Academic and author Pamela Thurschwell gives us her conflicted feminist take on Dylan, including his queer lyrical metaphors and what it’s like to be on the receiving end of a Dylan mansplaining session. Her namechecks range from Amy Rigby, Emma Swift and Joan Baez to Joyce Carol Oates, Annie Hall and Jane Eyre. Pam describes Dylan as “the dangerous guy who sees the world as it is”, but also “fragile”, “mean” and just plain “ornery”. “Why do I always go for the Dylan boys?”, she tells us, then gives in-depth excavations of It’s All Over Now, Baby Blue and Positively 4th Street (“it was great to hear someone so pissed off”). For a surprising discussion that encompasses male passive-aggression, gender relation complications and the mega-talent that is Joni Mitchell, don’t miss this groundbreaking episode. Pamela Thurschwell is Head of English Literature at the University of Sussex. Before working at Sussex, she worked at University College, London, and she studied at Cambridge and Cornell Universities. Pam has written books and articles on a wide variety of writers and artists including Dylan, George Eliot, Henry James, Sigmund Freud, Elvis Costello, Bruce Springsteen, Morrissey, Pete Townshend, Daniel Clowes, Henry James, Oscar Wilde, Carson McCullers, Willa Cather and Toni Morrison. American Tunes for Coronaviral Times: Bob Dylan, Paul Simon and John Prine (May 1, 2020) Website Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 7th September 2020 This show is part of Pantheon Podcasts.

Is It Rolling, Bob? Talking Dylan

Pamela Thurschwell

Screenwriter Daragh Carville (ITV’s The Bay) praises Dylan’s “extraordinary ear for spoken language” while reminding us that he “draws on cinema, is fascinated by storytelling but his own films don’t work at all”. All the great story-songs are explored, including Highlands (“I phoned people up, I was so excited!”), Dignity (“it never resolves but at the same time it’s perfectly satisfying”), The Lonesome Death Of Hattie Carroll, Brownsville Girl, Hurricane, Isis, Bob Dylan’s 115th Dream, The Ballad Of Hollis Brown, Clothes Line Saga, 4th Time Around and plenty more. Daragh particularly praises the 21st Century Dylan: “in the last twenty years, his persona is Humphrey Bogart crossed with a riverboat gambler” and enjoys his “obstinate personality. It’s like a marriage. You love the flaws, too”. Films are discussed (Shane, The Gunfighter), Dylan’s early contemporaries like Phil Ochs are considered, even video games are touched upon (Red Dead Redemption!). Join us there - when you feel good enough to go. Daragh Carville is a playwright and screenwriter from Armagh in Northern Ireland. He is a recipient of the Stewart Parker Award and the Meyer Whitworth Prize for playwriting. His first feature film, Middletown, premiered at the Tribeca Film Festival and his second, Cherrybomb, at the Berlin Film Festival. Plays include Language Roulette, Observatory, Family Plot, This Other City, The Life and Times of Mitchell and Kenyon and History. Daragh’s television work includes ITV’s The Bay (Series 2, 2021), Being Human, 6 Degrees and The Smoke. Radio plays: Regenerations - about a Doctor Who convention - and Dracula, starring Michael Fassbender. He teaches Scriptwriting at Birkbeck, University of London. The Bay Website Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 10th August 2020 This show is part of Pantheon Podcasts.

Daragh Carville

Sitting on the porch of his Long Island lockdown hideaway, serenaded by a local bird, Loudon Wainwright III reminds us that he was proclaimed “the first of the new Bob Dylans”. It helped me get a record deal but then it got to be a pain in the ass”. He still has a “reservoir of respect, admiration and awe” for the man and his work. “I dream about Dylan a lot. He is on, in and under my mind: the Muhammad Ali of songwriters.” Loudon has seen Dylan in concert and been visited by him backstage after his own concerts. “I was headlining at Max’s Kansas City. He came with Doug Sahm. They were both wearing cowboy hats. Bob said, “I really like that ‘Dead Skunk’ song”. He has worked with everyone from producer Bob Johnston and Nashville cats Kenny Buttrey, Ron Cornelius and Hargus “Pig” Robbins to David Mansfield, Ramblin’ Jack Elliott and good buddy Christopher Guest (“he does a great Bob Dylan impression”). Despite his admiration, he stopped listening for many years after John Wesley Harding. “I was too threatened by his greatness”. Meet the man who happily called himself - along with Bruce Springsteen, John Prine and Steve Forbert - one of Bob Dylan’s “dumbass kid brothers”. After two previous nominations, singer/songwriter/actor Loudon Wainwright III won a Grammy for 2009’s High, Wide And Handsome: The Charlie Poole Project. His songs have been covered by Johnny Cash, Bonnie Raitt, Earl Scruggs, Mose Allison, Big Star, Norma Waterson and his son Rufus Wainwright. Loudon’s many albums include Attempted Mustache, Fame and Wealth, I’m Alright, Therapy, History, Grown Man, Little Ship, Last Man On Earth, So Damn Happy, Recovery, Strange Weirdos, Older Than My Old Man Now, Haven’t Got The Blues (Yet) and Years In The The Making. His latest album, backed by Vince Giordano and the Nighthawks, is I’d Rather Lead A Band. Loudon’s film acting credits include Knocked Up (for which he also wrote the soundtrack), The 40-Year-Old Virgin and Scorsese’s The Aviator. TV acting credits include a recurring role in M*A*S*H, as well as his Netflix Special Surviving Twin. Website Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 8th July 2020 This show is part of Pantheon Podcasts.

Loudon Wainwright III

Singer/songwriter/podcaster/painter Dan Bern admits: “It was not lost on me, being an isolated Jewish kid in Iowa, that Bob had come from just up the road in Minnesota.” When he first heard Dylan at age 15 (“everything he was saying had a bit of a sneer to it. It was a portal for me”), he traded in his cello for a guitar and started writing songs. They eventually included the outrageous Talkin’ Woody, Bob, Bruce and Dan Blues (“When I met Springsteen, he said, “I hear ya wrote a SONG about me!”). Bern sat through Renaldo & Clara twice in a row in a Camden Town cinema when it was first released: “it seemed so fun and free and loose”. On Bob’s Born-Again days: “Jews wrestle with God. They talk to him as if he’s just another dude”. Does he keep up? “Bob’s songs are always with me. Like Bible verses, floating in and out of my head. It’s a nourishing songbag.” Share our long-distance visit with the man Dylan once called “a scurrilous little wretch” (after he wrote a fake interview with Bob’s mother). All this and more, as they say. Dan Bern has released 25 albums and played thousands of shows across North America and Europe. Bern’s songs have appeared in numerous TV shows and films including Walk Hard - The Dewey Cox Story, and Get Him To The Greek. He also writes and performs songs for the Amazon Prime kids’ programme The Stinky and Dirty Show. A visual artist, Bern has had gallery showings in Florida, New York City and San Francisco. He is the author of several books, and acts in the radio drama podcast 10,000 Crappy Songs: in which he plays an ex-songwriter turned private eye. In addition, he runs the 24/7 internet radio station, Radio Free Bernsteinn. Dan Bern’s latest album is Regent Street. Website Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 29th June 2020 This show is part of Pantheon Podcasts.

Dan Bern

Actor Rufus Jones (writer and co-star of Channel 4’s Home) has hardly answered the BobPhone before he confesses that, despite his Cambridge English degree, “Dylan still scares the hell out of me”. But he’s relieved that “Bob’s entering a 'jolly grandpa' phase. He seems less concerned with preserving the myth”. Rufus references Beyoncé, the Eagles (“the story of the Eagles is better than the sound of the Eagles”), T.S. Eliot, Ezra Pound, Hieronymus Bosch and Christopher Ricks before moving on, via Desolation Row, to the enigma that is Murder Most Foul (“it reads like bad poetry but sings like good poetry”). In an episode recorded before the release of Rough And Rowdy Ways, theories are promulgated, lines dissected and numerology explored. Murder Most Foul is “a confounding song. He takes a piece of real life and spins it into something abstract and horrific.” Join us for a dark but enlightening day in Dallas. Rufus Jones began his career as part of the sketch comedy group Dutch Elm Conservatoire. In the West End, he appeared in the hit comedy Dead Funny. His acclaimed TV series Home was nominated for a BAFTA. Other television work includes three series as David Wilkes in W1A, Four Lives, Flack, Loaded, Stag, Fresh Meat, Trying Again, The Casual Vacancy, Bob Servant, Hunderby and Holy Flying Circus (as Terry Jones). His films include Stan And Ollie, The Foreigner, Paddington and Silent Night (due for a Christmas 2020 release). Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 15th June 2020 This show is part of Pantheon Podcasts.

Rufus Jones

Rolling Thunder Revue bass player and bandleader Rob Stoner on Jacques Levy, Emmylou Harris, Sam Shepard and how he “made out with Joan Baez on a motel room balcony” for Renaldo & Clara. Rob also sets the record straight on the Scorsese Netflix film: “I got a beef with that Van Dorp character!” and alerts us to his uncredited harmony vocal on Abandoned Love. What was it like playing live with Bob? “Sink or swim. If you’re good enough, you ought to be able to swim”. Did Bob actually never speak to Mick Ronson on the Rolling Thunder tour? “It was written into the contract”. The Fort Collins concert, where Hard Rain was recorded? “Bob was in a foul mood, man.” Other insights include how Elvis miffed Bob, rehearsal details for the 1978 Alimony Tour and John Lennon’s “Dylan imitation” on Ticket To Ride. Roll up, roll up - for an historic episode. While still in school, Rob Stoner was signed to a songwriting contract by Leiber and Stoller. As a session musician, he played and sang on classic recordings including American Pie. His albums with Dylan include Desire, Hard Rain, Bob Dylan At Budokan and Live 1975. Following his stint with Bob, Rob released a critically-acclaimed album of original songs on MCA Records. He also became the first non-Southerner to release an album on Sun Records. His songs have been recorded by Link Wray, Johnny Winter and Robert Gordon. He has played with Chuck Berry, Ringo Starr, Bruce Springsteen, Stevie Ray Vaughan and countless others. Rob lives in Rockland County, New York, where he remains active on the music scene. Website Facebook Twitter Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 3rd June 2020 This show is part of Pantheon Podcasts.

Rob Stoner

Actor/musician Danny Horn, 31, played The Kinks’ frontman Ray Davies in the West End; but it was listening to Dylan at age 14 that changed his life. Do Dylan and Davies have anything in common? Danny tells us that - in 1967/68 - “they both made love letters to versions of their own countries that never existed. And they share a mercurial way of thinking”. Despite hanging out with Ray D, Danny knows his Bobby D. The conversation ranges from analysis of songs like Abandoned Love (“he’s both wounded puppy and venomous snake”) to the film I’m Not There (yes to Charlotte Gainsbourg, no to Christian Bale). All topped off with a hilarious near-death experience at The Royal Albert Hall. Join us for a funny, socially-distanced but intimate take on “the clown inside” of Bob Dylan. Danny Horn is an actor and musician, born in London in 1989. He trained at the Royal Central School of Speech and Drama and has worked frequently on stage and screen since graduating in 2010. He won acclaim for his performance in the hit West End musical Sunny Afternoon, which charted the early years of The Kinks. Other stage acting work includes The Dead Dogs and The Revenger’s Tragedy. Film and television work includes Emmerdale, Vera, Hetty Feather, Scar Tissue, M.I. High, Legend of the Bogeyman and Doctor Who. With his group the Shared Myths, Danny has just released his first album: Quitting Smoking. IMDb Website Album Bandcamp Boy Awake Trailer Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 4th May 2020 This show is part of Pantheon Podcasts.

Danny Horn

Actress Nathalie Armin (speaking at a digital distance) has been a Dylan fan since the age of six, when an unknown voice “showed her the colours in her mind” as she lay in the back seat of her father’s car. She graduated to playing Bob games on stage at the Royal Shakespeare Company (“we’d whisper Dylan song titles to each other. I always won”) and watching him perform at the Royal Albert Hall (“he was 72. I don’t know any 20 year-olds who have that much swagger”). The Bootleg Series Volumes 1 -3 is given a serious going over (“what must it be like to be Bob Dylan’s drawer? Blind Willie McTell – it was almost too private to put on an album”), as is the instant classic Murder Most Foul (only just released at the time of this recording). If you crave freewheelin’ discussions of Moonshiner, Talkin’ Bear Mountain Picnic Massacre Blues, House Carpenter, Catfish, Need A Woman and Foot of Pride, please zoom on down and join us. Nathalie Armin is an Anglo-Iranian actress. She has appeared in many acclaimed stage shows including THE MOTHERFUCKER WITH THE HAT at the National Theatre, LIMEHOUSE at the Donmar Warehouse and Robert Icke’s award-winning production of THE DOCTOR at the Almeida Theatre. Her film and television work includes FINAL SCORE, DENIAL, GROW YOUR OWN, Philip K. Dick’s ELECTRIC DREAMS, the award-wining THE LOST HONOUR OF CHRISTOPHER JEFFERIES, UNFORGOTTEN, MARCELLA and MAIGRET’S DEAD MAN. Nathalie can currently be seen as Yasmine in Channel 4’s hit comedy HOME. IMDb Trailer Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 30th March 2020 This show is part of Pantheon Podcasts.

Nathalie Armin

Bestselling Shakespeare authority James Shapiro joined us on the Bob Phone from New York, just before the world locked down and the Shakespeare-laden Murder Most Foul unexpectedly dropped. “In a time like this,” he told us, “I find great comfort in the complete works of William Shakespeare and Bob Dylan”. He goes on to link them more closely: “we think of Shakespeare as a word guy - but he collaborated with the greatest musicians of his day. He understood that music is magic” and he happily agrees that “both of them were professional, creative thieves”. Join us for an important episode that celebrates, as James puts it, “the extraordinary simplicity and range” of our two favourite artists. James Shapiro is Professor of English and Comparative Literature at Columbia University. He’s the author of numerous books including 1599: A Year in the Life of William Shakespeare, awarded the Samuel Johnson Prize for the best non-fiction book published in Britain; and The Year of Lear: Shakespeare in 1606, awarded the James Tait Black Prize. His latest book, Shakespeare In A Divided America, was a Radio 4 Book of the Week, read by podcast co-presenter Kerry Shale. His essays and reviews have appeared in the New York Times, the New Yorker, the Guardian, the London Review of Books, the New York Review of Books, the TLS, the Sunday Times, the Irish Times, the New Statesman and the Financial Times. Website: jamesshapiro.net Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 19th March 2020 This show is part of Pantheon Podcasts.

James Shapiro

Comedian Nish Kumar says: “Bob Dylan is the most enduring and important creative relationship of my life. If you can’t think of one Dylan song you like, then a part of your humanity may be missing”. When Bob and his band played the Hendrix arrangement of All Along The Watchtower at his first (and only) Dylan concert, it was “one of the greatest moments of my life”. In other words, he’s our sort of chap. Cheerfully agreeing that “there’s no bore like a Dylan bore”, Nish gives us his takes on Tangled Up In Blue (“I don’t think he’s ever finished it”), The Lonesome Death Of Hattie Carroll, Bob Dylan’s 115th Dream and I Shall Be Released. We get the inside story on using Bob as a role model when being booed (“bloody-minded obstinance in the face of people being dicks is very inspiring”) and for personal grooming inspiration (“my hair grows the way it grows because of the Blonde On Blonde album cover”). Nish Kumar grew up in Croydon, South London. He has a degree in History and English from Durham University. His sold-out solo shows have won awards at the Edinburgh Fringe and toured nationally and internationally to huge acclaim. Nish’s TV appearances include a Netflix Special, The John Bishop Show, Have I Got News For You, Alan Davies As Yet Untitled, QI, Mock The Week, and Live At The Apollo. He has been the presenter of the topical comedy show Newsjack on Radio 4 Extra, hosts television’s very popular The Mash Report on BBC Two and chairs The News Quiz on BBC Radio 4. Website Trailer Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 24th February 2020 This show is part of Pantheon Podcasts.

Nish Kumar

Scottish playwright David Greig was first “cracked open” to Dylan when he heard Desire in a remote part of South Africa “under the influence of the most extraordinarily strong dope”. “That’s it”, he thought, “I’M GOING IN!” He has yet to come out. David wrote his version of Euripides’ The Bacchae by playing the Hard Rain album over and over while drinking red wine and channelling “Dylan as Dionysius, Dylan as shaman”. Quotes that leap out of this most Scottish of episodes: “Bob Dylan couldn’t exist except for Edinburgh”, “I secretly love the glorious oddness of his bad rhymes” and his favourite bit of advice from Bob: “an artist should always be in the state of becoming” (from Scorsese’s No Direction Home). Other names lightly dropped include Kris Kristofferson, Robert Burns and David’s recent collaborator Mark Knopfler. Join us for a special episode that’s as warming as a wee dram. David Greig is Artistic Director of the Royal Lyceum Theatre in Edinburgh. His many plays and adaptations, staged in Scotland, London and around the world, include: Europe, Tintin In Tibet, Caligula, The American Pilot, The Bacchae, Midsummer, Charlie And The Chocolate Factory, Lanark, The Lorax, Touching The Void and this summer’s Old Vic production of Local Hero. Trailer Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 6th February 2020 This show is part of Pantheon Podcasts.

David Greig

Writer Neil Gaiman fell in love with A Hard Rain’s A-Gonna Fall via Bryan Ferry’s cover version. It ended up influencing the imagery of his novel American Gods (as well as the Amazon TV series). The song also provided a few gloomy pronouncements (“we’re in an apocalyptic state of mind: the doomsday clock is ticking”) in our otherwise jolly discussion. Colourful Bob theories are espoused: “if I were going to go cold turkey, I would have taken three months off to live with the local pharmacist” and sad information about that chaise longue is dispensed: “it has become somewhat damaged by cats over the years”. The location of the iconic piece of furniture is also discussed: “a weird and lovely faux-Dutch farmhouse… haunted by the ghost of the still-living Bob Dylan”. Tune in for Neil’s insights about Lou Reed, Elvis Costello, Joan Baez, Andy Warhol, Lord Buckley, Penn & Teller and Gilbert and Sullivan. Neil Gaiman is a British writer. His first book was a paperback biography of Duran Duran. Since then, his works have included the cult DC Comics series The Sandman, which won him nine Will Eisner Awards (including the award for best writer four times). His six-part TV series for the BBC, Neverwhere, was broadcast in 1996. Stardust, an illustrated prose novel in four parts, began to appear in 1997. American Gods was published in 2001 and won all the awards going. He co-wrote Good Omens with Terry Pratchett (now a hit TV series). Coraline, his first novel for children, was another international bestseller. And the hits kept coming: Anansi Boys, The Graveyard Book, The Ocean At The End Of The Lane (adapted into a hit play at the National Theatre). Neil has appeared as himself on The Simpsons. Trailer Website Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 13th December 2019 This show is part of Pantheon Podcasts.

Neil Gaiman

Rock journalist Barney Hoskyns comes on board for a special episode that focuses on The Band, with Dylan as their “weird” sideman. Tears Of Rage is compared to Philip Roth’s novel American Pastoral. Barney suspects it might just be “an anti-hippie song”. His “deeply emotional” attachment to the town of Woodstock is explored in depth: “overwhelmed by the mythology of the place”, he raised his kids there and explored its musical history in his book Small Town Talk (title taken from the song by Bobby Charles). After writing the acclaimed Band book Across The Great Divide, he reports on the feedback he received from Robbie Robertson: “Oh Barney, Barney, Barney, Barney…” while he praises the remarkable Woodstock-based novella Music From Big Pink by John Niven. He remembers an awful interview with Prince: “he sat like a sadistic cat, waiting to maul me” and connects the Minnesotan “Imp of the Perverse” with Bob. Is Barney ultimately a Dylan man? While admiring the early work, he’s also put off by its “sadism and cruelty”. “Barney Hoskyns is the finest British rock writer of his generation” - Charlie Gillett. He graduated from Oxford with a First Class degree in English and began writing about music for Melody Maker and New Musical Express, British Vogue and The Times, The Guardian, The Independent, and The Observer. He has also contributed to Harper's Bazaar, Interview magazine, Spin magazine and Rolling Stone. He was Associate Editor and then U.S. Editor of Mojo. Barney has written over fifteen books: investigating Bowie, Prince, Led Zeppelin and The Doors; plus Say It One Time For The Brokenhearted: Country Soul In The American South, Across The Great Divide: The Band And America and Joni: The Anthology. Trailer Website Rock's Back Pages Twitter Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 2nd December 2019 This show is part of Pantheon Podcasts.

Barney Hoskyns

On the BobPhone from the USA: it’s award-winning writer Jonathan Lethem, author of Motherless Brooklyn, with a supremely quotable episode. On his “Big Kahuna” interview of Bob for Rolling Stone: “he was direct and generous; we had a good time”. An advocate for Dylan’s latter-day stuff, he believes that “humour is underrated as a feature of the operation”. Among Jonathan’s many provocative thoughts: “The power of (Dylan’s) negativity is a form of creative dynamism” and “how many people could have turned down the coronations he’s been offered”? He praises the “fiasco methodology” of Under The Red Sky, has mixed feelings about Together Through Life (“if you underrate a thing it can kick your ass”) and condemns the Sinatra years as “a fatally tasteful hiding place”. Did Dylan stay in Mississippi a day too long? Join us and find out. Jonathan Lethem is an American novelist, essayist and short story writer. His first novel Gun, with Occasional Music, which mixed elements of science fiction and detective fiction, was published in 1994. In 1999, Lethem published Motherless Brooklyn, a National Book Critics Circle Award-winning novel that achieved mainstream success: the movie adaptation by Edward Norton has just been released. In 2003, he published The Fortress of Solitude, which became a New York Times bestseller. His most recent novel is The Feral Detective. A Brooklyn native, Jonathan lives and teaches in California. His 2006 Rolling Stone piece on James Brown Website Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 19th November 2019

Jonathan Lethem

Broadcaster, journalist and “swivel-eyed Dylanologist” Andy Kershaw, “a radio station within a radio station” during his time on Radio 1, gives us his unvarnished thoughts. From arguments with his dad about Bob’s greatness to his first sighting of “the human American bald eagle” at Earl’s Court in 1978, to his unravelling of the identity of the “Judas!” heckler, to Bob’s actual response (“he doesn’t say “play fucking loud!”), this is a delightful and surprising episode. Andy’s encounters include a meeting with Keith Richards (“he nicked my cigarette lighter!”), tracking down long-lost soul singer James Carr in Memphis; and his impromptu November 1985 visit to Dave Stewart’s Crouch End recording studio: “I gave Bob a jar of hedgerow jam. It was like handing a mobile phone to a chimpanzee”. What hasn’t Andy Kershaw done? He was Billy Bragg’s roadie, a presenter of Whistle Test and Live Aid, and a subversive yet respected DJ. His shows on BBC Radio 1 and 3 provided an outlet for his love of world music, soul, reggae and blues. He married this with many forays into journalism, reporting on the Rwandan genocide and travelling to 97 countries including Iran, Iraq and North Korea. When he moved from London to the Isle of Man in 2006, he continued to host his radio show there and organised concerts featuring Robert Plant, The Who, The Kinks and Lou Reed. Andy currently reports for BBC 1’s The One Show. His autobiography, No Off Switch, is “an amazing read” according to Stephen Fry. Stephen is correct. Website Trailer Twitter: @THEAndyKershaw Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 7th November 2019 This show is part of Pantheon Podcasts.

Andy Kershaw

Actors Kerry Shale and Lucas Hare talk to interesting people about Bob Dylan. Proud part of Pantheon - the podcast network for music lovers.

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Is It Rolling, Bob? Talking Dylan

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