It’s 1979,  Olivia Murray, who is a secretary at a Los Angeles newspaper,  has aspirations of becoming a photojournalist.  Out of the blue, she has a chance to go to Iraq with her Kurdish boyfriend, ostensibly for a weeding of his cousin, but also because he needs to reunite with his family. And so begins this remarkable 2021 novel by Gian Sardar, Take What You Can Carry. In her acknowledgments at the end of the book, Sarder explains that "... Kurdistan is spread over four countries, so isolation has been both geographic as well as political." While Sardar is quick to point out that her book is a work of fiction, it is based on true events. Sardar’s father is from Kurdistan, and her mother an American. She explains that her father’s tales about his life in Kurdistan provide the kernel of the story she tells in the novel. “Growing up in Kurdistan of Iraq, my father and his family endured atrocities I could never fully capture with words.”In  many ways this novel is a love story, Olivia and her Kurdish boyfriend, Delan, find their love and their very lives in danger. Delan has called his parents in Iraq to tell them he might show up for the wedding, but they must speak in code, since the family is political, and they know the government taps their phones, and he is not sure from their coded conversation whether his mother is telling him to come, that it is relatively safe, or  whether instead she is telling him not to come, that the risks are too great. Even before his trip to Iraq, Delan agitates in the U.S to inform his friends of the plight of the Kurds in Iraq. The United States and Kissinger had encouraged and funded them in a rise against the Iraqi government, as a favor to the Shah of Iran, but abandoned them when they no longer served their purpose...They never wanted us to win. That’s what the committee found. They wanted us only to fight and keep Baghdad busy. We were a pawn. Kurds quit their jobs, school, you name it. Everyone joined in to fight and to die in a battle we were never allowed to win.More than two hundred thousand refugees when they abandoned us, when we were being slaughtered, and not one dollar of humanitarian aid from the United States. Our leader, Barzani, he begged Kissinger for the United states to help.There is a lot of drama in this novel, and I don’t intend to give much of the plot away. Delan has a brother, Soran, who is a passionate gardener, and who says he must stay out of the fray, since he has an adopted daughter, Lailan, to care for. At one point Olivia questions Soran about his habit of bathing at night. He replies:People in our family, they’ve always been political. So even in peace we had problems, Arrests. Imprisonments. But then the the kingdom was toppled in ’58  and the republic created. From then on no Kurds had peace. And the government bombed during the day.” He stops, as if this is all that needs to be said, but then sees that’s not the case. “Imagine, not having clothes on when the sirens go  off or when the ground starts to shake and you have to run. Imagine soap in your hair when you see the shadow of the plane.We learned to live at night. To work, to bathe. When the time came, you had to run. Take what you can carry to the mountains. That is where we would go. The mountains to be safe.Olivia learns to hear the common saying, Head for the Hills, in a new light.Juxtaposed with the harrowing arrests and raids and constant fear, Sardar manages also to describe the colors and sounds and smells of Iraq, and to understand the history of that ancient land. She describes the vibrant colors of the dresses at the wedding they attend, so different than the bland whites of American weddings. In the field, she catches a flash of silver: the bride’s sisters and friends are dancing with knives. “They’re dancing with knives” He turns “They’re about to cut the cake. That’s to let him know they can handle knives. That he should be good to their sister. That they will protect her. There is so much color and excitement in this novel, and while it is often sad and frightening, there are also moments of great beauty and courage. Delan is known for his spontaneous kindness and generosity which is often impulsive and even dangerous. But one of his acts of kindness, turns out to save the family when there is an attack by government forces. This incident is one that Sardar explains is based on a real events in her Kurdish father’s life.This is a wonderful book and I am so grateful that it fell into my hands. I was all set to review a different book, The Five Wounds, by, KIrstin Valdez Quade. But I read that book weeks ago, and it was already vanishing from memory, so I decided on this novel that I had just finished. 

Old Mole Reading List

Take What You Can Carry by Gian Sardar

Gabriela Garcia’s 2021 debut novel is really a collection of interconnected stories, spanning several generations of women. The first story is about women cigar rollers in pre-Castro Cuba.The air thickened. Maria Isabel had by then breathed so much tobacco dusts she developed regular nosebleeds, but the foreman didn’t permit workers to open the window slats more than a sliver—sunlight would dry the cigars. So she hid her cough. She was the only woman in the workshop. She didn’t want to appear weak.A quick overview: Carmen came from Cuba to the U.S., and has always felt displaced. Her daughter, Jeanette, is addicted to drugs, and is determined to find out more about family history, and thus goes from Miami to Cuba to learn  more from her grandmother  than her very reticent mother will tell her. Carmen has taken in the daughter of neighbor who has been detained by ICE. Jeanette travels to Cuba and the stories of the three women unravel in  snippets via the stories of women who write down their histories. Once in Cuba, now under Castro, she begins to hear or read the stories. Study has become a habit among them; today they leave behind the cockfight in order to read a newspaper or book; now they scorn the bullring; today it is the theater the library, and the centers of good association where they are seen in constant attendance.While the author is quite willing to expose the difficulties of the poor in Castro’s Cuba (and the racism that is denied, and claimed to be only an American problem), she makes it clear that most are much better off than before when American corporations took from Cuba its wealth of natural goods and gave back little.The grandmother in Cuba has seen the brutal treatment of those who shout for change. She sees the coming revolution that is born of blood and poverty.  Married to a disenchanted intellectual who joins the struggle, she is denied access to the group of agitators once he knows she is pregnant. She placed one hand on her belly and felt the something  in her move and stretch as if seeking its freedom, felt as if the whole world were her womb. She wanted to write her own words. She wanted to write her life into existence and endure. Perhaps a piece of her knew death crouched close.While much of the book is concerned with the political struggles that led to the overthrow of corrupt, American controlled dictators, and then the new set of problem under Castro, the author is also swept away by the incredible natural beauty of Cuba. In a chapter titled “An Encyclopedia of Birds”, the birds a metaphor for captivity and the struggle for flight and freedom:The burrowing parrot also known as the Patagonian conure also as the burrowing parakeet is the only bird species with eyelashes. This is a little-known fact. Another little-known fact is that burrowing parrots, while often purchased as pets, become exasperated if caged too long. Burrowing parrots need interaction. They need color. If you separate two burrowing parrots, in short order the one left behind will die. She will die of loneliness.Birds fly even if it kills them.She speaks of the baby jails where the children of deportees are kept, and of the children’s crayon drawings of birds, there is no sun in the drawings. I don’t know what you remember, but they didn’t tell us where they were taking us. I thought we were going before a judge finally. I thought I could argue my case, my credible fear. I had practiced. Instead they boarded us onto a bus with bars on the windows and dropped us off in Mexico. We were Salvadoran by nationality but Mexico was just a few hours away, and that’s where we’d come from , so there they left us. Said, Find you way home. We were supposed to be turned over to Mexican immigration officials, but I guess they didn’t show up. Or they thought we were Mexican.Story after story about women and children. Jeanette had added her own words, We are more than we think we are. I will leave you with the last words of the book which sum up the author’s view well.And though Ana had no idea why Jeanette had written those words, she chose to believe the sentence, the scribble, was a cry across time. Women? Certain women? We are more than we think we are. There was always more. She had no idea what else life would ask of her, force out of her, but right then  there was cake and candles and this, a gift. She thought that she, too, might give away the book someday, though she had no idea to whom. Someone who reminded her of herself maybe. Someone drawn to stories.Garcia is a wonderful story-teller, and she understands the power of stories. 

Of Women and Salt by Gabriela Garcia

What Jess Walter shows us in his 2020 novel The Cold Millions is that he is a wonderful story-teller, a fine historian, and like one of his characters guilty of “first-degree aggravated empathy.”This lovely historical novel is on one hand simply a story of the love between two brothers, Gig and Rye Dolan who hop freight trains together, traveling from town to town and job to job. They are part of the cold millions, that is, the millions upon millions of workers who struggle day to day simply to live, while a few wealthy owners live lives of almost unfathomable wealth and luxury.While Walter is quick to inform  us in his afterward that this is a book of fiction, he also makes it clear that some of his characters are based on real life people, one of whom, is “the great labor organizer, Elizabeth Gurley Flynn”,  a key character in the book. Gurley is a mesmerizing and powerful speaker and organizer. Even the skeptics listen when she speaks.Listen brothers and sisters, have we ever seen such trying times? She went through a list of outrages, fifteen-hour workdays and women dying at their sewing machine, men crushed in cave-ins while their families got nothing, copper kings and shipping magnates living like royalty while poor workers couldn’t even afford a flop bed, families in tents and hovels, workers given no rights and tossed aside when they were too broken or sick or old to work.Clearly Walter shares the sense of outrage expressed by Flynn. He tells us that his own father was a union man. Gig, the older brother joins the IWW, although he discourages his brother Rye from getting involved. While Walter’s sympathies are clearly with the so-called Wobblies, he carries on a kind of debate regarding the efficacy of their non-violent methods. One character, Early Reston, clearly thinks non-violent methods will not work, and that rather than piecemeal reform the whole structure must be blown apart. At times in the book both Gig and Ryan become disenchanted with the methods of the IWW.Rye felt demoralized. It didn’t matter what he did, what Gurley did, what Fred Moore did, what any of them did. Somewhere there was a roomful of wealthy old men where everything was decided. Beliefs and convictions, lives and livelihoods, right and wrong—these had no place in that room, the scurrying of ants at the feet of a few rich men.It made me think that Early Reston was right, in his way ... that maybe it was the castle that needed to be blown up...While it is clearly the struggles between owners and labor that is the focus of this novel, the side stories are also fascinating. The story of Ursula the Great, a performer who enters a cage with a full grown cougar, and then strips to near nudity as the crowd looks on partly horrified, partly titillated.  There is also a sweet tale of budding love Rye feels for Gurley, although she is married and pregnant, and nothing comes of it.I much appreciated the argument Walter has with himself throughout the book regarding the possibility of real change and the methods that can achieve it. At one point when Rye is called out as one of the Wobblies by a salesman:Rye didn’t answer. But at that moment, he felt done with it all—done with the beatings, done with Taft, done with Lem Brand and Ursula, done pretending they could stand on soapboxes and draw justice out of the air. Early was right. Rye didn’t believe in anything but a job, a bed, some soup. If you read this novel, be sure to leave some good reading energy for the acknowledgments and the short closing essay by Walter: “The Undercurrents of History”.  Walter talks of his own growing up in Spokane, Washington, and of how “The World came to me in books.”With The Cold Millions, I set out to write about the sort of working-class Spokane family in which I had grown up. My dad’s father, a rancher named Jess Walter, first arrived in Eastern Washington on a train he’d hopped as a vagrant field-worker; my mother’s dad, Ralph, was an itinerant laborer in the 1930s who later died on a construction site when a crane fell on him. My own father, Alfa Bruce Walter, was a lifetime steelworker and union leader who worked almost forty years in an aluminum rolling mill.For those readers who want to go to original historical sources, Walter provides an extensive list of his own sources in addition to his personal experience. For all who have labored, and for all who feel keenly the injustices of the world, this is a must read, and it is also a wonderful story.

The Cold Millions by Jess Walter

Easy Rawlins is a tough and hard-boiled as  any detective in the mystery genre. He has been asked by a Viet Nam vet to look into a possible murder in a southern California orange grove.I would have turned him down out of hand if it weren’t for my understanding of the America I both love and loathe.In America everything is about either race or money or some combination of the two., Who you are, what you have, what you look like, where your people came from, and what god looked over their breed--these were the most important questions. Added into that is the race of men and the race of women. The rich, famous, and powerful believe they have a race and the poor know for a fact that they do. The thing about it is that most people have more than one race. White people have Italian, Germans, Irish, Poles, English, Scots, Portuguese, Russian, old-world Spaniard, new-world rich, and many combination thereof. Black people have a color scheme from high yellow to moonless night, from octoroon to deepest Congo. And new-world Spanish have every nation from Mexico to Puerto Rico, from Columbia to Venezuela, each of which is a race of its own--not to mention the empires, from Aztec to Mayan to Olmec. I’m a black man closer to Mississippi midnight than its yellow moon. Also I’m a westerner, a Californian formerly from the South–Louisiana and Texas to be exact. I’m a father, a reader, a private detective, and a veteran.In his most recent novel, Blood Grove, WalterMosley lets Easy describe the America of the 1960s in which a black detective is a rarity. In lieu of payment from a client, Easy is given a yearlong lease of a pale yellow, 1968 Rolls-Royce Phantom VI which will become his at the end of that year unless he is paid sixty thousand dollars. Since he has a written contract showing he has the right to drive such a fine car, he decides to drive into Beverly Hills. I had even made it a block or two past that when the flashing red lights appeared in the exta-wide rearview mirror. It was one of those wake-up calls that happen in the lives of black men and women in America when they mistakenly believe they have crossed over to freedom.I pulled to the curb, put both hands on the steering wheel, and sat patiently awaiting the rendering of the calculation of my situation. That equation was a matter of simple addition: Rolls-Royce + black man without driver’s cap + any day of the century = stop and frisk, question and dominate—and, like the solution of pi, that process had the potential of going on forever.The whole process took about half and hour. If I added up all the half hours the police, security forces, MPs, bureaucrats, bank tellers, and even gas station attendants had stolen from my life, I could make me a twelve-year-old boy versed in useless questions, meaningless insults, and spite as thick as black tar.Although the story told in Blood Grove is a detailed and interesting one, what I find much more interesting is the social commentary Mosley provides along the way. Easy quickly garages the Rolls and borrows a plain blue car, knowing that the he will be unable to drive the Rolls to do his business without daily repeats of being pulled over and questioned or worse.In this, his newest novel, Mosley adds an ingredient he had touched on in an earlier novel Little Green, his fasciation with counter-culture youth. Driving west down the Strip was slow going, but I liked the streets filled with hippies, head shops and discos. There was what they were calling a cultural revolution going on among the youth of America. They wanted to drop out and end the war, make love for its own sake, and forget the prejudices of the past. These long-haired, dope-smoking, often unemployed wanderers gave me insight into what my country, MY COUNTRY might be.. There is the usual cast of characters in this novel: Easy’s adopted children, Jesus and Feather, the dangerous best friend Raymond, called Mouse, who is usually called in to do the dirty work for Easy, a couple of good cops who help Easy obtain information and get him out of scrapes with the law. After many harrowing adventures, Easy helps the Viet Nam vet and solves the mystery, giving the reader his summation of Easy’s reflections on the state of the world. Nineteen sixty-nine was an interesting year. There was strong anti-war action from the colleges and universities and all kinds of black political insurgence. The sleeping giant of white guilt was awakening and there seemed to be some hope for the future. If you were innocent enough, or ignorant enough, you might have believed that things were improving in such a way that all Americans could expect a fair shake.But of my many flaws, neither innocence nor ignorance played a part.It seems to me that it is easier to describe and call out racial injustice as a writer of fiction than as a social scientist or reporter. Walter Mosley describes things as he sees them, and he does so with the direct experience of what it is like to be black and poor in America. He also understands how racism and sexism are connected, and he blows the whistle loudly and clearly. If you, like many readers I know, have read Devil in a Blue Dress, but not others of Mosley’s many novels, I recommend them all to you as wonderfully told stories and stark pieces of social commentary

Blood Grove by Walter Mosley

I know next to nothing about circuses or aerialists, but reading Pam Jenoff’s fascinating novel, The Orphan’s Tale has me wanting to know lots more about both. This novel is about two women who, for very different reasons are on the run during WWII. Noa is a young woman whose parents have kicked her out of her home because of an unwed pregnancy. The girls’ home where I lived after my parents found out I was expecting and kicked me out had been located far from anywhere in the name of discretion and they could have dropped me off in Mainz, or at least the nearest town. They simply opened the door, though, dismissing me on foot. I’d headed to the train station before realizing that I had nowhere to go.When her very non-Aryan son is born with dark eyes and olive skin, she is not allowed even to hold him, before he is whisked away. Working as a cleaner in the railway station, she lives in a tiny storage room. One night she hears a sound coming from a boxcar. “The sound continues to grow, almost a keening now, like a wounded animal in the brush.” When she slides the door of the boxcar open, “There are babies, tiny bodies too many to count, lying on the hay-covered floor of the railcar, packed close and atop one another. Most do not move and I can’t tell whether they are dead or sleeping” But one baby has woven booties on and on impulse, she grabs the now crying baby and takes it to the little storage closet where she sleeps. Once she realizes there is no way she can keep the child and still do her job, she runs away with it.The second woman, Astrid, is Jewish and comes from a circus family. She is married to German officer who turns her out to save his career. Although her family circus is no longer together and, for all she knows, has been arrested or killed by the Nazis, another circus shelters her and takes her on as an aerialist, a trapeze artist. Noa stumbles onto the circus as she runs from the police, and she, too, is taken in by the kind circus owner, both she and her stolen baby given shelter. The two women with such completely different backgrounds start a relationship that begins in hostility but blossoms over time into a wonderful friendship.I will not give away much more of the story here except to say that Astrid trains Noa to become an aerialist and both travel by rail with the circus into Nazi occupied France. As we learn from the author in her afterward remarks, the kernel of the novel begins from her reading two stories, one about a boxcar full of babies, “ripped from their families and headed for a concentration camp, too young to know their own names,” the Unknown Children. And the second about a German circus that sheltered Jews during the war. The author obviously researched extensively about circuses in general and about The Circus Althoff in particular. The reader is treated to long descriptions of how the circus travels from town to town, set up from scratch at each location. We readers are also given hair-raising descriptions of how the aerialists perform protected only by their skill and very inadequate nets. While it is obvious that author Jenoff mainly wants to tell the story of how Jews were sheltered by German circuses, she develops her characters carefully and fully so the story, itself, is fascinating quite aside from its political and moral messages.I am told by reader friends that there is a large circus community in Portland, and I find myself driven to learn more about the history of circuses and aerialists. This is love story of the very best sort; it is heartwarming and frightening in equal measures. Although a fairly long novel, I predict that most readers will read it in a sitting or two. Once started it is hard to put down.

The Orphan’s Tale by Pam Jenoff

There are three narrative voice in this novel: Lotte, a young girl with Downs syndrome; her older brother Rune, whom she calls Roo; and the ghostly voice of their mother that comes to them only in words written long before.To give a rapid sketch of the novel without giving away too much, it moves back and forth between Then, January 1989, and Now, 1999. And from West Germany to East Germany both before and after the fall of the wall.Mama has tried to escape with her children many times, running from her abusive husband. But he is a powerful person in the West German police, and he uses his influence each time to drag her back home. Finally, in desperation, she flees to East Germany to find an old friend who runs a home for battered women, and she takes with her documents of her husband’s that she will use as bartering tools with the East German communist leaders to find safe passage for her and her children.Rune and Lotte are incredibly close, and Roo vows to care for her always. He, being older, remembers much of the abuse that his mother (and eventually he as well) has suffered from Papa. Lotte, only five when they make their escape, loves her Papa, and believes him to be her protector. When a strange package appears in the mail with a notebook and many pages of drawings, Papa, in a rage, tears it all into tiny pieces and tells Lotte that it is all lies from her whore mother. Lotte manages to gather together all the pieces and tries to make sense of these words from Mama whom she has been told is dead. When she reads of a group of women who are trying to reconstruct documents shredded in haste by  the East German secret police as it became obvious that the wall would fall, she decides she has to find these puzzle women to help her reconstruct Mama’s words meant for a her and Rune. Saying, as her brother and her mother have always told her that she is more than her Downs and that she is inde-pen-dent, she sets off on her own to go to Nuremberg  and the Puzzle Women.Turns out Lotte is incredibly good at putting together the fragments of her mother’s pages, and several of the women take her under their wing and help her with the task. Sweet, kind Lotte is loved by most who meet her and look at more than her medical condition. Slowly, the mother’s voice emerges in wonderfully poetic strings of words meant for her loved children. The more or less stream of consciousness words of Mama are often hard for this reader to follow and make sense of, but there is a wonderful, poetic beauty to her words.‘Mama, Roo says…’ Lotte started, hair across her face and her cheeks pink from sleep; disheveled, more a baby when awoke from sleep than any other time. She’s growing up so fast. The innocence of her wrapped around me and swelled in the room like a sunrise: expansive, hopeful. Her pajama bottoms scrunched up on one side, hair in a tangle. Moo Bunny under her arm, the cold morning light at her back, but standing in front of me was the warmth of my child fresh from sleep.A light within light. Awoke from bliss, to the world … and into a world that has changed.Rune is a wonderful artist who begins his artistic career as a graffiti-ist , but who has great talent in portraiture and other forms of art. Hoping in 1999 to escape from his abusive father and take Lotte with him, he applies to an art institute that would provide housing as well as a stipend. Alas, his father manipulates behind the  scenes and makes sure that his application for admission is rejected, in spite of the fact that the teachers are very impressed with his portfolio. While this is primarily a novel about spousal abuse, there is much about the two Germanys both before and after the fall of the wall. Mama and her children do find refuge in the East, and the novel is quite fair regarding the good things about East Germany. But Rune is drafted into the Pioneers, and made to inform on his neighbors and even on the remarkable woman who runs the shelter. The poor boy carries with him tons of guilt over not having been able to save his mother, his inability  to keep Lotte safe, and finally for the consequences of his informing on others. While this novel is difficult to read, both emotionally and because of its form, I think it is a wonderful novel, and recommend it to all serious readers. I don’t think it lends itself to piecemeal reading. 

The Puzzle Women by Anna Ellory

The influenza pandemic of 1918 killed more people than the First World War—an estimated 3 to 6 percent of the human race.This quote from the author’s note about her novel The Pull of the Stars set the scene for this gripping and beautiful  book. Many of you will know about Emma Donoghue because of her novel, Room, which was made into a movie. I was very impressed with that novel, but honestly have found other of her novels even more impressive. Donoghue is a writer of immense talent and a huge heart. There are three main characters in this novel: a young nurse, Julia Powers, who works in a severely understaffed hospital in Dublin, where for three days she finds herself in charge of a unit for pregnant women who have come down with the dreaded flu, and thus have to be isolated from the other pregnant women. Bridie Sweeny, who is an even younger volunteer helper, and who finds herself quite suddenly in the middle of a rather chaotic scene with no training, but a deep need to be of service. And, finally, a rarity for the times, a woman Dr. Kathleen Lynn who is rumored to be a Sinn Fein rebel on the run from the police.Nurse Powers can serve in the ward because she has already had the flu and is therefore immune.  The novel begins with her on her way to work, part way by bike and then by tram.Children carrying suitcases were filing into the train station as we swung past, being sent down the country in hopes they’d be safe. But from what I could gather, the plague was general all over Ireland. The spectre had a dozen names: the great flu, khaki flu, blue flu, black flu, the grippe, or the grip…(That word always made me think of a heavy hand landing on one’s shoulder  and gripping it hard). The malady, some called it euphemistically. Or the war sickness, on the assumption that it must somehow be a side effect of four years of slaughter, a poison brewed in the trenches or spread by all this hurly-burly and milling about across the globe. The chapters of the book are related to the course of the disease, Red, Brown, Blue, Black.Well, I said, it starts with a light red you might mistake for a healthy flush. If the patient gets worse, her cheeks go rather mahogany. (I thought of the turning of the leaves in autumn.) In a more severe case, the brown might be followed by lavender in the lips. Cheeks and ears and even fingertips can become quite blue as the patient’s starved of air….Bridie Sweeny asked, Is blue as far as it goes?I shook my head. I’ve seen it darken to violet, purple, until they’re quite black in the face.Most of the book is taken up with the particular stories of the three or four pregnant women who are isolated together in the small makeshift ward. While the nurses deal immediately with the pain and suffering of the patients, they have very little power, unable to administer  pain medications without the direct order of a physician, and not even allowed to use the medical equipment at hand. Dr. Lyon is a rare exception in that she tells Nurse Powers that she can use her own judgment in administering aspirin  and even opiates.Although this is not a political novel, the asides on  the Sinn Feiners are perceptive and clearly show Donoghue’s  sympathies.  Dr. Kathleen Lynn’s character is based on a real life doctor, described by one of the the cynical orderlies as  “a vicar’s daughter from Mayo gone astray—a socialist, suffragette, anarchist firebrand.” In spite of the severe shortage of doctors in the hospital, during one of the times of greatest need and chaos, she is summarily arrested and taken in chains from the hospital.I learned a lot about maternity from this superbly crafted work and a lot about the sexism in the medical profession which, while somewhat improved  these days, is still very much with us..Nurse Powers notes the ridiculous methods of prevention and alleged cures by the ignorant, not so unlike certain idiot’s responses to today’s covid. One young patient finds it hard to believe she has contracted the flu since she has been so careful. “Gargling with cider vinegar and drinking it to.”Some placed their trust in treacle to ward off the flu, others in rhubarb, as if there had to be one household substance that could save us all. I’d even met fools who credited their safety to the wearing of red. Next we’ll be hearing of drinking bleach as a cure. The compassion and wisdom of Emma Donoghue shines forth in this novel, and while much of it is sad, there are also many moments of joy and bravery.  One of the pregnant women had been living in a Catholic home for unwed mothers, and Bridie also has been raised in a Catholic orphanage. Nurse Powers learns that a woman who is cared for in one of these homes is expected to stay and work for a year after the birth of her child as payback for being allowed to be in the home during her pregnancy. I puzzled it through. So for the crime of falling pregnant, Honor White was lodging in a charitable institution where tending her baby and those of other women was the punishment; she owed the nuns a full year of her life to repay what they were spending for imprisoning her for that year. It had a bizarre, circular logic. And at the end of that year, the women were not allowed to take their babies with them when they left. Emma Donoghue is a giant among writers. I have read three other of her novels since reading The Pull of the Stars; each is utterly different from the other except for the power of her prose and the acuity of her mind. This is a novel you really need to read.

The Pull of the Stars by Emma Donoghue

Recently, it was suggested to me that I buy two novels as companion pieces; Relative  Fortunes, and Passing Fancies, both written by Marlow Benn. They are indeed companion novels, and so I am recommending them to you as a pair. While in one sense, they are light reading, in fact there is much substance to each of the novels. They take place in 1920s Manhattan. You should read Relative Fortunes first, and I suggest that you then move directly to Passing Fancies. The heroine is an elegant and fiercely intelligent character by the name of Julia Kydd.  She has returned from Europe to Manhattan in order to collect her inheritance which has been held in trust and meted out in increments by her much older half-brother Phillip. She is to gain control of the inheritance when she turns twenty-five, and there is much made in the novel about the ridiculous laws that make it difficult for women to control their own money without the need of a male (husband, father, relative) to advise and control. For some reason (and Julia really does not understand what it is), Phillip has decided to contest the will that his father made leaving a small fortune for Julia, who was born to his second wife. Phillip does not need the money, since he already has a much more considerable fortune, and yet he makes it clear he intends to challenge the interpretation of the will, and to deny Julia her portion.Since she has no residence in New York, she is invited to stay at Phillip’s brownstone, and the repartee between the siblings is witty, intelligent and captivating. The two discuss events of the day, the foibles of so-called high society, and women’s suffrage.  Julia insists she is not political at all and she wants only to launch her own private press with the emphasis on the beauty of the books more than  the content. While Julia claims not to be political, when it comes to the treatment of women, she cannot and will not be quiet. When a famous suffragist, Naomi Rankin dies suddenly, and it is deemed a suicide, Julia is more than skeptical, and suggests to Phillip that she may have been murdered. This thread in the novel makes it read like a mystery, and the repartee between siblings reminds me a lot of Dashiel Hammet’s delightful Thin Man. The reader comes to discover that Phillip is, in fact, very sympathetic to the suffrage movement and to the emancipation of women. He is also (if somewhat secretly) really enchanted by his young half-sibling. He proposes to her that if she can prove that Naomi’s death was in fact a murder, he will drop his challenge of his father’s will.Clearly,  author Benn is more interested in the history of the period than in  simply writing a good mystery. The combination of mystery, comedy, and serious social political content make this a delightful read.Without revealing the twists and turns of the mystery in the first volume, let me turn to the second, Passing Fancies. The political content of this second novel is obviously the controlling theme. Julia’s desires to launch her publishing company lead her into what is now called the Harlem Renaissance, described on the novel’s jacket as “a literary movement…where notions of race, sexuality, and power are slippery, and identities can be deceptively fluid.’This second novel, published in 2020, is remarkably relevant to current issues. Julia becomes acquainted with a singer, Eva Pruit, who has written a book that is rumored to reveal ”lurid details about the Harlem nightlife.” A nightclub owner is furious about the book, because he thinks his character is the inspiration for it. When he is murdered and the manuscript and Pruit are nowhere to be found, Julia Kydd steps in to solve the mystery.During a police raid on the nightclub, Eva is treated very badly, and would have been treated worse if Julia and her brother Phillip had not been present. Julia’s friend Christophine is informed of the raid:Christophine was angry but not shocked to hear of Eva’s treatment. The police she knew were not white-lady police.It was a horrid term, crawling with implications. It suggested there was no such thing as what Julia had always referred to as simply “the police” (Didn’t everyone? Or rather, didn’t every white person of her acquaintance?). The definition she considered standard and universal—a helpful force for public safety and well-being—was apparently only one version of a widely varying realty. Even more unsettling to consider: Eva’s experience might be the more common, and Julia’s the more rare. The notion upended something foundational.Eva is an African-American woman who has passed for white, but once she is outed, she is treated as simply another Black troublemaker. I hope I have not given away much of the intricate plots of either of these novels, and yet said enough to encourage readers. The greater distance I got from my own reading, and the more I heard from reader friends I passed them on to, the more I felt it important to recommend them to Old Mole readers.

Relative Fortunes and Passing Fancies by Marlowe Benn

I want to talk to you today about a truly extraordinary debut novel by a Nigerian author. The title of the book is, The Girl With the Louding Voice and the name of this incredible new voice in literature is Abi Dare. The book won the Bath Novel Award for unpublished manuscripts in 2018, and fortunately for us readers, it was published in 2020.It is the story of a fourteen year old Nigerian girl, Adunni. When her mother dies young, her penniless father takes her out of school and sells her as a third wife to an old man. It had been her mother’s dream that Adunni would stay in school and get an education. As her mother told her before she died:“In this a village, if you go to school, no one will be forcing you to marry any man. But if you didn’t go to school, they will marry you to any man once you are reaching fifteen years old. Your schooling is your voice child. It will be speaking till the day God is calling you come.” That day, I tell myself that even if I am not getting anything in this life, I will go to school. I will finish my primary and secondary and university schooling and become a teacher because I don’t want to be having any kind of voice… I want a louding voice.Certainly this poetic and lyrical novel is in a louding voice. It takes a bit of getting used to the verb tenses and expressions used, but within not many pages, what seemed awkward and difficult to follow becomes a marvelous look at the world through the eyes of a girl who wants above all to get an education. …he [her father] was telling me three years ago, that I must stop my educations. That time, I was the most old of all in my class and all the childrens was always calling me “Aunty.” I tell you true, the day I stop school and the day my mama was dead is the worst day of my life.When her first old husband dies, she is sold again to a younger man and has to move to her husband’s family house where she is lorded over by a tyrannical mother-in-law. She escapes that house and husband, and is secretly sold as a domestic servant to a wealthy household in Lagos. The woman of the house sells fabrics to other wealthy women. Adunni addresses her as Big Madam. Subjected to the frequent rages of Big Madam, and always on guard against the lecherous advances of the shiftless man of the house, fortunately one of the servants, Abu, takes pity on the girl and manages to slip her food and aids her in other ways as well.Her dreams of an education seem doomed until she meets a progressive and enlightened Nigerian woman at one of Big Madam’s parties. Ms. Tia slips books to Adunni and helps her with her English. Adunni is sure that if she can learn to speak ‘good’ English, she will somehow, someday be able to pursue her dreams of an education. The author quite subtley makes fun of the very notion of proper or good English, although it takes Adunni years to discover just how really good her English is.Ms. Tia is from abroad, and while Adunni has little idea of just what that is, she senses that is the direction she needs to follow. I didn’t too sure I understand what Ms. Tia is talking about, or why she is calling her Abroad peoples white and black when colors are for crayons and pencils and things. I know that not everybody is having the same color of skin in Nigeria, even me and Kayus and Born-boy didn’t have same skin color, but nobody is calling anybody black or white, everybody is just calling us by our names: Adunni, Kayus, Born-boy. That’s all.This wonderful book is peppered with  what to me are amazing facts about Nigeria and its place in the world. In a short prologue to the novel, Dare tells her readers:Nigeria is a country located in West Africa. With a population of just under 180 million people, it is the seventh most populous country in the world, which means that one in seven Africans is a Nigerian. As the sixth largest crude oil exporter in the world, and with a GDP of $568.5 billion, Nigeria is the richest country in Africa. Sadly, over 100 million Nigerians live in poverty, surviving on less than $1 a day.As I was looking over the book again yesternight (one of Adunni’s many so logical uses of the language), I was swept away again by the passion of this louding voice, and hoping I could to justice to the novel in reviewing it. Abi Dare succeeded in getting an education; she holds degrees in law, project management and creative writing and lives in the UK. Adunni is a character I will not forget. Her louding voice sings to me, whispers in my ear, and should give hope to many young girls all over the world who want to learn and to choose their own futures.

The Girl with the Louding Voice by Abi Dare

I want to talk to you today about a 2020 novel by Brit Bennett entitled, The Vanishing Half. It is the story of twin girls who run away from a small town when they are sixteen, and only one of them returns fourteen years later; the vanishing half, Stella, is missed and searched for by Desiree, the twin who returned.The small town from which they run is named Mallard.It was a strange town.Mallard, named after the ring-necked ducks living in the rice fields and marshes. A town that like any other, was more idea than place. The idea arrived to Alphonse Decuir in 1848, as he stood in the sugarcane fields he’s inherited from the father who’d once owned him. The father now dead, the now-freed son wished to build something on those acres of land that would last for centuries to come. A town for men like him, who would never be accepted as white but refused to be treated like Negroes. His mother, rest her soul, had hated his lightness; when he was a boy, she’d shoved him under the sun, begging him to darken. Maybe that’s what made him dream of the town. Lightness, like anything inherited at great cost, was a lonely gift. He’d married a mulatto even lighter than Himself. She was pregnant then with their first child, and he imagined his children’s children’s children, lighter still, like a cup of coffee steadily diluted with cream. A more perfect Negro,. Each generation lighter than the one before. Like Alice Walker’s In Search of Our Mothers’ Garden and Toni Morrison’s The Bluest Eye, Bennett takes on questions of race, gender and identity.It is Desiree who is the restless one and feels compelled to escape the small town, but since the twins are inseparable, Stella agrees to leave with her, and it is Stella who does not return.  Their mother and other town-folk are sure they will return soon. “They’d run out of money and gall and come sniffling back to their mother’s porch. But they never retuned again. Instead, after a year, the twins scattered, their lives splitting evenly as their shared egg. Stella became white and Desiree married the darkest man she could find.”Although Stella is bright and has many skills, when she applies for office jobs and honestly identifies herself as Negro, she is turned away. But when she allows employers to see her as white, she is hired. “At work, Stella became Miss Vignes, or, as Desiree called her, White Stella.”Bennett spends a lot of time describing the many shades of color of negroes, from clabber white to blue black. Ironically, Stella doesn’t really decide to pass for white, she simply lets others see her as they choose.But what had changed about her? Nothing, really. She hadn’t adopted a disguise or even a new name. She’s walked in a colored girl and left a white one. She had become white only because everyone thought she was.But then Stella begins to date a man from her office, and eventually they marry. Of course she cannot let her husband find out; now she must disappear completely into her new white life. She has a daughter, and it is the daughter who eventually discovers Stella’s secret and despises her for it. Because of a photograph of the twin sisters that Stella’s daughter discovers, Stella is finally forced to acknowledge her true history. In order to find her estranged daughter, Kennedy,  she returns to her hometown and to Desiree. “Like leaving, the hardest part of retuning was deciding to.”I have focused primarily on questions of color and race, but this is also the story of a family, from the 1950s to the 1990 and all the political turmoil of those times, the assassinations of the Kennedys and of Martin Luther King. Author Bennett mainly simply observes and describes, but the descriptions make clear where her allegiances are. I think this is a wonderful, important and insightful novel. It sent me scurrying back to Morrison’s The Bluest Eye. I hope I have not given away too much of the plot, since this is partly a kind of mystery story along with its social commentary. I intend to go back to Bennett’ earlier novel, The Mothers. She writes with great heart and wisdom.

The Vanishing Half by Brit Bennett

I started whispering in her ear, but so quiet I wasn’t sure she could even hear me. It was more like making the words with my lips against her ear, but then just this tiny breath of air that was the sound.I said, “Brave girl, quiet girl.”She said it back to me, just as quiet, which really surprised me. She stopped her run-up to that big cry and whispered back to me, “Brave girl, kiet girl,” right in my ear. She didn’t really get the kw sound in quiet—I think she was too young to have gotten the hang of that sound--but anyway I knew what she meant so what difference did it make?Catherine Ryan Hyde’s 2020 novel, Brave Girl, Quiet Girl, begins with a violent car-jacking. Brooke, a divorced single mom is driving her mother’s  expensive Mercedes with her two year old daughter, Etta, strapped into her car-seat in the back, but she is dragged from the car by the thief, and watches helplessly as the car drives off with her daughter still strapped in.This occurs in the first few pages of this frightening and yet lovely book about Brooke, Etta, and Molly, a sixteen-year-old homeless girl.  Molly is with her also homeless male friend late at night when she spots Etta, still strapped in her car-seat on the sidewalk. With no phone, no money, and no idea how Etta got there, Molly is faced with the daunting challenge of returning the little girl to her family.I have sometimes put aside one of Hyde’s many novels because it seems just too sentimental, too sweet, too full of pathos. And this novel is certainly high on the pathos scale, and yet it captured me early on, gripped me, and I just could not stop reading it until I was finished.Molly is homeless and on the streets because she has been tossed out of her home in St. George Utah and told not to return unless, and until, she has shed the devil that she has brought into her family home. Molly, under pressure from her girlfriend, had decided to come out to her mother, and that is what her mother labels bringing the devil into the home.I won’t divulge much of the story here, but I will tell you that the reader is kept on tenterhooks during the early phases as Molly tries to care for little Etta and to hide her away from other street youths who intend to grab her from Molly and hold her for ransom. Molly had helped raise her two younger sisters, and so is a competent and loving caretaker, but with no funds for food or diapers for the toddler. After several very frightening events, Molly is finally able to race after a police car with Etta holding on for dear life, and thus begins the reuniting of Etta with her mother Brooke. Initially, Brooke is angry with the young girl, not understanding why she did not alert the police earlier or find a way to call Etta’s mother in spite of the fact that there is an amber alert out for her. The rest of the novel is devoted to the interactions of mother and daughter and the intervention of a sympathetic female police officer who firmly but gently leads Brooke into a better understanding of Molly’s heroic actions in saving Etta. Although Brooke, herself, has a very troubled relationship with her own mother, she assumes that Molly must have done something horrible or unlawful to have provoked her mother in to forcing her from the home. She decides to drive from California to St. George to confront Molly’s mother, and to, hopefully, get Molly back into her family home. When Brooke finally confronts Molly’s mother and learns of her super-fundamentalist religious beliefs that treat homosexuality as a dreadful sin and a chosen life-style that can be discarded like a filthy cloak, she begins to reassess Molly and to try to care for her in something like the loving ways Molly has cared for Etta. While the plot is what drives this novel, it turns out to reveal a deep understanding of street-kids, and the many different reasons that people find themselves homeless and living on the streets. I find myself very impressed by both Hyde’s excellent story-telling and her desire to talk about social issues and the meaning of love.Baby Etta loves Molly from the start, and calls out Molly, Molly, Molly whenever she sees her. While it takes much longer for Brooke to begin to see the sterling qualities of Molly, the relationship that develops between the two women is heartening I suppose there will be some readers who find this book to be corny and much too sentimental, I thought it to be a beautiful story about love, and redemption. 

Brave Girl, Quiet Girl by Catherine Ryan Hyde

It is always such a pleasure to stumble onto a writer previously unknown who absolutely commands attention. Tess Hadley is such a writer. Today I want to talk about her 2019 novel Late in the Day. I am so struck with her writing and her wisdom that I find trying to review her work daunting, and I’m not at all sure I’m up to the task. Like the great author, Elizabeth Bowen, whom Hadley deeply admires, Hadley writes primarily, even exclusively, about domestic scenes. While her characters may be more brilliant and creative than most people, what she tries to describe, carefully, minutely, are the everyday concerns of people living intimately together. Christine and Lydia have been devoted friends since their early twenties, and their two husbands, Alexander and Zachery, are nearly as close. Zach and Lydia own a small but well known art gallery. Christine is an artist and her husband Alex is a teacher and art dealer. The foursome are as close as any four friends could be, and are drawn even closer in that each has a daughter of roughly the same age who grow up together in the bosom of that extended family.Suddenly and unexpectedly, when all four are in their fifties, Zach dies of a heart attack, and  in the aftermath of his death, Lydia moves in with Alex and Christine and the two daughters Grace and Isobel stay in Isobel’s flat. All agree that Zach is the most irreplaceable, the glue binding them together. At first, it seems that the loss of Zach will bring the other three closer together, and in many senses it does. But eventually, due to entanglements from their pasts as well as the different ways they cope with the loss, the relationships begin to fray.The story is far too complex to simply gloss, and it is not really the story or its outcome that matter most to Hadley; it is the almost minute by minute transformations that she expertly reveals. I first started reading this book in 2019, but gave up on it after about fifty pages; it just seemed too complex, and I’m sure I moved on to something lighter and less demanding.  This is not a novel that can or should be read in small snippets of weeks or months; like another book of hers (The Past), it is best read in a sustained manner, not quickly, but with rather complete attention. In broad terms, suffice it to say that when Christine and Lydia first met Alex (who was himself already married), it was Lydia who became obsessed with him, who felt she must find a way into his life. But Christine felt how Alex didn’t respond to this charm [of Lydia’s] as he was supposed to. Lydia’s audacious frankness, her wide-eyed delivery, complacent like a purring cat, which had been so confounding to other men, didn’t impress him. In Alex’s presence , so perfected and adult, Lydia’s cleverness seemed flawed and home-made, embarrassing like a precocious child’s.And so it is Christine who ends up marrying Alex, though as the story unwinds, it becomes obvious that the flame in Lydia for Alex lies smoldering through the years to come. There is much discussion among the friends and their little community of intellectuals and artists about the nature of art, of what constitutes great art, and with the question of whether women can be serious artists. Lydia put in her own remarks among the men, and they all deferred to her, but Christine saw that they didn’t quite take what she said seriously—not because they thought it was stupid exactly, but because her appearance blocked their attention, like a dazzle of sunlight in a reflection off glass. They were exaggeratedly solicitous and encouraging when the girls spoke, as they were with one another. There was a danger, Christine thought, that you might end up performing for them, like a curiosity—and Lydia was inclined to show off if she had an audience.Eventually, the situation devolves into a love triangle, or perhaps I should say a love quadrangle. Angers and resentments boil up over many things. Zach comes into a great deal of money (which allows him to buy the art gallery and to begin to buy and trade prestigious artworks). Rather than being envious of Zach and Lydia’s wealth, it is Zach’s attempts to help the other couple financially that begins to cause rifts in their relationship.Hadley is not one to tie things up neatly in the end; like real life, things are left dangling and incomplete. “Alex had said once that she (Christine) ought to give up her hope of wholeness, of a meaning, because it was naïve.”Letting herself into the flat she was glad to be alone. Solitude and silence had begun to be sensuous pleasures for her. It would have been awful in that moment to give false explanations to anyone, perform the sociability she did not feel. Instead she slipped off her shoes before she walked around the rooms, as if she didn’t want to intrude even her own presence noisily.Besides her four novels, Hadley has also published several volumes of short fiction. I intend to read all of her work. She is a rare find and a superb writer.

Late In The Day by Tessa Hadley

I admit I was pierced with loneliness. There is something about a lighted room when you are standing outside it in the cold night.Good morning readers. Although I was already aware of what a fine writer Molly Gloss is from having read her novel Jump-Off Creek, I must admit I was stunned by the depth of her wisdom in her 2000 novel Wild Life. Writing as Charlotte Bridger Drummond, or simply C.B.D., Gloss creates a character who is tough, independent, and a fully fledged feminist. Set in the early 1900s in a small logging town on the borders of Oregon and Washington, Charlotte is a widowed mother of five boys who supports her family by writing women’s adventure novels. Charlotte is fiercely independent; she wears men’s clothes, smokes cigars or a pipe in public, eschews domestic tasks as far as possible, and creates for herself a private writing space, a room of her own.Charlotte is irreverent and often very humorous in her descriptions of men and of their laughably absurd views of the weakness of women.  The men in the logging camps are fond of telling tall tales about Wild Men of the Woods, and while Charlotte, herself, is not opposed to to wild-west tales, she is scornful of the way men tell their stories as attempts to scare women and children.The novel is as much about writing as it is about the adventure Charlotte goes through when she joins a search party looking for a young girl, Harriet, who has been lost in the woods and who loggers claimed was carried off by a huge, hairy ape-like animal. As the story begins to unfold, it transpires that Charlotte, herself, becomes separated from the rest of the search party.Quoting Samuel Butler as she begins to describe her life lost in the wild, Molly Gloss begins to prepare her readers to suspend disbelief and allow her to spin her story.When anything in [my books] is strange and outre, it is probably drawn straight from nature as close as I could draw it; when it is plausible, there is probably no particular and especial foundation for it.Even the domestic help Charlotte has hired to free her up from many domestic tasks is outwardly disdainful of Charlotte’s lack of femininity,. and scolds her for spending so much time away from her children and locked in her writing shed.She was half inclined to cry at being unable to devote herself entirely to her work, though she considered the work only a means to an end, which was the support of her family. In later years she would discover that the work was everything to her—everything—but now she tossed and tossed, trying to explain and defend something that shifted and was elusive; and at such times she has secretly—horrifyingly—wished for a calamity that would free her of the weight, the otherwise inescapable burden of her maternity.If I had been born a man, I would have created for myself a world full of work and egoism and imagined that my whole life belonged to me. But since I was born a woman, I suffered the usual girlish desires and aspirations; and I believed that my life should eventually be joined to a husband.Both a mother and a wife by the age of twenty, and then within ten years a widowed wife and mother of five boys. All of this novel is peppered with stories and quotes from women about what they are expected to write about.I have said nothing yet about Charlotte’s life while lost in the wild, and I don’t intend to reveal much of that story to you. Suffice it to say that Charlotte , starving and near dead is taken in by a family of human-like creatures who allow her to hunt and gather with them and who cause her to question her previous beliefs about the relations between humans and creatures of the woods. If you are a reader wholly opposed to fantastical literature, then this may not be the book for you, but I would also remind you of the splendid books of Ursula K. Le Guin, and invite you to suspend for a time your skepticism.Gloss may well be describing herself, or Le Guin, or countless other women writers  as she speaks in the voice of C.B.D.:As a thoroughgoing Feminist and a woman who has herself thrown over the traces of domestication as much as can be done without risking arrest, I do my best to swim against the tide. For heroine of a scientific romance, I will always choose the scientifically inclined daughter or sister of a world-renowned anthropologist; and for the western romance, look for a girl who can ride and shoot, a ranch girl born and raised in the West…Although I, myself, have in the past rejected most fantasy writing,  in the past couple of decades I have been more open to fantasy fiction as a vehicle for environmental issues, for women’s fiction, and simply for the delight of the stories.This is a book I could well have reviewed simply by stringing together quotes from the novel. It is a wonderfully humorous novel as it pokes fun at men and holds up to the light expectations of women not only of the West or of days gone by, but of us-here-now.

Wild Life by Molly Gloss

Over the years, certain stories in the history of a family take hold. They’re passed from generation to generation, gaining substance and meaning along the way. You have to learn to sift through them, separating fact from conjecture, the likely from the implausible. Here is what I know: Sometimes the least believable stories are the true ones.Christina Baker Kline was fascinated with Andrew Wyeth’s painting Christina’s World from the time she was a little girl, and the fascination remained as she grew into the wonderful writer she is today. I share that fascination as I’m sure many of you do. There is something austere and haunting about the painting. As Kline says in her Author’s Notes: “Throughout my childhood I made up stories about this slight girl in a pale pink dress with her back to the viewer, reaching toward a weathered gray house on a bluff in the distance.”In her fictionalized account of Christina, Kline tells the story of a girl who is crippled from childhood on—victim of a degenerative disease that renders her more and more unable to move much or to care for herself. While Kline is adamant that her novel is fiction, nevertheless it is obvious that she has researched both Wyeth and Christina extensively giving the book the feel of autobiography. The character Kline creates is austere, unsentimental, and fiercely private.Alvaro, Al, is Christina’s brother and eventually her caretaker; he gives up his own dreams and even his hopes for a wife and family of his own to care for his sister. As a very young girl, she is cared for by her father, but he is embarrassed by her ‘infirmity’ and so keeps her out of school and pretty much sheltered from the world.I want more than anything for Papa to be proud of me, but he has little reason. For one thing, I am a girl. Even worse—I know this already, though no one’s ever actually said it to me—I am not beautiful. On top of that, there’s my infirmity. When we’re around other people, Papa is tense and irritable, afraid that I’ll stumble, knock into someone, embarrass him. My lack of grace annoys him. He is always muttering about a cure.His shame makes me defiant. I don’t care that I make him uncomfortable. Mother says it would be better if I weren’t so willful and proud. But my pride is all I have.Christina knows that her father was drawn to her mother because of her mother’s great beauty, and thus always feels judged as both awkward and ugly.Through a friend whom Christina mentored as a young girl, and who comes back into her life as a young woman, she is introduced to the then young and unknown painter Andrew Wyeth, who lives in the shadow of his already famous father who is well known for his illustrations. Young Andrew begins to hang around the house, sketching the house and the farmland around it. He sketches Al doing his chores. He is allowed to convert an unused bedroom into a studio and becomes a kind of fixture. “He doesn’t see us as a project that needs fixing. He doesn’t perch on a chair, or linger in a doorway, with the air of someone who wants to leave, who’s already halfway out the door. He just settles in and observes…He understands why I’m content to spend my days sitting in the chair in the kitchen, feet up on the blue-painted stool, looking out at the sea…There’s more grandeur in the bleached bones of a storm-rubbed house, he declares, than in drab tidiness.Andrew also suffered from an ailment that caused him to walk with an awkward gait, and although she refuses his requests to paint her, she is comfortable in his presence and comes to see him as a friend to both her and Al.There is a lovely slow pace to this novel, and I found myself often looking at the print of the famous painting in the back of the book. What is it about the painting that makes it so magnetic and yet so sad?Although Andy hangs around the brother and sister for thirty years, Christina only allows him to paint her after many years of refusal.Again from the Author’s Notes:For the next thirty years, Christina was Andrew Wyeth’s muse and his inspiration. In each other, I believe, they came to recognize their own contradictions. Both embraced austerity but craved beauty; both were curious about other people and yet pathologically private. They were perversely independent and yet reliant on others to take care of their basic needs: Wyeth on his wife Betsy and Christina on Alvaro.There is little action in this novel, and it takes some getting into, but you readers will eventually be as drawn to to the novel as to the famous painting, and for much the same reason.

A Piece Of The World by Christina Baker Kline

I want to talk to you today about a book that is at once extremely sad and incredibly lovely. The book is The Butterfly Girl, by Rene Denfeld. Ms. Denfeld is an author, journalist and licensed public defense investigator. I have previously reviewed her other two novels, The Enchanted, about death-row inmates, and The Child Finder. I won’t tell you too much about the story-line since it is a kind of mystery, and I would not want to be a spoiler.There are two primary narrators in this novel: Naomi, an investigator who specializes in finding lost children, and Celia, a twelve year old girl who lives in a sort of community of street children. Naomi has decided she will not take another case until she finds her younger sister with whom she was abducted years before. Naomi escaped, but her sister did not. She has no picture of her sister and no name, but she is determined to find her. Naomi remembers very little of her own escape, but one lead has led her to Portland, Oregon, and it is there that she continues her search.Celia is on the run from an abusive stepfather and a mother who is an addict. While she occasionally checks in with her mother, she is afraid to give away her location.Celia disappeared inside herself. She was used to doing that. She could make herself vanish even as she stood there, just another street urchin with no future in sight. Celia who believed in nothing but herself and the butterflies, knew that the worst fears of the streets were always real. You can find that out the hard way, or you can be watchful. Naomi and her husband Jerome are staying with one of Naomi’s old friends while Naomi continues her search. She wakens from a dream of still being in captivity, and hearing the voice of her sister “back there. In that place.”She breathed out in relief that the dream was over but still felt the anxious echo of the call. I’m getting closer, she thought. This is why she was here in the city with Jerome. After almost a year of searching for her long-lost sister, their investigation had brought them here.Celia and her street friends Rich and Stoner sleep under an overpass at night, and offer each other friendship and what protection they can provide.When Celia first encounters Naomi on the streets where Naomi is asking questions of street people in hopes of coming up with some leads, Celia does not trust this well dressed and seemingly assured woman, but eventually as the story unwinds she begins to trust her, and Naomi, for her part, cannot ignore this streetwise child even though she is on her own search.Denfeld is an incredible writer, not simply sympathetic to the street people, her connection is much deeper. She could be describing herself as she describes Naomi during a period in her investigations.Naomi was standing outside the Aspire shelter. The smeary brick, the narrow streets, the shapes huddled in the doorways—all felt familiar to her now. She has crossed the threshold. The world of the missing had become her own world. She knew the regulars, the bruised-cherry alcoholics, the families on nodding acquaintance, the street kids like Celia.There is no condescension in Denfeld’s dealings with the homeless, no us/them dichotomy. No wonder she can create such believable characters, can give the reader views from the inside.As in her novel The Child Finder, Denfeld is intrigued by and describes meticulously how children who are held captive and cannot escape may create a kind of escape with their minds. Celia escapes via her world of beautiful butterflies, her guides and guardians on the streets. If you take a burrowing animal and deny it anything but a glass cage, it  will break its  own claws in the madness to escape. Naomi, who once had no escape, had created one with her mind.Margaret Atwood, who is herself an amazing and deeply insightful author says of this book, “A heartbreaking, finger-gnawing, and yet ultimately hopeful novel…”I have no intention of telling you in what ways the novel is hopeful or of revealing much more of the plot, but I am certain you will find this a socially significant and rewarding read. In her acknowledgements Denfeld credits libraries for her books and for her salvation. Like many of us she finds books to be a window into a better world.

The Butterfly Girl by Rene Denfeld

Larry Bowlden reviews contemporary fiction and non-fiction as part of the Old Mole Variety Hour. Monday mornings on KBOO 90.7 fm, Portland, Oregon.

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