!

The Phantom of the Opera | Chapter 16 | Mme. Giry's Revelations

The Phantom of the Opera | Chapter 15 | Christine! Christine!

The Phantom of the Opera | Chapter 14 | The Singular Attitude of a Safety Pin

The Phantom of the Opera | Chapter 13 | A Master of the Trap-Door Lover

The Phantom of the Opera | Chapter 12 | Apollo's Lyre

 A masterly mix of romance, drama, mystery, suspense, love and jealousy, The Phantom of the Opera by Gaston Leroux will haunt you long after you've turned the last page. Today the world knows it by Andrew Lloyd-Webber's long running musical on stage and its 2004 film adaptation, and earlier from Lon Chaney's screen portrayal of the dark intruder who roams the Paris Opera House. However, Gaston Leroux's novel was first released as a serial in the French magazine, La Gaulois over four months in 1909-10. Gaston Leroux, himself led an extremely colorful life. Born into an immensely wealthy family, he had to abandon his early dreams of becoming a writer and began studying law. As a student, he inherited millions of francs on the death of his father and embarked on a debauched life which culminated in bankruptcy. Leroux then went to work as a journalist. He covered crime and theater and traveled extensively. He was almost forty when he took up writing as a full time profession. Detective fiction, plays, novels and tales of mystery were his forte. The Phantom of the Opera was translated from the original French by Alexander de Mattos. A tale of fatal obsession, it owes its inspiration to classic fairytales like The Beauty and The Beast, where physical ugliness leads a person to seek anonymity. Erik is a young man, tormented by his physical deformity. He runs away from home as a child and hides his hideous visage in the vast cellars of the Paris Opera House. As he grows, so does his knowledge of music. He falls in love with a young singer, Christine Daae, whom he lures into his lair with his angelic singing. This fatal attraction takes a tragic turn as Christine and her fiancé Raoul are caught in a web of horror and deceit. As a classic Gothic novel, The Phantom of the Opera is matchless in the atmosphere of mystery and evil that it evokes. However, it is also a story of human tragedy and the cruelty we practice on those who look different. The novel is structured in a very interesting way—it's in the form of bits of information available from journal entries, police reports, interviews alternating with first person accounts. A great read for music lovers, mystery fans and Gothic romance enthusiasts!

The Phantom of the Opera | Chapter 11 | Above the Trap-Doors

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