Susan Mastrangelo was born and raised in New York City and Washington D.C. She studied at the Kansas City Art Institute and the New York Studio School, and received her MFA from Boston University under the tutelage of Philip Guston. Based in New York since graduate school, she has shown nationally and internationally, and is a recipient of a Mercedes Matter Award, a Rockwell Grant and two grants from the Pollock Krasner Foundation. She has been a visiting artist at the American Academy in Rome, a guest at Civitella Raneri, and a resident at Yaddo, The Virginia Center for the Creative Arts, The Ragdale Foundation, The Triangle Workshop (as a student of Anthony Caro), and the Tyrone Guthrie Center. For 27 years she taught and chaired the Art Department at the Buckley School in New York City, and now works as a full time multidisciplinary artist at the Can Factory in Gowanus, Brooklyn. High expectations, 2020, Knitting, cord filler, fabric, acrylic paint on wood panel, 60 x 48 inches. Not A Ghost Town, 2020, Knitting, cord filler, fabric, acrylic paint on wood panel, 60 x 48 inches.

Interviews by Brainard Carey

Susan Mastrangelo

Robert Schirmer’s novel Barrow’s Point won the Gival Press Novel Award and was a finalist for a Foreword INDIES Book Award. He’s also published a collection of short stories titled Living with Strangers (NYU Press), winner of the Bobst Award for Emerging Writers. His stories have appeared in a wide range of literary journals such as Glimmer Train, The Sewanee Review, Epoch, New England Review, Fiction, Byliner, Confrontation, Joyland, and The Best of Witness. Over the years he’s won an O. Henry Award, a Pushcart Prize, a Walter E. Dakin fellowship to the Sewanee Writers’ Conference, and a fellowship from The Chesterfield Writer’s Film Project. His screenplays have been optioned by Amblin Entertainment and Warner Brothers. He’s also been a Visiting Writer at the Southwest Writers Series and at Stetson University as part of the Tim Sullivan Endowment for Writing.

Robert Schirmer

Selina Trepp (Swiss/American b.1973) is an artist researching economy and improvisation. Finding a balance between the intuitive and conceptual is a goal, living a life of adventure is a way, embarrassment is often a result. She works across media, combining performance, installation, painting, and sculpture to create intricate setups that result in photos, drawings and animations. In addition to the studio-based work, Selina is active in the experimental music scene. In this context she sings and plays the videolah, her midi controlled video synthesizer, to create projected animations in real-time as visual music. She performs with a varying cast of collaborators and as one half of Spectralina, her long running audiovisual collaboration with Dan Bitney. Woven from Selina Trepp on Vimeo.

Selina Trepp

Michael Shewmaker is the author of Leviathan (2023) and Penumbra (2017), winner of the Hollis Summers Poetry Prize. He is the recipient of fellowships from the Bread Loaf Writers’ Conference, the Sewanee Writers’ Conference, and Stanford University, where he was a Wallace Stegner Fellow. His recent poems appear in Best American Poetry, The Believer, Oxford American, Ploughshares, Southern Review, Yale Review, and other literary journals and anthologies. Born in Texarkana, Texas, he earned an M.F.A. from McNeese State University and a Ph.D. in creative writing from Texas Tech University. He teaches creative writing at Stanford University and lives in the San Francisco Bay Area with his wife, Emily.

Michael Shewmaker

Lissa McClure is the inaugural Executive Director of the Woodman Family Foundation, which stewards the work and legacies of Betty Woodman, Francesca Woodman, and George Woodman. She directs the vision and strategy for the Foundation with the Board of Directors and oversees its administration, operations, and partnerships. Prior to joining the Foundation, she was a longtime director of the Marian Goodman Gallery, where she worked closely with Julie Mehretu, John Baldessari, and Lawrence Weiner, and with Betty and George Woodman on behalf of Francesca Woodman. She was the founding Senior Director of Kurimanzutto New York and is currently on the Board of Directors of the John Baldessari Family Foundation. Francesca Woodman, Untitled, Rome, Italy, 1977-1978 Vintage gelatin silver print: 4 5/8 x 4 3/4 in. (11.6 x 11.9 cm) Francesca Woodman, Untitled, Providence, Rhode Island, 1975-1978 Vintage gelatin silver print: 5 1/2 x 6 1/2 in. (13.8 x 16.5 cm) Francesca Woodman Contact sheet, Italy, c. 1977-1978 Vintage gelatin print

Lissa McClure

Self portrait Nikolas Ventourakis is a visual artist living and working between Athens and London. His practice situates in the threshold between art and document, in the attempt to interrogate the status of the photographic image. A quest that unfolds in the decisive years of the digital revolution, when a crucial overlap between producers and viewers seems to have reset all previous critical discourses. Central to Ventourakis's visual work is a denial for a one-way resolution and an invitation to embrace an ambiguous imagery, where the photographic is not yet real, and the familiar is a projection of a mix of memory - stemming from both private and media experiences - with abstract thinking. Ventourakis’ fascination lies in our need for stories to be conclusive, which cannot but clash with the impossibility for apparent pictures to provide any evidence nor "objective truth". This is why his work allows for bias and misinterpretation. Ventourakis completed an MA in Fine Art (Photography) with Merit at Central Saint Martins School of Arts (2013) and is the recipient of the Deutsche Bank Award in Photography (2013). He was selected for Future Map (2013), Catlin Guide (2014) and Fresh Faced Wild Eyed (2014) in the Photographers Gallery as one of the top graduating artists in the UK. In 2015 he was a visiting artist at CalArts with a FULBRIGHT Artist Fellowship and is a fellow in New Museum’s IDEAS CITY. He was shortlisted for the MAC International and the Bar-Tur Award. Recently he has exhibited in FORMAT Festival, Derby; the NRW Forum, Düsseldorf, the Mediterranean Biennale of Young Artists 18, the parallel program of the Istanbul Biennale , Hors Pistes 14 at Centre Pompidou, and The Same River Twice, at the Benaki Museum. Since 2017 he is the artistic director of the Lucy Art Residency in Kavala, and is co-curator of the project “A Hollow Place” in Athens. He is a 2020 Stavros Niarchos Artworks Fellow.  The book mentioned in the interview at the end is Foundation by Isaac Asimov. Current Exhibitions mentioned: Tell Me I Belong group show and Betwixt and Between. https://www.miscathens.com/exhibitions To earn more about the Band that we discussed at the end of the interview, click here and see the video below; RAMDAT. Unlikely Outcomes: An Improvision from NIKOLAS VENTOURAKIS on Vimeo. Nikolas Ventourakis, XX. “It was a Good Sunday as far as I remember it”, 2021, mounted on Dibond, in artist’s frame, 80 cm x 100 cm. Installation shot from Tell Me I Belong Exhibition Nikolas Ventourakis, IX. interior false memory composition - left 2019, inkjet print on baryta archival paper, mounted on Dibond, artist’s frame, 125x85cm (120x80cm print) Installation shot from Unlikely Outcomes.Exhibtion*

Nikolas Ventourakis

Kathleen Winter is the author of three poetry collections: Transformer (The Word Works), I will not kick my friends (Elixir Press), and Nostalgia for the Criminal Past (Elixir Press). Her chapbook Cat’s Tongue is forthcoming from Texas Review Press in 2022. Kathleen’s poems and short fiction have appeared in The New Republic, The New Statesman, Poetry London, Yale Review, Agni, Five Points and Colorado Review. She was granted fellowships by the James Merrill House, Cill Rialaig Project, Sewanee Writers’ Conference, Dora Maar House and Vermont Studio Center. Her awards include the Poetry Society of America The Writer Magazine/Emily Dickinson Award and the Ralph Johnston Fellowship at University of Texas's Dobie Paisano Ranch. Winter teaches creative writing at Sonoma State University.  

Kathleen Winter

Duane Michals Duane Michals is an artist represented by DC Moore gallery. He has published numerous books throughout his lifetime, and many of them can be seen and bought here on amazon. If you want to subscribe to his mailing list, click here. The Boy Who Counted Stars from Duane Michals on Vimeo.

Duane Michals

Mari Shaw is an intellectual property lawyer, an art collector, educator, and author. She also organizes programs and collaborations among cultural institutions. Since 2020, she has been teaching by zoom about the arts, writing,  and social justice in Philadelphia public schools and written about these issues.

Mari Shaw

Nathan Hoks’s most recent book, Nests in Air, was published in 2021 by Black Ocean Press. Previous books include Reveilles (winner of Salt Publishing’s Crashaw Prize), The Narrow Circle (winner of the National Poetry Series), and the chapbook Moony Days of Being (winner of the Tomaž Šalamun Prize). He has also published translations of work by Vicente Huidobro, Christian Dotremont, and Henri Michaux. In 2018 Hoks was a poet-in-residence at the Tomaž Šalamun Poetry Center in Ljubljana, and he has also held residencies at the Vermont Studio Center and the Millay Colony for the Arts. Hoks occasionally works as an editor and letterpress printer for Convulsive Editions, and teaches creative writing at the University of Chicago and in the MFA in Writing program at the School of the Art Institute. Books mentioned in the interview:  Wuthering Heights and Will Alexander's Across the Vapor Gulf.

Nathan Hoks

My practice varies from project-to-project, and is sometimes collaboration-based and at other times the result of my personal art making practices in diverse media, including site-specific installations, sculptures, performances, works on paper, films and audio pieces. My work has been exhibited at galleries in New York and elsewhere, including David Zwirner Gallery, Postmasters, Ronald Feldman Gallery, Xavier Hufkens (Brussels), Studio 10, and Pierogi 2000. In 1999 and 2000, a grant from Phillip Morris Foundation in conjunction with the Künstlerhaus Bethanien, Berlin allowed me to live and create work in Berlin. I had a major exhibit at the Brooklyn Museum in 2013, as part of its Raw/ Cooked series. It featured multi-media installations in several parts of the museum, and a film program. In addition, I have done many projects abroad, including shows/installations/projects in Germany, Scandinavia and Ramallah. 1990 till 2000, I hosted and co-directed the Four Walls art space in Williamsburg, Brooklyn, a project space whose function was something between a clubhouse and laboratory. It was a place where exhibitions, panel discussions, performances and projects took place, creating a nexus of cultural exchange for artists. In 1989, I received a National Endowment for the Arts grant which became seed money for the Four Walls project. My intent was to create a condition for the exchange of ideas. From1993 to 2011, I directed, curated and organized The Slide and Film Club. I invited artists—and non-artists— to show Super8 films , 35mm slideshows and videos. A house band played improvised music to programs that lacked soundtracks, should someone request it. The project brought together hundreds of visual artists, writers and musicians such as Brian Dewan, Christian Marclay, Joy Garnett, Jim Torok and Carla Pearlman among others. It fostered the work of many artists, as well as my own Super 8 film work. My studio practice over the past five years has primarily been object based. I have often relied on processes based on coincidence, or cues that I receive from my life in order to generate works which perform a useful function, or at least an approximation of one. For example, “Weathervane” at Pierogi Gallery in 1997, fulfilled its metrological role, as well as a quasi-metaphorical one: it took the form of an abstracted Pinocchio head. “Moo-Moo” (2010), was a giant, sculptural cow head on the roof of the Brooklyn restaurant, Diner. It was a portrait of one of the locally-sourced animals being served. “Billboard” in Hudson, New York played with the nature of what billboards are, using them to present subtly disorienting landscape images in unlikely places. Since March of 2020, the world, and certainly my world, has been circumscribed by COVID, making it more difficult to present art in the usual ways. One piece I did in early 2021 was a guerrilla installation in a local park. In the tangle of branches of bushes and trees near the entrance of Cooper Park, one might find two blue rope-like sculptural forms weaving around the forms of the trees. Those pieces are called “Jay” and “Pea” and, in addition to bringing visual play to the local park, they commemorate my friend, the artist Joyce Pensato, who passed away the year before. It was the park she used to frequent with her dog. Another recent project had a commemorative aspect, this year’s “Word of Bird is Cured” shown at Studio 10, Bushwick. My friend, the artist and writer Matt Friedman had passed away after a long illness. My piece covered the windows of the gallery with blue paper, with thousands of silhouettes of birds cut into the paper by hand. The gallery faced west, and as days grew long, projections of the birds flooded the room. In the room I created a series of cellophane bags, based on the forms of boulders. The bags were inflated by fans from below, precariously erect and quick to wither when the fans were turned off.

Michael Ballou

Austin Thomas is an artist, curator, and community builder and is currently the exhibitions manager at FIT. A graduate of NYU, she has received numerous residencies and fellowships, including Wave Hill, Guttenberg Arts, The Elizabeth Foundation for the Arts, and Smack Mellon. From 2007 to 2014, she directed the influential Pocket Utopia gallery. In 2016, New York City unveiled her permanent public sculpture for a new park in Brooklyn. She has also done public commissions for the Public Art Fund and Grinnell College. Thomas's work is in the book Living and Sustaining a Creative Life: Essays by 40 Working Artists and its sequel, The Artist as Culture Producer: Living and Sustaining a Creative Life, edited by Sharon Louden. In addition, Thomas's work has been shown nationally and internationally and written about in the New York Times, New Yorker, Art in American, The Brooklyn Rail, The Paris Review, and Hyperallergic. She is a seminar instructor at the New School, where she teaches the "Artist as Entrepreneur. " During the COVID shutdown, Thomas became a New York City history buff, walking her city and discovering it anew. She is a nature lover and enjoys nature writing, most recently reading Visualizing Nature, Essays on Truth, Spirit, and Philosophy edited by Stuart Kestenbaum. Austin Thomas "COVID-19 Sequence," 24x42 in., ink on paper Crane's Blue Stationery Austin Thomas "COVID Sketchbook," 5x7 in., 2020 Pen, pencil, and collage

Austin Thomas

Marci Vogel is a California-born poet, writer, and translator. She is the author of Death and Other Holidays (Melville House Press, 2018), winner of the inaugural Miami Book Fair/de Groot Prize for the Novella and translated into French  as La Mort et autres jours de fête (Éditions do, 2020). Her debut poetry collection, At the Border of Wilshire & Nobody, was awarded the inaugural Howling Bird Press Poetry Prize and selected for musical score by Brazilian composer, Renato Goulart. The recipient of a Willis Barnstone Translation Prize, Vogel's poetry, prose, translations, and cross-genre inventions have appeared in such publications as ZYZZYVA, Seneca Review, Waxwing, and Jacket2, and include the translation-focused commentary series A Poetics of the Étrangère. Vogel's writing has been recognized with grants and residencies by the Fondation Ténot, the Napa Valley Writer's Conference, the Community of Writers, and North Street Collective. She has been invited for readings and talks at the San Francisco Conservatory of Flowers, the University of Strasbourg, Kelly Writers House, the University of Pennsylvania, the School of Beaux-Arts in Tours, France, and the University of Louvain-la-Neuve, Belgium. A first-generation scholar, Vogel holds a PhD in creative writing and literature from the University of Southern California, where she currently serves in the Dana and David Dornsife College of Letters, Arts and Sciences as a Mellon Postdoctoral Fellow in the Humanities and the University of the Future.

Marci Vogel

Dr. Adam Zaretsky of NADLinc is a nomadic Wet-Lab Art Practitioner mixing Ecology, Biotechnology, Non-human Relations, Body Performance and Gastronomy. Zaretsky stages lively, hands-on bioart production labs based on topics such as: foreign species invasion (pure/impure), radical food science (edible/inedible), jazz bioinformatics (code/flesh), tissue culture (undead/semi-alive), transgenic design issues (traits/desires), interactive ethology (person/machine/non-human) and physiology (performance/stress). A former researcher at the MIT department of biology, Adam runs labs on DIY-IGM (Do-It-Yourself Inherited Genetic Modification of the Human Genome). His art practice focuses on an array of legal, ethical, social and libidinal implications of biotechnological materials and methods with a focus on transgenic humans, methods of transgenesis and germline aesthetics. http://artsci.ucla.edu/node/1128 What he has been reading: Genbank Online Bioinformatics Database meet the genome of the Dolphin Lipotes vexillifer UBE3D for fun reading: https://www.ncbi.nlm.nih.gov/gene/?term=Lipotes+vexillifer+UBE3D Czech out the HECT_2; HECT-like Ubiquitin-conjugating enzyme (E2) binding FASTA and Sequence Viewer (Graphics) too!

Adam Zaretsky

Photo credit: Margarita Corporan Gina Apostol's fourth novel, Insurrecto, was named by Publishers' Weekly one of the Ten Best Books of 2018 and selected as an Editor's Choice of the NYT. Her third book, Gun Dealers' Daughter, won the 2013 PEN/Open Book Award. Her first two novels, Bibliolepsy and The Revolution According to Raymundo Mata, both won the Juan Laya Prize for the Novel (Philippine National Book Award). She was a fellow at Civitella Ranieri in Umbria, Italy, and Emily Harvey Foundation, among others. Her essays and stories have appeared in The New York Times, Los Angeles Review of Books, Foreign Policy, Gettysburg Review, Massachusetts Review, and others. She lives in New York City and western Massachusetts and grew up in Tacloban, Leyte, in the Philippines. She teaches at the Fieldston School in New York City.  

Gina Apostol

Lives of the most Excellent Artists, Architects, Curators, Critics, Theorists Poets and more, like Vasari’s book updated. (Interviews with over 1200 artists and others about practice and lifestyle from Yale University radio WYBCX)

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Interviews by Brainard Carey

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