Haaz Sleiman (هاز سليمان) is a Lebanese actor who has appeared as Tarek in Tom McCarthy’s 2007 award-winning film The Visitor, for which he was nominated for the Independent Spirit Award for Best Supporting Male and the role of Jesus in the American TV mini-series Killing Jesus. He’s also appeared alongside Edie Falco and Anna Deavere Smith (guest on The Proust Questionnaire) in the hit show Nurse Jackie, and stars in Chloe Zhao’s 2021 blockbuster Eternals, where he plays (spoiler alert!) the path-breaking role of Ben, the husband of superhero Phastos as the first wonderful, compelling, and courageous same-sex couple in the Marvel universe.  Ulrich Baer is University Professor at New York University where he teaches literature and photography, and writes frequently about photography, art, literature, and other subjects. He is also the host of the podcast “Think About It” and editorial director at Warbler Press. Twitter: @UliBaer; Intragram. Caroline Weber is a specialist of French literature, history, and culture. She is Professor of French and Comparative Literature at Barnard College and Columbia University in New York City. Twitter: @CorklinedRoom. Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

New Books in Dance

Proust Questionnaire 36: Haaz Sleiman, Actor

Why does a clarinet play at lower pitches than a flute? What does it mean for sounds to be in or out of tune? How are emotions carried by music? Do other animals perceive sound like we do? How might a musician use math to come up with new ideas? This book offers a lively exploration of the mathematics, physics, and neuroscience that underlie music in a way that readers without scientific background can follow. David Sulzer, also known in the musical world as Dave Soldier, explains why the perception of music encompasses the physics of sound, the functions of the ear and deep-brain auditory pathways, and the physiology of emotion. He delves into topics such as the math by which musical scales, rhythms, tuning, and harmonies are derived, from the days of Pythagoras to technological manipulation of sound waves. Sulzer ranges from styles from around the world to canonical composers to hip-hop, the history of experimental music, and animal sound by songbirds, cetaceans, bats, and insects. He makes accessible a vast range of material, helping readers discover the universal principles behind the music they find meaningful. Written for musicians and music lovers with any level of science and math proficiency, including none, Music, Math, and Mind: The Physics and Neuroscience of Music (Columbia UP, 2021) demystifies how music works while testifying to its beauty and wonder. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

David Sulzer, "Music, Math, and Mind: The Physics and Neuroscience of Music" (Columbia UP, 2021)

Banksy is the world's most famous living artist, yet no one knows who he is. For more than twenty years, his wryly political and darkly humorous spray paintings have appeared mysteriously on urban walls around the globe, generating headlines and controversy. Art critics disdain him, but the public (and the art market) love him. With Banksy: Completed (MIT Press, 2021), artist and critic Carol Diehl is the first author to probe the depths of the Banksy mystery. Through her exploration of his paintings, installations, writings, and Academy Award-nominated film, Exit Through the Gift Shop, Diehl proves unequivocally that there's more to Banksy than the painting on the wall. Seeing Banksy as the ultimate provocateur, Diehl investigates the dramas that unfold after his works are discovered, with all of their social, economic, and political implications. She reveals how this trickster rattles the system, whether during his month-long 2013 self-styled New York “residency” or his notorious Dismaland of 2015, a full-scale dystopian “family theme park unsuitable for children” dedicated to the failure of capitalism. Banksy's work, Diehl shows, is a synthesis of conceptual art, social commentary, and political protest, played out not in museums but where it can have the most effect—on the street, in the real world. The questions Banksy raises about the uses of public and private property, the role of the global corporatocracy, the never-ending wars, and the gap between artworks as luxury goods and as vehicles of social expression, have never been more relevant. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Carol Diehl, "Banksy: Completed" (MIT Press, 2021)

Inhospitable World: Cinema in the Time of the Anthropocene (Oxford UP, 2018) explores the connection between cinema and artificial weather, climates, and even planets in or on which hospitality and survival are at stake. Cinema’s dominant mode of aesthetic world-making is often at odds with the very real human world it is meant to simulate. The chapters in this book take the reader to a scene —the mise-en-scène— where human world-making is undone by the force of human activity, whether it is explicitly for the sake of making a film, or for practicing war and nuclear science, or for the purpose of addressing climate change in ways that exacerbate its already inhospitable effects. The episodes in this book emphasize our always unnatural and unwelcoming environment as a matter of production, a willed and wanted milieu, however harmful, that is inseparable from but also made perceivable through film. While no one film or set of films adds up to a totalizing explanation of climate change, cinema enables us to glimpse anthropogenic environments as both an accidental effect of human activity and a matter of design. Chapters on Buster Keaton, American atomic test films, film noir, the art of China’s Three Gorges Dam, and films of early Antarctic exploration trace parallel histories of film and location design that spell out the ambitions, sensations, and narratives of the Anthropocene, especially as it consolidates into the Great Acceleration starting in 1945. Jennifer Fay is Associate Professor of English and Director of Film Studies, Vanderbilt University Gustavo E. Gutiérrez Suárez is MA in Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, Film theory and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Jennifer Fay, "Inhospitable World: Cinema in the Time of the Anthropocene" (Oxford UP, 2018)

The Physics of Banjos is based on an in-depth filmed conversation between Howard Burton and David Politzer, 2004 Nobel Laureate and the Richard Chace Tolman Professor of Theoretical Physics at Caltech. This extensive conversation examines many of the intriguing aspects associated with the physics of banjos, including the ocarina effect, string-stretching, the subtleties of how we hear pitch, transient growth, and the mysterious ringing sound of banjos; while also touching briefly on contemporary issues in black holes and particle physics. Howard Burton is the founder of the Ideas Roadshow, Ideas on Film and host of the Ideas Roadshow Podcast. He can be reached at howard@ideasroadshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

David Politzer, “The Physics of Banjos” (Open Agenda, 2021)

Today, oral histories of everyday Singaporeans are more widely circulated in the nation’s mediascape than ever before. At first glance, storytelling in Singapore appears to have lost its monolithic quality, becoming diffuse and diversified. But as Dr Cheng Nien Yuan argues, Singapore has become a Storytelling State, marketing bite-sized pieces of consumable lives as authentic windows to the private self. The result is the use of personal stories within the neoliberal public sphere, mirroring a growing global phenomenon. To tell this story, Dr Natali Pearson is joined by Dr Cheng Nien Yuan to discuss her award-winning research that charts Singapore’s development into a storytelling state over the last decade. About Cheng Nien Yuan: Cheng Nien Yuan is an Honorary Associate at the University of Sydney’s School of Literature, Art and Media, as well as the Sydney Southeast Asia Centre. Her research centres around the politics and poetics of storytelling in Singapore. She obtained her PhD in Theatre and Performance Studies in 2020 at Sydney University. Her thesis titled ‘The Storytelling State: Performing Life Histories in Singapore’ was awarded the 2020 John Legge Best Thesis in Asian Studies Prize by the Asian Studies Association of Australia. She has published in the journals Studies in Theatre and Performance (2021), Performance Paradigm (2018), and the Oral History Review (2017). She is also a dramaturg and performance-maker. Cheng is currently based in the Intercultural Theatre Institute in Singapore, where she researches their pedagogy and practice. For more information or to browse additional resources, visit the Sydney Southeast Asia Centre’s website: www.sydney.edu.au/sseac. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The Storytelling State: Performing Life Histories in Singapore

The Strange Genius of Mr. O.: The World of the United States' First Forgotten Celebrity (Omohundro Institute of Early American History and Culture and the University of North Carolina Press, 2021) by Carolyn Eastman is at once the biography of a remarkably odd celebrity---a gaunt, opium-addicted Scottish orator who lectured in a toga--and a tour of the fledgling United States. James Ogilvie arrived in the United States in 1793 as an educated, impoverished, and deeply ambitious teacher. By the time he returned to Britain in 1819, he was a celebrity known simply as "Mr. O" who counted the nation's leading politicians, writers, and intellectuals among his admirers. Following Ogilvie on lecture tours from the Atlantic coast as far west as frontier Kentucky, Eastman reconstructs his path to renown, explaining how and why Ogilvie mattered to the citizens of the early republic. His example inspired countless men and more than a few women to become amateur orators and helped inaugurate America's golden age of oratory. At a time when Americans were eager for national unity, Ogilvie and his audiences hoped that eloquence might knit a divided public together---that educated, elevated oratory might provide a bedrock for citizenship and civic belonging. In Eastman's hands, Ogilvie's remarkable life story has as much to tell us about a fascinating man as it has to reveal about the nation he helped fashion. Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Carolyn Eastman, "The Strange Genius of Mr. O.: The World of the United States' First Forgotten Celebrity" (UNC Press, 2021)

Firebird and the Fox: Russian Culture under Tsars and Bolsheviks (Cambridge UP, 2019) by Jeffrey Brooks, Professor of History at Johns Hopkins University, is a summa of his lifetime study of Russian culture. In doing so, Brooks provides a needed corrective to the prior standard work, now over 50 years old. Firebird and the Fox chronicles a century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it. Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are at https://strategicdividendinves...﻿ Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Jeffrey Brooks, "The Firebird and the Fox: Russian Culture under Tsars and Bolsheviks" (Cambridge UP, 2019)

The 2015 #WakingTheFeminists Campaign for gender equality in Irish theatre highlighted the marginalization of women in this industry and led to several significant initiatives that interrogated existing theater practices and pushed for inclusion and representation. Inspired by this movement, three academics, David Clare, Fiona McDonagh, and Justine Nakase, joined forces to co-edit a two-volume collection of scholarship on Irish women playwrights. In this episode, these three scholars discuss their new volumes entitled The Golden Thread: Irish Women Playwrights (1716-2016) (Liverpool UP 2021). Spanning from the eighteenth-century to the present day, The Golden Thread brings together the work of leading scholars in Irish theater and women’s writing with that of theater practitioners to recover the often-hidden contributions of women playwrights. The collection develops a counter-canon of Irish playwrights that examines issues of class, sexuality, and disability. Colleen English is a scholar of Irish and Romantic literature based at Loyola University Chicago. She co-convenes the Irish Studies Scholarly Seminar at the Newberry Library. Twitter feed: https://twitter.com/colleenjenglish Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

David Clare et al., "The Golden Thread: Irish Women Playwrights (1716-2016)" (Liverpool UP, 2021)

Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music during US Colonization of the Philippines published in 2021 by the University Press of Mississippi by Mary Talusan focuses on the Philippine Constabulary band, a military band organized in 1902 that served the colonial government in the Philippines until World War II. Founded and led for most of its history by Walter Loving, a Black soldier in the American military, the band visited the United States four times between 1904 and 1939 and it is these visits that Talusan examines in Instruments of Empire. Listening with what Talusan calls the imperial ear, American commentators understood the group’s command of the standard band repertory of the period not as a result of the Filipino musician’s training and skill, but as evidence of their so-called natural musical ability which had been tamed by the allegedly civilizing influence of American colonial rule. Tracing the band’s reception over time, Talusan analyzes the cultural, political, and social causes and byproducts of American imperial ambitions. Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Mary Talusan, "Instruments of Empire: Filipino Musicians, Black Soldiers, and Military Band Music During US Colonization of the Philippines" (UP of Mississippi, 2021)

In Indirect Subjects: Nollywood's Local Address (Duke UP, 2021), Matthew H. Brown analyzes the content of the prolific Nigerian film industry's mostly direct-to-video movies alongside local practices of production and circulation to show how screen media play spatial roles in global power relations. Scrutinizing the deep structural and aesthetic relationship between Nollywood, as the industry is known, and Nigerian state television, Brown tracks how several Nollywood films, in ways similar to both state television programs and colonial cinema productions, invite local spectators to experience liberal capitalism not only as a form of exploitation but as a set of expectations about the future. This mode of address, which Brown refers to as “periliberalism,” sustains global power imbalances by locating viewers within liberalism but distancing them from its processes and benefits. Locating the wellspring of this hypocrisy in the British Empire's practice of indirect rule, Brown contends that culture industries like Nollywood can sustain capitalism by isolating ordinary African people, whose labor and consumption fuel it, from its exclusive privileges. In addition to further our understanding of Nollywood, Indirect Subjects makes important theoretical contributions to the fields of media studies, cultural history, and the study of global capitalism. Dr. Matthew Brown is an Assistant Professor in the The Department of African Cultural Studies at the University of Wisconsin-Madison. Sara Katz is a postdoctoral associate in the history department at Duke University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Matthew H. Brown, "Indirect Subjects: Nollywood's Local Address" (Duke UP, 2021)

In The Girl Singer (Fireside Industries, 2021), her latest collection of poems, Marianne Worthington weaves together nature writing, feminism, and country music to form a powerful strand of interlocking poems. In the book's first section, Worthington inhabits famous woman singers like Hazel Dickens and Sara Carter, but also unsung artists who struggled to find a voice or an audience in the patriarchal world of country music. Later sections pivot to more personal themes, but the resonances of the first section remain in lines that recall the lyrics of folksongs, evocations of the singing of birds, and poems that make use of traditional song structure. The collection as a whole is an immensely satisfying volume that should appeal to poetry fans in general, as well as fans of country, folk, and old-time music. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Marianne Worthington, "The Girl Singer" (Fireside Industries, 2021)

By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021)

Alisa Freedman's book Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost (Association for Asian Studies, 2021) explores political, economic, and cultural issues underlying depictions of Japan on U.S. television comedies and the programs they inspired. Since the 1950s, U.S. television programs have taken the role of “curators” of Japan, displaying and explaining selected aspects for viewers. Beliefs in U.S. hegemony over Japan underpin this curation process. Japan on American TV takes a historical perspective to understand the diversity of Japan parodies and examines six main categories of television portrayals representing different genres and comedic forms: (1) stereotypes of judo instructors (1950s and 1960s); (2) samurai parodies (prevalent in the 1970s); (3) the Bubble Economy Era in Sesame Street’s Big Bird in Japan (1988); (4) “Cool Japan” parodies (1990s through the present); (5) eager fans in sketch series (2010s); and (6) makeover reality shows (2019). These examples show changing patterns of cultural globalization and perpetuate national stereotypes while verifying Japan’s international influence. Television presents an alternative history of American fascinations with and fears of Japan. Written in an accessible style that will appeal to scholars, teachers, students, and anyone with an interest in Japan and popular culture, as well as an ideal text for classroom use, Japan on American TV offers a gentle means to approach racism, cultural essentialism, cultural appropriation, and issues otherwise difficult to discuss and models new ways to apply knowledge of Asian Studies. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Alisa Freedman, "Japan on American TV: Screaming Samurai Join Anime Clubs in the Land of the Lost" (Association for Asian Studies, 2021)

Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity––and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity (Stanford UP, 2021), Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions. Amber Nickell is Associate Professor of History at Fort Hays State University, Editor at H-Ukraine, and Host at NBN Jewish Studies and Eastern Europe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Sonia Gollance, "It Could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity" (Stanford UP, 2021)

Interviews with Scholars of Dance about their New Books

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New Books in Dance

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