Ranjit Barot is a prominent figure in Indian commercial music and global jazz fusion, renowned as the musical director for A.R. Rahman's concerts and a respected drummer for Sir John McLaughlin’s Fourth Dimension. He recently performed at the Mahindra Percussion Festival, featuring esteemed artists like Arto Tunçboyaciyan.Aditya discusses the origins of creativity, where genetics, environment, and karma play roles. Ranjit relates his upbringing, highlighting the karmic aspect and divine talent manifestation. He stresses maintaining an unobstructed channel for creative energy. They delve into childhood experiences in India shaping identity. Ranjit emphasises strong familial bonds, cultural richness, and his mother's influence, fostering his perspective and self-assurance. Aditya explores life's impact despite a sheltered upbringing. Ranjit admits self-induced hardships channelled into music for growth. Teaching focuses on guiding students to uncover unique voices. Fostering originality is discussed. Ranjit believes time together infuses essence, preferring mental practice, meditation, music, and cooking. He expresses a love for composing, arranging, and staying connected to drums. Aditya questions if classical music's discipline hinders expression, but Ranjit disagrees, citing improvisation's essence and its liberating nature. Ranjit reflects on challenges amid the digital age's chatter and the impact of joining John McLaughlin's band. Mentoring by Zakir Hussain and John McLaughlin is valued for authenticity and support. Ranjit embraced online learning during the pandemic, enhancing compositional skills. He explains musician selection as A.R. Rahman's musical director, focusing on musicianship, reliability, and ensemble harmony. Konnakol’s importance in Ranjit's Indian classical music understanding is highlighted. It deconstructs arrangements and influences his drumming style. Spiritual and philosophical perspectives in compositions are discussed, citing drummers like Virgil Donati and Dennis Chambers. Ranjit’s future aspirations include a 2024 trio project with Gary Husband. Ranjit's adaptability is attributed to his bicultural upbringing. Aditya commends Ranjit's ease-infused work, rooted in his Indian upbringing. Parallels with like-minded artists Richard Bona and Gary Husband are drawn. Ranjit concludes by letting Aditya know that his experience being on Stalwarts Of Music was by far one of the most intelligent interviews he has done.

Stalwarts Of Music with Aditya Veera

Ranjit Barot's Musings on Music and Identity: From Traditions to Triumphs

In an intellectually stimulating conversation, Aditya Veera unravelled the captivating tale of MaMoGi and Lydian Nadhaswaram, a musical collective that merges East with West and explores the harmonious blend of diverse cultural backgrounds. Mark Hartsuch, the visionary composer, weaves intricate threads of Bebop, Jazz Fusion, and Progressive Rock into their musical fabric. He praises the brilliance of Mohini Dey and Gino Banks, whose exceptional talents elevate their compositions to new heights.The genesis of MaMoGi lies in their profound friendship, mutual admiration, and shared passion for exploration and creation. Each member brings their unique experiences and cultural heritage, creating a symphony of authenticity and innovation. They celebrate the organic and seamless collaboration that birthed the idea of creating an album together, a testament to their artistic kinship.Gino Banks, not just a masterful musician but also a dedicated educator, delves into the vision behind his music schools - Algorithm Drums and Nova School of Music. His hybrid curriculum, tailored to individual learning paces, sets his musical curriculum apart from conventional ones like the Berklee School of Music and Musicians Institute.Mohini Dey, with her illustrious collaborations across the globe, divulges her secret to persuading eminent artists to work with her - a focus on her music and a willingness to let opportunities come her way. Her authenticity shines through in a world where social media often distorts reality.The prodigious young musician, Lydian Nadhaswaram, whose mentorship by luminaries like A.R. Rahman and Illayaraja has propelled him to dazzling heights, humbly shares his journey of dedication to music. He reveals his love for Jazz, Hindustani, and Carnatic music, setting the stage for his innovative fusion project.Mark Hartsuch, Mohini Dey, and Gino Banks exemplify the perfect balance between structure and improvisation in their performances. They strive for perfection, delivering engaging, energetic shows that resonate deeply with their audience.As the interview unfolds, MaMoGi's intent as a collective becomes apparent - to inspire and enrich their audience's lives through a diverse musical experience. They aim to connect with their listeners on an emotional level, infusing joy and groove into every performance.The conversation delves into the personal and professional dynamics within the group, evoking a family-like atmosphere of mutual respect and encouragement. Effective communication and collaborative decision-making fuel their constant pursuit of musical excellence.Lydian's awe-inspiring talent, passion, and dedication shine through as he speaks about his musical journey, being mentored by A.R. Rahman and Illayaraja leaving a lasting impression on the interviewer and the readers alike.The interplay of spirituality and music surfaces as an underlying theme, as each musician expresses their unique connection to their art form, whether through faith, groundedness, or a genuine expression of their inner selves.In a crescendo of wisdom, the musicians envision a future where musical genres harmonize, transcending boundaries and forging a thriving, eclectic music industry. Their dreams of leaving behind a legacy of authentic, soul-stirring compositions reflect the depth of their artistic pursuits.As the interview concludes, the echoes of MaMoGi's harmonious melodies resonate through the minds of readers, leaving them enriched and inspired. Each member's distinctive insights and passion for their craft offer a timeless gift to the world of music, a symphony that will reverberate through generations to come.

MaMoGi and Lydian Nadhaswaram: An Interplay of Virtuosity, Chemistry and Creative Caprice

In Stalwarts of Music Season 1, yet another remarkable journey unfolds as Aditya Veera interviews the renowned record producer and songwriter, Pete Bellotte. From Pete's modest beginnings to his illustrious collaborations, the conversation takes us on a captivating ride through his life in the industry.Pete's musical talent was discovered at a young age, inspired by his mother's melodic voice and her innate ability to remember every song's lyrics. His fascination led him to teach himself guitar, facing the challenge of learning chords upside down as a left-handed player. Formal training was not on Pete's path; instead, he found himself absorbed in absorbing music by playing with a band and learning the latest hits. Elvis Presley and the rock and roll era were instrumental in shaping his early influences, sparking a revolutionary shift in music.Motivated by the sheer joy of creation, Pete delves into his creative process and the happiness musicians experience when they touch their instruments. He fondly reminisces about his collaboration with Donna Summer, especially the magic they created together in the iconic song "Hot Stuff," which featured a groundbreaking guitar solo by Jeff Baxter. Giorgio Moroder, a successful musician, became a significant figure in Pete's life. Their partnership began when Pete, struggling to find a job, became Giorgio's assistant. Together, they worked tirelessly in the studio, pouring their hearts and souls into their music. Disco became their domain, and they revelled in the joy it brought to people's lives. Their enduring collaboration led to unforgettable hits, such as "Son of My Father," which catapulted Pete's career to new heights. Their shared passion for music and unwavering dedication to quality over quantity created an environment where creativity thrived.Pete also reflects on Giorgio's driving skills, recounting their trips in the Ferrari Dino to Italy. Despite Giorgio's struggles with poor eyesight, they embarked on fast drives, blissfully unaware of the risks they were taking.Donna Summer, an incredible singer and dear friend of Pete, left an indelible mark on his career. Their collaboration on songs like "MacArthur Park" showcased Donna's unparalleled vocal talent. Pete vividly recalls recording the song with a massive orchestra at Universal Studios, which became their first number-one hit together. In the realm of music, their partnership stood strong, transcending boundaries and leaving an everlasting legacy in the annals of music history. Pete cherishes the enduring bond and camaraderie they shared, a connection that went beyond the studio walls.As the interview concludes, Aditya expresses his gratitude to Pete for sharing his wisdom and extends an invitation for him to visit India. Pete graciously bids farewell, leaving behind an enduring impression with his genuine passion and love for music, along with his remarkable collaborations with Giorgio Moroder, Donna Summer, and other memorable adventures.

Steps Of Stardust with Pete Bellotte: "Beyond the Mirrorball"

In a captivating conversation, Aditya Veera, Mohini Dey, and Paul Gilbert take us on a mesmerising journey through Paul's musical odyssey. Growing up in a household filled with diverse genres, Paul's musical palette was enriched by iconic bands and timeless compositions. His uncle played a pivotal role, embodying the authentic rock feel that inspired Paul's artistic journey.Paul dismisses the notion of having music in one's blood as a prerequisite for making or learning music, sharing the story of his friend who defied the odds and became a professional musician through passion and dedication. Reflecting on his creative process, Paul describes it as an internal calling—an innate need to express himself through music. Themes in his compositions emerge organically, inspired by personal experiences, emotions, or a desire to explore different styles.Joined by Mohini, the trio's synergy ignites a spark of creativity and curiosity. Paul humorously shares his unusual piece of gear—liquid tape, applied to guitar picks for better grip. He reveals the impact of the appearance of his picks but emphasises the enhanced performance. Music constantly permeates Paul's thoughts, and he shares the enriching experience of developing the ability to hear music internally, shaping his every moment. He also expresses the importance of physical proximity to the drummer during live performances to feel the rhythm and create harmonious magic on stage.Lighthearted moments arise as the trio shares their most embarrassing on-stage mishaps. Paul recounts an incident where a drill bit prop got entangled in his long hair during a guitar solo, turning an embarrassing mishap into a memorable experience. Mohini shares her own tales, including a wardrobe malfunction and a chewing gum mishap, showcasing her adaptability and ability to turn mishaps into impromptu performances.Laughter, anecdotes, and playful camaraderie fill the room, humanising the world of music and emphasising its universal language. As the conversation concludes, Aditya, Paul, and Mohini express their gratitude for the opportunity to connect and share their experiences. Their laughter and genuine connections remind us that music transcends boundaries, bringing people together from different walks of life.

Paul Gilbert & Mohini Dey: "Harmonious Tales: A Musical Odyssey Unveiled Through Laughter, Camaraderie, and Mishaps"

Gary Husband, a legendary musician, believes that personal qualities and values play an essential role in creating great music. He emphasises spontaneity and flows over strict notation and transcription, drawing inspiration from his surroundings and experiences to create unique compositions.In a conversation with Aditya Veera, Gary stressed the importance of personal evolution and the ability to realise one's inspirations and imagination. He believes that music has the power to create subjective and blissful moments that transcend time and space, evoking a range of emotions in listeners.When asked about the difference between virtuosity and genius, Gary humbly considers himself an eternal student, constantly striving to improve and create. He draws inspiration from various musicians and genres, incorporating their influences into his playing while maintaining his unique voice and sound.Special guest Amyt Datta admired Gary's skills as a pianist and drummer and asked how he manages to excel at both. Gary explained that the two instruments are like two halves of one whole, and he has developed the physical ability to switch between them seamlessly. He internalises the rhythm until it becomes second nature, like muscle memory.Gary's teachings are more philosophical and motivational than technical. He encourages aspiring musicians to find their own voice and sound while still drawing inspiration from their masters. He suggests drum transcriptions as an excellent way to develop one's rhythm and recommends using two metronomes to develop a good feel with other musicians.In summary, Gary Husband's approach to music is one of constant evolution and inspiration, emphasising personal qualities and values as essential components of great music. His ability to switch between instruments and incorporate different influences into his playing is a testament to his dedication and hard work. His teachings are not only technical but also philosophical and motivational, inspiring musicians to find their own voice while drawing inspiration from others.

Gary Husband & Amyt Datta: "Harmonising Personal Evolution and Musical Inspiration: An Ethos of Creativity and Dedication in Music"

"Every day seems like a vacation when you follow your passion." Mindi Abair is probably the best example to support this quote. She is a songwriter, radio host, podcaster, session artist, recording artist, singer, and, most importantly, a saxophonist. Coming from a musical background, she has always been driven toward music. "I started playing the piano at the age of five," she reveals. Describing her journey as a saxophonist, she said that she was never used to playing the saxophone until college but loved watching her father perform. The turning point in her life was when she attended a concert by David Sanborn.Her passion and ambition for playing the saxophone could have been seen in her statements. "I feel that the saxophone is an extension of my voice; I can whisper and scream through this instrument," she stated with a spark in her eyes. When asked about her ability to manage so many fields and areas together, she gave special credit to the ANR person who motivated her to bring out a different personality within her. Mindi has been associated with Verve Records, a subsidiary of the Universal Music Group. She believes that it was quite fun working with them, but launching her album is something that she has always dreamt of. Her take on judging the music or a song to be good seemed unique and amazing. "It is the connection between the audience and the artist." "If the audience is connected and enjoys it, and a relationship has been formed, then the music is a success," she said. She looks up to Beth Hart and David Sanborn as her role models.The energy and the zeal they put into their work are commendable. Her take on discovering the best interests of a person is to trust the music which sets inspiration for you. Supporting this argument she shared an anecdote from her college days where the music teachers used to put more emphasis on contemporary jazz rather than traditional music. But she always trusted her interests and chased the things which inspired her the most.The conversation picked up the pace when asked about her album, "Forever." She dedicated the first track to her husband, who is a wine guy. She chuckled and said "starting track of wine and jazz as it seems to be quite relatable to our life" She seemed to be quite passionate about her newly launched album, "Forever." "I collaborated with my friends from college and some other people," she shared. Her taste in music seemed quite real and grounded when she mentioned that "I prefer writing songs related to life and beliefs."In this tech-driven society where digital marketing is ruling the internet, Mindi seemed to be less influenced by technology and marketing tactics. The audience carries the ultimate power. "As artists, the major focus should be to make the music more and more inspiring, as it plays a key role irrespective of just promoting" she stated. Mindi has also been a trustee for a decade at the Recording Academy. When asked about the purpose and cause she was associated with, She shared that she was a part of laying and leading a path for women to become a part of the music industry and supporting young talents to learn the art of music.She mentioned some anecdotes while touring as a session musician for Aerosmith. "It was just a once-in-a-lifetime experience; you want to be there and live it out." "It was so much fun and indeed an incredible experience." She shared. While mentioning her experiences with Steven Tyler, she said that he is a rock and roll star, so much fun, and filled with enthusiasm and energy. Steven pushes the artists to be an active part of the band, and she finds him to be quite an amazing human being.Mindi has also contributed her talent to some of the movies. Her experience in movies has been similar to that of the original albums, except for the fact that a vibe and a feel have to be created to synchronise with the movie.

Mindi Abair: "A Great Mix of Integrity and Authenticity."

Every artist has their first introduction to their passion. When asked about his first encounter with music, Mutlu chose to travel back to his childhood and share how he used to listen to classical music and play the violin as a child. Moving forward, he shared that he had resisted playing the violin as a child because his parents wanted him to do that. Mutlu is a self-taught artist. He taught himself guitar by practising with records and notes taught to him by his friends in college.Mutlu also discussed criticism as an artist. He started by distinguishing between criticism and mean-spirited criticism. He also stated that artists look for validation. Mutlu says that he is fond of deep conversation about music, which he practises in his podcast and which opens him to new records, artists, and a feeling of being part of a community away from mean-spiritedness. He says that the best part of having guests on his podcast is getting to learn more about and relate to the other artists and their struggles.On being asked about how an idea becomes a song, the Philadelphia-based songwriter replied that there are a number of ways. Sometimes an existing idea takes a while to ripen into a song, whereas some songs can just be put together in 15–20 minutes. It is never a static or definite process. Regarding the presence of deadlines, the singer has a fair perspective. He says that sometimes deadlines help the writer frame his work better. It also depends on the situation and the environment one works in.Ever wonder what inspires a composer to write a song?Well, Mutlu voiced his opinion on this after being asked one such question, saying that first and foremost it's a personal thing. According to him, a composer first starts to write a song to express himself or herself, and then they look forward to making something that is relatable. The composer and singer also shared a preview of his upcoming album, which will be released next year. He also talked about losing himself in the song while performing. "The more I am thinking, the less the vibe is happening."And art connects and brings together not just the audience but also the artists. The songwriter talks about having a "musical brotherhood" with one of the most well-known names in music, Amos Lee. Mutlu expresses how the need to commercialise art takes a toll on the creative edge of an artist. He also calls art and commerce two different things that often clash, and an artist is needed to balance them. In the conversation with Aditya Veera, the remarkable artist shared how a lot of people discovered him as an artist after his collaboration with Daryl Hall on the Daryl's House Club Show."Creating a career out of an art form or commercialising it is a challenge for artists," says Mutlu as an artist. He talked about how the whole process of accessing a record has changed from buying it from a store to a click of a finger with the intervention of technology, whereas the hard work behind preparing it is almost the same as earlier. In this dynamic world of newly emerging forms of assets and art, Mutlu finds himself digitally unfamiliar when it comes to NFTs, but he believes that there is always room to learn. When asked what keeps him going, the vivacious artist says it is always the journey rather than the goal. He looks forward to building an audience. The thing that drives him is performing in front of a huge audience, creating connections, and adding value to their lives. Mutlu also looks forward to building a loyal community that has longevity as a future prospect in this world that is producing new art and artists every day. According to the artist, good and quality songs always find their way.The Philadelphia-based artist loves getting applauded by people whom he admires and who are already well-established names in the industry. He believes that music is the force that can break through the "us and them" mentality.

Mutlu: "Music is the force that can break through the "us and them" mentality."

The undisputed king of electric blues guitar breaks down the genres and sources of inspiration for his most recent album, a tour de force aptly titled Crown, which was produced by Joe Bonamassa. a blues firebrand, Eric Gales. Even as his own light dimmed as a result of his struggles with substance abuse over the course of 30 years and 18 albums, his passion for music and his unwavering determination to keep it alive never wavered. With personal revelations in his lyrics and daring stylistic turns in both his guitar playing and songwriting, he never stopped reviving the genre.Gales was hailed as a child prodigy and "the next Jimi Hendrix" because of his unique playing style and emotionally raw music and personality. Singers like Jimi Hendrix, Albert King, etc. have a very strong spell over him, and time stops when he listens to their songs. "I feel blessed to be a part of their legacy."Gales had his share of hardships in his career, and gratitude is the by-product. "From signing a record deal to flying to New York to sign another deal, everything was exciting, but going on tour for the first time was the aha moment of my life." At the beginning of his career, he only focused on playing, as he had the great support of his elder brother; eventually, he learned to step into responsibility and take charge. But he says "the presentation of himself on a stage is a form of discipline for me."This year, in January, Eric Gales' latest album, "Crown," was released in collaboration with Joe Bonamassa and Josh Smith, and it is by far his best new record. Contributions by Joe Bonamassa and Josh Smith were not small, as they brought their A-game to the whole album, according to Eric Gales. Gales feels he is free, and that is what his music signifies; he integrates his life and music, which his new album also represents. "I trust the process of what it is, then I tap into it and see what it allows me to do and the end results, who and how it goes to, and where it goes; it is sort of my responsibility but not my concern." Gales believes that music is just like a flow in his body, and he is not in control of how or where it comes from.His approach to music and life is emotionally raw and untouchable. Feeling connected to his maker and being grateful for the life and abilities he has been gifted are definitely the keys to Gales’ approach to life. "A black man who struggled but tried to live at peace with his days." He wants to be remembered. The future still seems bright as the sun for Gales. His plans extend beyond the Crown, as visits and preparations for next year are moving at a fast pace. "Getting the Eric Gales brand on and getting it moving," as he says.

Eric Gales: “The beauty of being a musician is that the only musician you can be is you.”

Julian Lage opens up this conversation by speaking about being the primary subject of the 1996 documentary, "Jules at Eight." He describes the human tendency to lack perspective while being the centre of attention. He comes from an artistic household in an era where there was less pressure compared to the present times. Julian’s nurturing involved a lot of support from his parents and teachers, along with his own impulse to get better at his craft. He describes music as nurturing, healing, and a spiritual wonder of the world. His idea of aesthetics comes from tremendous curiosity. Julian’s curiosity has driven him to get a fair understanding of anatomy and techniques like the Alexander Technique and Feldenkrais. Julian signed with the prestigious Blue Note Records, led by Don Was. The Blue Note fraternity strongly believes in the sense of community and fraternity provided by other Cleveland leaders for several generations. Julian quotes: "There is a tremendous sense of intelligence that is passed on from human to human in music." He can be seen dancing with the instrument with a tremendous sense of movement. Having studied sitar and tabla at the Ali Akbar School of Music, Julian finally got a chance to channel all of his sensibilities in his collaboration with Ustad Zakir Hussain and Charles Lloyd. Julian concludes the interview by making the statement that this has by far been one of the best interviews he has been a part of. Be sure to check it out.

Julian Lage - "Jules at 34."

Catch David Paich, who is a multi-Grammy and Emmy Award-winning artist and is best known as a co-founder of the legendary band Toto, tuning in from Santa Barbara, California. He casts light on the things required for a potential singer-songwriter and emphasises the need for good melody at the top of his list. Further, he reveals that the key to success is constant practice and training.Talking about the creative impulse, song inspirations can be drawn from the shower, while driving a car, or even while walking down the street. From talking about the importance of science and technology ( Quincy’s ideology) in music to the importance of the theme of love in the music business, this conversation takes a serious note when David Paich talks about the hardships he faced. The icing on the cake is when David speaks about coining Toto's "Hydra" album based on Leonard Cohen's work. Other interesting anecdotes from his time with Michael Jackson and Sir Paul McCartney are major highlights of this interview. David also puts forward the amazing thought that real beautiful songs require a beautiful melody, to begin with.

David Paich: “Enjoy the round-robin of different aspects of music.”

Do you ever wonder how important an artist is to this world? We cannot really define it in words, but Jojo Mayer is here to beautifully illustrate how artists open the door to a new understanding, pushing people towards a new future and facilitating discoveries. He broke out into the professional music space at the age of 18 by joining the Monty Alexander Group. He toured with several other groups that launched him onto the major jazz music scene. Jojo is also known to blend in so many different styles of music, ranging from jazz to drum and bass. His signature style is called "Jungle," which is a culmination of all of these influences. The inspiration and ideas behind Jojo Mayer's Nerve, the electronica trio, are brought to light in this podcast. It is about humans imitating the idiosyncrasies of machines.Furthermore, he continues to share some insights about his upcoming project, which will be launched in Paris. Jojo discusses the impact of major obstacles such as climate change, global warming, and others, for which society must find solutions and adjust in order to achieve certain goals. These obstacles have a profound effect on the future of the way we live and the way we perceive art, life, and music as well.Participate in this fascinating conversation in which Jojo Mayer advises musicians on how to bring out their individualities, his creative process, and his fascination with animals, particularly reptiles.

Jojo Mayer: "Improvisation is empowering."

Having released her all-new EP, Elegy, Victoria Canal speaks about her first ever release under a major label, which is completely self-produced by her. Interestingly, she squeezed in time for this interview in the middle of shopping for her international tour. She is all set to play a run of international tours in Dublin, Paris, New York, Los Angeles, and more. Victoria describes her earliest musical memory as learning piano from her grandma during her summer vacations. Some of the most gratifying moments of her life were when she surrounded herself with people who made her discover things about herself and about the world. She emphasises the fact that every human needs a place to put their suffering in different forms, either through work or their relationships. It could show up in any form, either in the form of paintings or songs that let us channel it. She stands by the concept of having artist communities wherein fellow musicians mutually support each other and believe in the act of Karma and harnessing good vibes. Victoria speaks about meeting Stevie Wonder and her "Red Carpet" moment. Last but not least, she wants to be remembered as someone who meant a lot to a few people. 

Victoria Canal on being A proud “third culture kid.”

Richard Bona hails from the remotest part of Cameroon, from a village called Minta. His mother, grandfather, and great-uncles used to be musicians, keeping their African culture and traditions alive. At the age of 3, he discovered his love for music through the balaphone. His financial condition made him climb a tree and make his own instruments. He describes Minta’s environment, which made him do things as a sense of necessity that later developed into a long-lasting passion. During his teens, he left for Germany to study classical music and was in France for a bit of sessioning as a bassist. He didn’t find true purpose in being labelled as just a bassist, as he was an equally good singer and a better percussionist. His true homecoming occurred in New York, where he landed his first official job as musical director for the legendary Harry Belafonte. This particular association gave him great exposure to the music business, bagging his first record deal with Sony Music, and made him an organised musician by organising his messy guitar cables. Richard Bona was heavily influenced by the one and only Jaco Pastorius and is someone who prefers human emotion over technical virtuosity any day. He likes to add his own colour and originality to his artistic expression. He never wants to be number one for the simple reason that he hates going downhill and would like to remain a student of music. He also speaks about his entry into the Afro-Beat music space.

Richard Bona on being a self-made realist

Listen in as Tanya Callaghan breaks the ice about her debut Whitesnake tour in her motherland (Ireland). She had fit in just right, finding her place in the Whitesnake legacy as the first-ever female musician to play in the band. She speaks about her first big break in her career while at L.A., which was with Maynard Keenan of Tool. It wasn’t a smooth sail for her when she started out, especially since the music industry is one that involves a lot of networking and building relationships, and it took her nearly 3 years to settle in. Post, in which she played with Dee Snider of Twisted Sister, Stephen Adler of Guns and Roses, and many more. She is also an equally passionate wildlife activist and runs a show along with Derrick from Sepultura that focuses on a plethora of topics, with plant-based food being one of their major focus areas. Some of her spiritual techniques involve meditation and yoga. She likes to make a statement on stage and appears to be a flamboyant musician who stands out. Tanya would like to be remembered for at least trying to make the planet a better place and opening people’s minds and hearts a little more.

Tanya Callaghan on Being a Good Samaritan

Growing up in an environment where her mom and dad played music together prompted Malina to pick up her passion for the guitar. She took up an unorthodox style of playing the instrument, which worked wonders for her. She leads by example, inspiring people to lead better lives and connect more. Malina emphasises the authenticity of music that gets transcended over decades and platforms. Her firm drive and complacency strive to leave a lasting impact on people through her music.

Malina Moye likes to lead by example.

Through this podcast Aditya Veera, engages in insightful interviews with Grammy-winning/nominated & highly accomplished upcoming musical prodigies from across the globe. Through his unique interviewing style, Aditya aims to share the musical journeys of these maestros with people of India and beyond. With a growing listener base on Instagram and radio (Big FM Shillong & Aizawl), Aditya is emerging as one of India's pioneering music podcasters, focusing exclusively on interacting with internationally acclaimed musicians. In just a year, he has interviewed renowned legends like Joe Satriani, Cindy Blackman Santana, Phil Perry, Bob James, Lee Ritenour, Doyle Bramhall II, Eric Martin, Nathan East, Richard Bona, Paul Carrack, Victoria Canal, and many others. Season 1 comprised over 50 remarkable episodes, and Season 2 promises even more by featuring international legends and music industry experts from India. This season also introduces a new dimension with festival edition podcasts in the country. Get ready for an extraordinary journey into the world of music!

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Stalwarts Of Music with Aditya Veera

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