From the Latino USA archives, producer Marlon Bishop travels to the Dominican-Haitian border to unpack the history of what happened during the Perejil Massacre of 1937—and what are the consequences today. This episode originally aired on October 6, 2017.

Latino USA

A Border Drawn in Blood

As a Zapotec and Maya Ch’orti’ environmental scientist, Dr. Jessica Hernandez has always found academia to be a hostile place. She had looked forward to sharing what she learned from her grandmother and father about nature as an undergraduate student, but her lived experiences and knowledge were dismissed and sometimes mocked by her professors. Now, Dr. Hernandez is working to change how we think about environmental sciences by centering Indigenous science to heal our planet, because she knows Western conservationism isn’t working.

Indigenous Science With Jessica Hernandez

If some Latinos hear "la doctora," it doesn’t evoke the image of a medical doctor. Instead, it’s that of a Cuban American attorney-turned-show host who sings her own theme song. In 2001, Doctora Polo had been practicing family law for over 20 years in Miami when she was hired to host a new court show on Telemundo that would later become "Caso Cerrado." It often aired for multiple hours a day on Telemundo and was nominated for a Daytime Emmy. In this episode of "Latino USA," Doctora Polo reflects on her role as a Latina entertainer and the phenomenon of "Caso Cerrado" in Latinx pop culture.

Doctora Polo: 'This Is Who I Am'

From Futuro Studios and Sonoro Chalino grew up surrounded by violence in a humble town in Sinaloa. But his life takes a turn for the worse when a group of men attack his sister. That day he promises to avenge her. Years later, when he is given his first pistol, Chalino is believed to have stalked one of the attackers at a party. This event gives rise to the first theory about who could have killed Chalino. For more episodes, subscribe here.

The Fiesta Theory — Ídolo: The Ballad of Chalino Sánchez

From Futuro Studios and Sonoro Narcocorrido superstar Chalino Sánchez sings to a sold-out crowd for the first time in Sinaloa. It's the best night of his career until someone hands him a note. His face turns pale and his smile slowly disappears. That night, after the show, Chalino will be executed. But who killed him and why? We begin a journey to understand Chalino's life and impact, and the theories behind his unsolved murder. For more episodes, subscribe here.

Death Note — Introducing Ídolo: The Ballad of Chalino Sánchez

Latino USA is featuring a recent Latino Rebels Radio episode where host Julio Ricardo Varela welcomes Chilean historian and journalist Camila Vergara to discuss Chile’s historic elections and how new political mechanisms will be required to loosen the grip of reactionary forces in an effort to radically redraft the Constitution. For more Latino Rebels Radio shows, subscribe here.

The Rise of Chile's Center-Left

It has been over seven years since 43 students from the Ayotzinapa Rural Teachers’ College in Guerrero, Mexico, were taken by armed men in the middle of the night. They were never seen again. Their disappearance sparked mass protests, as the 43 became symbols of Mexico’s unchecked human rights abuses. In recent decades, tens of thousands of people have gone missing in Mexico, and almost no one has been held accountable. The culture of impunity is so ingrained that families often don’t go to police for help, believing they’re either corrupt or too afraid to investigate. In the first part of a three-part investigation of the Ayotzinapa case, Reveal’s Anayansi Diaz-Cortes and Kate Doyle from the National Security Archive take us inside the investigation into the attack on the students. For parts two and three, go to the Reveal podcast feed.

After Ayotzinapa: The Missing 43

Veronique Medrano is a Tejano and Spanish Country singer from Brownsville, Texas in the Rio Grande Valley. Veronique finds inspiration as an artist from her experiences living on the border, her Mexican-American identity and her everyday life. On this How I Made It segment, Veronique walks us through the origins and diversity of Tejano music, being a woman in a male-dominated industry and the importance of archiving and preserving the genre for future generations.

Fighting for Tejano Music With Veronique Medrano

From Futuro Studios and Sonoro, a show that examines the extraordinary life of the “King of Corridos” and attempts to unravel the mystery of his death.  Coming next week to all podcast platforms. Subscribe here.

Introducing ÍDOLO: The Ballad of Chalino Sánchez

Two boys, Mexican-American, 1987, El Paso, Texas… and they fall in love. That’s the pitch behind Benjamin Alire Sáenz’s bestselling young adult novel, “Aristotle and Dante Discover the Secrets of the Universe.” Nearly a decade later, Benjamin would release the book’s sequel, “Aristotle and Dante Dive into the Waters of the World,” to wide acclaim. For both books, Benjamin drew inspiration from his life growing up near the border in New Mexico. But he didn’t immediately begin writing full-time—Benjamin was a priest for several years until he left the order just before turning 30. He eventually followed his calling to be a writer and moved to El Paso, where he would write several award-winning books including “Aristotle and Dante.” The novels would become a massive, queer young adult hit that spoke to hundreds of thousands of readers around the world. Benjamin, a gay Latino man himself who came out just a few years before the book was published, found solace in the characters, too. On this episode of Latino USA, Benjamin talks about his journey from the borderlands to the priesthood and back to El Paso again. He also discusses “Aristotle and Dante Discover the Secrets of the Universe”—the book that he says saved his life and became a surprise international phenomenon along the way.

Benjamin Alire Sáenz Discovers the Secrets of His Universe

For this special Latino USA presentation of In The Thick, Maria and Julio are joined by Keeanga-Yamahtta Taylor, historian, writer and professor at Princeton University, and Adam Goodman, professor at the University of Illinois Chicago, for a conversation about the deep-rooted history of white supremacy in this country. They discuss their chapters in a new anthology titled A Field Guide to White Supremacy, and also get into how white supremacy manifests in our society today, from the immigration system to policing. You can subscribe to In The Thick here.

White Supremacy Is Evergreen

Juan Castillo escaped the Civil War in El Salvador and fled to the U.S. in search of freedom. He was barely a teenager when he arrived and soon fell into the wrong crowd. After being accused and convicted of a murder he denies having committed, he’s been striving to make a life in prison for the last 26 years. Now, as ICE is trying to deport him, he’s fighting to not only find freedom again, but remain in the only country he knows. Juan tells the story of how he transformed his life, became a religious guide for fellow prisoners and detainees, and relied on art and literature to reach beyond the bars that confine him.

The Elusive Freedom of Juan Castillo

José Hernandez began modeling a couple years ago after a photoshoot of his went viral in 2018. The main image showed him holding a rooster, glammed up in a look that can only be described as Queer Chicano Chic, with glowing skin, a tight fade, cowboy boots, and a luscious mustache. Since then José has been booked and busy. He’s worked with brands such as NYX Cosmetics, Facebook, and Grindr, and walking down the runways at LA and New York Fashion Week. Though beauty standards in the modeling industry are among the most narrow in fashion, José is challenging those preconceptions and embracing his own aesthetic in his modeling, influenced by Mexican rancheros and 90s L.A. street style. In this episode of Latino USA, José Hernandez speaks about beauty, community, and representation—not only on the runway, but behind the scenes, where he believes it truly matters.

Selling the Fantasy With José Hernandez

While tango is usually pictured as a dance between a white man in an elegant black suit and a white woman in high heels, and a tight red dress, the reality of tango goes much deeper. Born in the brothels and dance halls of Buenos Aires’ lower caste, this music and dance is actually rooted in Argentina’s African and queer subcultures. Before it became the defining music of Argentina, tango was actually condemned by elites and the Catholic church, which saw it as obscene and transgressive. The dance’s reign was also threatened by the worldwide phenomenon of rock n’ roll and then all but buried by Argentina's Dirty War. When tango began its revival in the 1980s and 90s, a new era of tango artists began challenging rigid norms established in the early half of the 20th century. Breaking from traditional gender roles and shining a light on the Black history of tango, these artists aimed to invoke tango’s past to make way for a more inclusive future. In this episode, we travel to Argentina and meet three women who will help us to understand the controversial roots of tango and how they are helping to give new life to a dance very much rooted in tradition.

Tango Resiste

Chicago is a breeding ground for diverse sounds: it is the birthplace of house music and has a thriving indie hip-hop scene. One of the city's up-and-coming artists is Kaina Castillo. Known simply as KAINA, the 23-year-old singer-songwriter blends genres like soul and rock, creating dreamy soundscapes. A Latina of Venezuelan and Guatemalan descent, she writes about struggling with her identity, all while uplifting her immigrant roots. In this "How I Made It" segment, KAINA tells us about what it was like growing up with a small family, making a name for herself in Chicago’s vibrant music scene and the inspiration behind her music. This podcast originally aired on October 8, 2019.

How I Made It: KAINA

Latino USA, the radio journal of news and culture, is the only national, English-language radio program produced from a Latino perspective.

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