Stephen Langridge explains why, in his view, opera is still a relevant and important art form.

Opera Studies

Why play Opera at all?

In this episode Katie talks in depth about her experiences of creating new and contemporary opera.

Making a Contemporary Opera: in conversation with Michael Burden

Katie Mitchell talks about her time directing Opera. Katie Mitchell is one of the few senior women working in opera in Britain and mainland Europe today. She has worked here at English National Opera, The Royal Opera House, Glyndebourne Festival and Welsh National Opera. She is currently opening the revival of George Benjamin’s Written on Skin at the Royal Opera House whilst preparing for George Benjamin’s second commission scheduled for 2018. She has also worked extensively in Germany, France, Austria and Scandinavia at houses like The Staatsoper, Berlin, The Salzburg Festival and Royal Danish Opera. She is currently a resident artist at The Aix en Provence Festival where she has directed five operas including Pelleas and Melisande and Handel’s Alcina. IN her first ‘Conversation’, she will describe her background in theatre and how she fell into opera to become one of its leading international lights.

Woman. Alone: Directing Opera

The Visiting Professorship of Opera is funded by New College, and invites leading figures in the operatic world to Oxford each year to give instruction and practice in their areas of expertise. Professors take up residence for short periods while they are involved in a variety of sessions which will include lectures, symposia, masterclasses and performance. Events are open to student and public audiences alike. A list of previous and current appointments to the Visiting Professorship, along with individual profiles, can be found at http://www.new.ox.ac.uk/visiting-chair-opera-studies .

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Opera Studies

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