<h1>From Grief to Filmmaking: How Mari Found Her Creative Voice Later in Life</h1><h1> </h1>Mari's journey into filmmaking is proof that it's never too late to chase your dreams. After losing her husband, she found herself in her early 50s, looking for a new direction in life. Instead of playing it safe, she dove headfirst into the world of filmmaking, turning her beautifully written short story "Esmeralda" into a compelling film about grief, control, and chicken keeping (yes, you read that right!). What's super cool about Mari's story is how she just went for it. She joined Talent Campus, which she jokingly describes as joining a "cult" of creativity, and started saying yes to every opportunity that came her way. Her approach was refreshingly straightforward - she didn't wait for permission to make a film, she just decided to do it. As she puts it, "You do not need permission to make a film," which has become something of a battle cry for aspiring filmmakers. The way Mari built her film crew is pretty inspiring too. She started by pitching her project at Raindance, where she met her director Vipin. But here's the really awesome part - she was determined to do things right and actually pay her crew. She even got a lodger to help fund the film! That's the kind of dedication that turns dreams into reality. Working with actor Stuart Sessions was another big milestone in Mari's journey. Their collaboration came about through trust and personal connection, which shows how important relationships are in filmmaking. Every step was a first for Mari - from pre-production to working with professional actors - but she tackled each challenge with determination and a willingness to learn. What's particularly cool about Mari's story is how she's embraced the learning curve. Everything about making "Esmeralda" was new to her, but instead of letting that scare her off, she used it as motivation to learn more. She surrounded herself with experienced professionals and wasn't afraid to ask questions or admit when she didn't know something. That kind of humility and eagerness to learn is pretty refreshing. Mari's not stopping with just one film either. She's already working on another short film script about PTSD and has gotten involved with a local film group. She's even tried her hand at stand-up comedy! Her message to other older folks thinking about getting into filmmaking is crystal clear: don't let age hold you back. As she says, "Being older, don't let being older ever hold you back for anything." Her film's premiere at Genesis Cinema in Bethnal Green marks another milestone in her journey, but it feels more like a beginning than an end. Mari's story shows us that with passion, determination, and a willingness to learn, you can reinvent yourself at any age. It's not about having decades of experience or technical knowledge - it's about having the courage to take that first step and the persistence to keep going, even when things get tough. Through Mari's journey from writing to filmmaking, we see how life's hardest moments can sometimes lead to unexpected new beginnings. Her story isn't just about making a film - it's about having the courage to start a new chapter in life when the old one ends, about finding your voice when you thought you might have lost it, and about proving that creativity doesn't have an age limit.

From Grief to Filmmaking: How Mari Found Her Creative Voice Later in LifeMari's journey into filmmaking is proof that it's never too late to chase your dreams. After losing her husband, she found herself in her early 50s, looking for a new direction in life. Instead of playing it safe, she dove headfirst into the world of filmmaking, turning her beautifully written short story "Esmeralda" into a compelling film about grief, control, and chicken keeping (yes, you read that right!).What's super cool about Mari's story is how she just went for it. She joined Talent Campus, which she jokingly describes as joining a "cult" of creativity, and started saying yes to every opportunity that came her way. Her approach was refreshingly straightforward - she didn't wait for permission to make a film, she just decided to do it. As she puts it, "You do not need permission to make a film," which has become something of a battle cry for aspiring filmmakers.The way Mari built her film crew is pretty inspiring too. She started by pitching her project at Raindance, where she met her director Vipin. But here's the really awesome part - she was determined to do things right and actually pay her crew. She even got a lodger to help fund the film! That's the kind of dedication that turns dreams into reality.Working with actor Stuart Sessions was another big milestone in Mari's journey. Their collaboration came about through trust and personal connection, which shows how important relationships are in filmmaking. Every step was a first for Mari - from pre-production to working with professional actors - but she tackled each challenge with determination and a willingness to learn.What's particularly cool about Mari's story is how she's embraced the learning curve. Everything about making "Esmeralda" was new to her, but instead of letting that scare her off, she used it as motivation to learn more. She surrounded herself with experienced professionals and wasn't afraid to ask questions or admit when she didn't know something. That kind of humility and eagerness to learn is pretty refreshing.Mari's not stopping with just one film either. She's already working on another short film script about PTSD and has gotten involved with a local film group. She's even tried her hand at stand-up comedy! Her message to other older folks thinking about getting into filmmaking is crystal clear: don't let age hold you back. As she says, "Being older, don't let being older ever hold you back for anything."Her film's premiere at Genesis Cinema in Bethnal Green marks another milestone in her journey, but it feels more like a beginning than an end. Mari's story shows us that with passion, determination, and a willingness to learn, you can reinvent yourself at any age. It's not about having decades of experience or technical knowledge - it's about having the courage to take that first step and the persistence to keep going, even when things get tough.Through Mari's journey from writing to filmmaking, we see how life's hardest moments can sometimes lead to unexpected new beginnings. Her story isn't just about making a film - it's about having the courage to start a new chapter in life when the old one ends, about finding your voice when you thought you might have lost it, and about proving that creativity doesn't have an age limit.

The London Screenwriters' Festival Podcast

Ep021: Making 'Esmerelda' with Mari Lawton

<h1>Essential Legal Tips for Screenwriters: A Friendly Guide</h1>Hey there, fellow screenwriters! Let's break down the most important legal stuff you need to know to protect your creative work and keep your career on track.First up, here's some good news about copyright - it's actually super simple! The moment you write your script, you automatically have copyright protection. You don't need to register it or jump through any complicated hoops. That said, you can't copyright an idea alone (bummer, I know), but once you've turned that brilliant idea into a script, you're protected. Pro tip: keep good records of when you wrote things, and make sure you can prove it's your original work.Now, let's talk about option agreements, which are basically like dating before marriage in the film industry. When a producer likes your script, they might want to "option" it, which means they're calling dibs on it for a while. They'll pay you a bit of money upfront (usually not life-changing amounts) for the exclusive right to develop your script. If they end up making it into a film, that's when the real money comes in. Think of it as a try-before-you-buy arrangement for producers.Got a great idea for a script based on a true story? Awesome, but hold up a second! Writing about real people and events can be tricky legal territory. You'll need to be super careful about using public domain information and might need to get permissions from the people involved. The last thing you want is a lawsuit for defamation! Remember that different countries have different laws about image rights too, so do your homework.Teaming up with another writer? Collaboration can be amazing, but it can also get messy without the right groundwork. Always, always, ALWAYS work with people you trust, but don't skip the paperwork. A simple written agreement about who's doing what, who gets what credit, and how you'll split any money can save you from major headaches later.When it comes to protecting your work while pitching it, keep it professional but practical. Sure, you could ask everyone to sign an NDA (Non-Disclosure Agreement), but that might make you look a bit paranoid and could put off potential collaborators. Instead, keep good records of your meetings and send follow-up emails summarizing what was discussed. Build relationships based on trust while keeping your business sense sharp.Remember, these legal aspects might seem overwhelming, but they're just part of the professional writing journey. Focus on creating great work first, but keep these principles in mind. The industry respects writers who understand both the creative and business sides of screenwriting. Stay enthusiastic about your projects, but don't forget to protect your interests along the way. And most importantly, don't let legal concerns stifle your creativity - just be smart about how you handle your work once it's ready to share with the world.

Essential Legal Tips for Screenwriters: A Friendly GuideHey there, fellow screenwriters! Let's break down the most important legal stuff you need to know to protect your creative work and keep your career on track.First up, here's some good news about copyright - it's actually super simple! The moment you write your script, you automatically have copyright protection. You don't need to register it or jump through any complicated hoops. That said, you can't copyright an idea alone (bummer, I know), but once you've turned that brilliant idea into a script, you're protected. Pro tip: keep good records of when you wrote things, and make sure you can prove it's your original work.Now, let's talk about option agreements, which are basically like dating before marriage in the film industry. When a producer likes your script, they might want to "option" it, which means they're calling dibs on it for a while. They'll pay you a bit of money upfront (usually not life-changing amounts) for the exclusive right to develop your script. If they end up making it into a film, that's when the real money comes in. Think of it as a try-before-you-buy arrangement for producers.Got a great idea for a script based on a true story? Awesome, but hold up a second! Writing about real people and events can be tricky legal territory. You'll need to be super careful about using public domain information and might need to get permissions from the people involved. The last thing you want is a lawsuit for defamation! Remember that different countries have different laws about image rights too, so do your homework.Teaming up with another writer? Collaboration can be amazing, but it can also get messy without the right groundwork. Always, always, ALWAYS work with people you trust, but don't skip the paperwork. A simple written agreement about who's doing what, who gets what credit, and how you'll split any money can save you from major headaches later.When it comes to protecting your work while pitching it, keep it professional but practical. Sure, you could ask everyone to sign an NDA (Non-Disclosure Agreement), but that might make you look a bit paranoid and could put off potential collaborators. Instead, keep good records of your meetings and send follow-up emails summarizing what was discussed. Build relationships based on trust while keeping your business sense sharp.Remember, these legal aspects might seem overwhelming, but they're just part of the professional writing journey. Focus on creating great work first, but keep these principles in mind. The industry respects writers who understand both the creative and business sides of screenwriting. Stay enthusiastic about your projects, but don't forget to protect your interests along the way. And most importantly, don't let legal concerns stifle your creativity - just be smart about how you handle your work once it's ready to share with the world.

Ep020: Top Six Legal Questions Screenwriters Ask with Lawyer Julian Wilkins

Horror writing isn’t just about throwing some blood and guts on the page – it’s about diving deep into the darkest corners of your mind and seeing what creepy creatures crawl out. That’s exactly what the folks on the Twisted 50 Volume 3 podcast showed us when they got together to chat about their spine-chilling anthology.The podcast brought together quite the crew – you had Chris Jones hosting, Kate Bemis wearing her editor hat, and three authors (James, Paul, and Lewis) who weren’t afraid to get their hands dirty in the horror genre. Kate kicked things off by admitting she had to wade through 150 stories, which is enough to make anyone’s eyes cross! She joked about needing her glasses, but you could tell she was totally up for the challenge. Things got really interesting when the authors started spilling the beans about their stories. Paul dove into his tale about a serial killer (because who doesn’t love a good murder story, right?), while James took us on a twisted journey through the mind of a psychopath on a date – talk about dinner conversation! Lewis brought something different to the table with his zombie apocalypse story, which actually came from a pretty personal place dealing with depression. It’s pretty amazing how writers can take their dark experiences and turn them into something creative. The whole gang got really deep when they started talking about where they get their inspiration from. It turns out writing horror can be kind of therapeutic – who knew? Lewis really opened up about how feeling out of control in his own life led to his zombie story, saying “I felt I had no control over my own self and the whole outside world is controlling me.” That’s the kind of raw honesty that makes horror stories hit home. One of the coolest things about Twisted 50 is how they handle feedback. Instead of the usual “this is great” or “this sucks,” they’ve got this whole community vibe going on where writers help each other out. James mentioned how easy it is to get lost in your own story and how having fresh eyes on your work can be a game-changer. The editing process sounds more like a writing workshop than a scary editorial chopping block. The conversation took an exciting turn when they started talking about possibly turning some of these stories into movies. I mean, who wouldn’t want to see these twisted tales on the big screen? Paul was practically bouncing off the walls with excitement about the film potential, and honestly, a horror anthology film sounds pretty sweet. The cherry on top was all the advice they dished out for aspiring horror writers. Kate dropped this gem: “The less you care, the better the writing almost always is.” It’s like she’s telling us to stop overthinking and just let our inner Stephen King run wild. They wrapped everything up by inviting writers to submit to Volume 4, basically saying “come on in, the water’s bloody… I mean, fine!” For anyone thinking about dipping their toes into horror writing, this podcast showed that it’s not just about scaring people – it’s about finding your voice, sharing your darkness, and maybe making some friends who are just as twisted as you are. Whether you’re writing about zombies, psychopaths, or things that go bump in the night, there’s room for everyone in this creepy little corner of the literary world.

Horror writing isn’t just about throwing some blood and guts on the page – it’s about diving deep into the darkest corners of your mind and seeing what creepy creatures crawl out. That’s exactly what the folks on the Twisted 50 Volume 3 podcast showed us when they got together to chat about their spine-chilling anthology.The podcast brought together quite the crew – you had Chris Jones hosting, Kate Bemis wearing her editor hat, and three authors (James, Paul, and Lewis) who weren’t afraid to get their hands dirty in the horror genre. Kate kicked things off by admitting she had to wade through 150 stories, which is enough to make anyone’s eyes cross! She joked about needing her glasses, but you could tell she was totally up for the challenge.Things got really interesting when the authors started spilling the beans about their stories. Paul dove into his tale about a serial killer (because who doesn’t love a good murder story, right?), while James took us on a twisted journey through the mind of a psychopath on a date – talk about dinner conversation! Lewis brought something different to the table with his zombie apocalypse story, which actually came from a pretty personal place dealing with depression. It’s pretty amazing how writers can take their dark experiences and turn them into something creative.The whole gang got really deep when they started talking about where they get their inspiration from. It turns out writing horror can be kind of therapeutic – who knew? Lewis really opened up about how feeling out of control in his own life led to his zombie story, saying “I felt I had no control over my own self and the whole outside world is controlling me.” That’s the kind of raw honesty that makes horror stories hit home.One of the coolest things about Twisted 50 is how they handle feedback. Instead of the usual “this is great” or “this sucks,” they’ve got this whole community vibe going on where writers help each other out. James mentioned how easy it is to get lost in your own story and how having fresh eyes on your work can be a game-changer. The editing process sounds more like a writing workshop than a scary editorial chopping block.The conversation took an exciting turn when they started talking about possibly turning some of these stories into movies. I mean, who wouldn’t want to see these twisted tales on the big screen? Paul was practically bouncing off the walls with excitement about the film potential, and honestly, a horror anthology film sounds pretty sweet.The cherry on top was all the advice they dished out for aspiring horror writers. Kate dropped this gem: “The less you care, the better the writing almost always is.” It’s like she’s telling us to stop overthinking and just let our inner Stephen King run wild. They wrapped everything up by inviting writers to submit to Volume 4, basically saying “come on in, the water’s bloody… I mean, fine!”For anyone thinking about dipping their toes into horror writing, this podcast showed that it’s not just about scaring people – it’s about finding your voice, sharing your darkness, and maybe making some friends who are just as twisted as you are. Whether you’re writing about zombies, psychopaths, or things that go bump in the night, there’s room for everyone in this creepy little corner of the literary world.

Ep018: Inside Twisted Minds: A Deep Dive into Horror Writing

<ul><li>Podcast hosted by Chris Jones discussing Talent Campus from the London Screenwriters Festival.</li><li>Guest Delanne shares her success stories after attending Talent Campus 7 in 2019.</li><li>Delanne highlights her experience at Talent Campus as a whirlwind of activities and networking.</li><li>Discusses her movie "Father Christmas is Back," which she wrote while recovering from flu, leading to her first paid writing job.</li><li>Emphasizes the importance of being prepared for opportunities, even in unexpected situations.</li><li>Talks about her book "The Box of Silver Stars," originally pitched at Talent Campus, which she self-published after challenges with traditional publishing.</li><li>Plans to rally the community to support her book's launch for a potential bestseller status.</li><li>Delanne's future projects include writing short films and features, focusing on storytelling rather than mainstream success.</li><li>Encouraged by her daughter to attend Talent Campus, which she credits for her growth as a writer.</li><li>ScreenSkills funded a project, which was welcomed news.</li><li>Balancing a creative career with adult responsibilities (bills, children) is challenging.</li><li>Persistence is key; keep pursuing creative dreams despite setbacks.</li><li>Teaching can help focus on writing.</li><li>Writing is essential for personal happiness and creativity.</li><li>Ideas often come unexpectedly and need time to develop.</li><li>It's important to finish projects to avoid psychological discomfort from open loops.</li><li>Completing projects allows for closure and the opportunity to revisit them later.</li><li>The conversation ended with a hopeful note about future connections and success.</li></ul>

Podcast hosted by Chris Jones discussing Talent Campus from the London Screenwriters Festival.Guest Delanne shares her success stories after attending Talent Campus 7 in 2019.Delanne highlights her experience at Talent Campus as a whirlwind of activities and networking.Discusses her movie "Father Christmas is Back," which she wrote while recovering from flu, leading to her first paid writing job.Emphasizes the importance of being prepared for opportunities, even in unexpected situations.Talks about her book "The Box of Silver Stars," originally pitched at Talent Campus, which she self-published after challenges with traditional publishing.Plans to rally the community to support her book's launch for a potential bestseller status.Delanne's future projects include writing short films and features, focusing on storytelling rather than mainstream success.Encouraged by her daughter to attend Talent Campus, which she credits for her growth as a writer.ScreenSkills funded a project, which was welcomed news.Balancing a creative career with adult responsibilities (bills, children) is challenging.Persistence is key; keep pursuing creative dreams despite setbacks.Teaching can help focus on writing.Writing is essential for personal happiness and creativity.Ideas often come unexpectedly and need time to develop.It's important to finish projects to avoid psychological discomfort from open loops.Completing projects allows for closure and the opportunity to revisit them later.The conversation ended with a hopeful note about future connections and success.

Ep019: Meet Dylanne Corcoran, Finding Representation and Work

<h2>Bringing the Page to Life; Directing This Year’s First Actors Table Read</h2> This past Friday, I had the thrilling honor of producing and directing this year’s first Actor’s Table Read.  The experience exceeded my wildest hopes, setting an exhilarating and promising tone for the rest of the sessions. On a uncommonly warm spring evening, Chris and I welcomed the irrepressible Rebecca Colby to read through a four pages of her screenplay, Overnight Excess, a acerbic comedy with bite, exploring of beauty standards within the modeling industry. With the help of our motley crew of talented actors, Chole J Wigmore, Ben Gardner Gray, Gareth Turkington, and Tiggy Bayley, we played with the characters’ intentions and power dynamics to bring Rebecca’s words to life. As a emerging director within the industry, it was both challenging and exciting to play around with this script that has such a strong voice, relying on each actor’s interpretation of the work and focusing their electric energy to build upon each subsequent read-through. From the first go-around to the final try, I watched as the actors settled into their characters, finding their footing and the confidence to bring a new perspective that Rebecca later commented was ‘revelatory’. As it was a invaluable learning experience for me, and I wanted to share a few of my thoughts for future actors, directors, and writers when applying for to their own Table Reads! <ol><li>Don’t be afraid to try new things.</li></ol> Reading new work is always scary, especially when the creator is in the room with you! There’s an instinct to do everything just right, but with art, there is no right or wrong. As a director, I always bring my own perspective on the work into the room, but I make it a priority to ask the actors for their interpretation of the characters and their motivations. Going in with an open mind is valuable for everyone involved. An actor/director relationship should be symbiotic, listening to each other’s ideas and extracting the best elements to create the best performance.  By playing with different intonation, intention, and direction between reads, I was able to get a sense of what feels right and what best serves the work. For me, this experimentation is crucial to the process.  <ol><li>There are no small roles</li></ol> In any script, there are bound to be leads and supporting roles. When playing a character with loads of lines, it’s not hard to give a nuanced performance based on the sheer quantity of content. However, the most fun roles are the ones where you can craft your own mini-narrative within the grander story! When speaking to each actor about their roles, we were able to exercise the most creativity with the characters who popped in and out. Dissecting leading lady Elle’s insecurities and deuteragonist Roy’s confidence was a clear objective, but working with Gareth and Tiggy to find motivation for their roles as office workers allowed us to mine unique motivation that helped their characters stand out. Just like in real life, each character on the page has a complex backstory that led them to the moment you are performing, and for those who appear less frequently, there is plenty of freedom to bring your interpretation to the page. Make the script fizz by finding ways to bring every character to life with depth, personality and their own arc! <ol><li>Bring your all… even through a screen!</li></ol> There’s something very artificial, even a little bit silly, about acting in a Table Read. There’s little to no staging, stage directions are being read aloud, and, if you’re over Zoom like we were, you’re alone in your room playing off people through a screen. It’s understandable to have trouble getting in the zone when you’re in your own home, but ALL of our actors brought the energy! This is always out goal. Energy truly sets the tone for the entire experience– if one person isn’t feeling it, the whole room is brought down.  Choosing to have fun and foster an encouraging vibe is like a top secret weapon in any directors arsenal, allowing the energy AND performances elevate as confidence in the room grows. It can make or break the experience, so I try not to be shy or hold back, and lead from the front, even if I am nervous. For me, this experience was unforgettable and would not have been possible without such a fantastic writer and cast of actors to help make it happen. We are SO excited for the next Table Reads, and we hope to see you all there!

Bringing the Page to Life; Directing This Year’s First Actors Table Read This past Friday, I had the thrilling honor of producing and directing this year’s first Actor’s Table Read.  The experience exceeded my wildest hopes, setting an exhilarating and promising tone for the rest of the sessions. On a uncommonly warm spring evening, Chris and I welcomed the irrepressible Rebecca Colby to read through a four pages of her screenplay, Overnight Excess, a acerbic comedy with bite, exploring of beauty standards within the modeling industry. With the help of our motley crew of talented actors, Chole J Wigmore, Ben Gardner Gray, Gareth Turkington, and Tiggy Bayley, we played with the characters’ intentions and power dynamics to bring Rebecca’s words to life. As a emerging director within the industry, it was both challenging and exciting to play around with this script that has such a strong voice, relying on each actor’s interpretation of the work and focusing their electric energy to build upon each subsequent read-through. From the first go-around to the final try, I watched as the actors settled into their characters, finding their footing and the confidence to bring a new perspective that Rebecca later commented was ‘revelatory’. As it was a invaluable learning experience for me, and I wanted to share a few of my thoughts for future actors, directors, and writers when applying for to their own Table Reads! Don’t be afraid to try new things. Reading new work is always scary, especially when the creator is in the room with you! There’s an instinct to do everything just right, but with art, there is no right or wrong. As a director, I always bring my own perspective on the work into the room, but I make it a priority to ask the actors for their interpretation of the characters and their motivations. Going in with an open mind is valuable for everyone involved. An actor/director relationship should be symbiotic, listening to each other’s ideas and extracting the best elements to create the best performance.  By playing with different intonation, intention, and direction between reads, I was able to get a sense of what feels right and what best serves the work. For me, this experimentation is crucial to the process.  There are no small rolesIn any script, there are bound to be leads and supporting roles. When playing a character with loads of lines, it’s not hard to give a nuanced performance based on the sheer quantity of content. However, the most fun roles are the ones where you can craft your own mini-narrative within the grander story! When speaking to each actor about their roles, we were able to exercise the most creativity with the characters who popped in and out. Dissecting leading lady Elle’s insecurities and deuteragonist Roy’s confidence was a clear objective, but working with Gareth and Tiggy to find motivation for their roles as office workers allowed us to mine unique motivation that helped their characters stand out. Just like in real life, each character on the page has a complex backstory that led them to the moment you are performing, and for those who appear less frequently, there is plenty of freedom to bring your interpretation to the page. Make the script fizz by finding ways to bring every character to life with depth, personality and their own arc! Bring your all… even through a screen! There’s something very artificial, even a little bit silly, about acting in a Table Read. There’s little to no staging, stage directions are being read aloud, and, if you’re over Zoom like we were, you’re alone in your room playing off people through a screen. It’s understandable to have trouble getting in the zone when you’re in your own home, but ALL of our actors brought the energy! This is always out goal. Energy truly sets the tone for the entire experience– if one person isn’t feeling it, the whole room is brought down.  Choosing to have fun and foster an encouraging vibe is like a top secret weapon in any directors arsenal, allowing the energy AND performances elevate as confidence in the room grows. It can make or break the experience, so I try not to be shy or hold back, and lead from the front, even if I am nervous. For me, this experience was unforgettable and would not have been possible without such a fantastic writer and cast of actors to help make it happen. We are SO excited for the next Table Reads, and we hope to see you all there!

Ep017: Directing This Year’s First Actors Table Read

<h1>Meet Susan Vermeer, Dylan Spicer and Ben McCallum... Three Demented Creative Souls</h1> Ever wondered what it's like to get your horror story published? The Twisted50 podcast gives us a fascinating peek behind the curtain, featuring three writers who made it into their third anthology. It's pretty cool to hear how different their stories are - from creepy social media hauntings to mysterious midnight visitors and spooky swimming pool encounters. The really interesting thing about these writers is that they're just like many of us - people who love writing but maybe haven't taken that big leap into publishing before. Take Ben, for example, who's been writing for years but kept it as his personal hobby. He actually submitted his story at the last minute (talk about cutting it close!) and ended up getting published. That's the kind of success story that makes you think, "Hey, maybe I could do this too!" What really stands out is how supportive everyone is in this community. It's not like those scary writing competitions where you submit your work into a black hole and never hear back. These writers talk about getting tons of helpful feedback from other writers, and how that actually made their stories better. Susan mentions how everyone genuinely wants to help make each story the best it can be - which is pretty refreshing in what can sometimes be a competitive field. The whole process sounds way less intimidating than you might think. Dylan (who actually won an award) keeps emphasizing how "brave" you need to be to just put your work out there. But he also points out that your odds of success are way better than in most other writing competitions. Plus, you get something valuable even if you don't make it into the anthology - actual feedback from real readers! Getting published seems to be a total game-changer for these writers. Ben talks about how amazing it feels when friends and family contact you saying they've bought your book and read your story. That's got to be one of the coolest feelings ever - knowing that people are actually reading something you created. And it's not just about the publication; there's an awards ceremony too, which really makes the writers feel celebrated. For anyone thinking about giving it a shot, these writers have some pretty encouraging words. They emphasize that you really can't lose - worst case scenario, you get some helpful feedback on your writing. Best case? You end up published in a horror anthology! The whole thing wraps up with a touching dedication to Ben's sister Amy, who helped get the project started, which just shows how personal and meaningful this whole experience can be. This isn't just about writing horror stories - it's about finding your tribe, pushing your creative boundaries, and maybe even seeing your name in print. As Dylan puts it, "You can really push an idea. You can have fun with it... you can't really lose." That pretty much sums up what makes this whole thing special - it's a chance to do something creative in a supportive environment where everyone wants you to succeed.

Meet Susan Vermeer, Dylan Spicer and Ben McCallum... Three Demented Creative SoulsEver wondered what it's like to get your horror story published? The Twisted50 podcast gives us a fascinating peek behind the curtain, featuring three writers who made it into their third anthology. It's pretty cool to hear how different their stories are - from creepy social media hauntings to mysterious midnight visitors and spooky swimming pool encounters.The really interesting thing about these writers is that they're just like many of us - people who love writing but maybe haven't taken that big leap into publishing before. Take Ben, for example, who's been writing for years but kept it as his personal hobby. He actually submitted his story at the last minute (talk about cutting it close!) and ended up getting published. That's the kind of success story that makes you think, "Hey, maybe I could do this too!"What really stands out is how supportive everyone is in this community. It's not like those scary writing competitions where you submit your work into a black hole and never hear back. These writers talk about getting tons of helpful feedback from other writers, and how that actually made their stories better. Susan mentions how everyone genuinely wants to help make each story the best it can be - which is pretty refreshing in what can sometimes be a competitive field.The whole process sounds way less intimidating than you might think. Dylan (who actually won an award) keeps emphasizing how "brave" you need to be to just put your work out there. But he also points out that your odds of success are way better than in most other writing competitions. Plus, you get something valuable even if you don't make it into the anthology - actual feedback from real readers!Getting published seems to be a total game-changer for these writers. Ben talks about how amazing it feels when friends and family contact you saying they've bought your book and read your story. That's got to be one of the coolest feelings ever - knowing that people are actually reading something you created. And it's not just about the publication; there's an awards ceremony too, which really makes the writers feel celebrated.For anyone thinking about giving it a shot, these writers have some pretty encouraging words. They emphasize that you really can't lose - worst case scenario, you get some helpful feedback on your writing. Best case? You end up published in a horror anthology! The whole thing wraps up with a touching dedication to Ben's sister Amy, who helped get the project started, which just shows how personal and meaningful this whole experience can be.This isn't just about writing horror stories - it's about finding your tribe, pushing your creative boundaries, and maybe even seeing your name in print. As Dylan puts it, "You can really push an idea. You can have fun with it... you can't really lose." That pretty much sums up what makes this whole thing special - it's a chance to do something creative in a supportive environment where everyone wants you to succeed.

Ep016: Embracing Horror, Inside the Twisted50 Writing Experience

<h1>The Power of Community and Creative Growth: Insights from the Twisted50 Horror Writing Project</h1> In an era where digital connections often feel superficial, the Twisted50 horror writing project stands as a testament to the enduring power of genuine creative communities. Through an enlightening podcast conversation between Chris Jones, Leo from Norway, and Eimear from Ireland, we discover how a shared passion for storytelling can transcend geographical boundaries and transform aspiring writers into published authors. The journey of these writers reveals a profound truth about the horror genre - it's not merely about violence or shock value, but rather a sophisticated medium for exploring deep-seated fears, societal issues, and personal transformations. As Eimear poignantly notes, "I had this idea that horror was very violent... But that's not what horror is about." This revelation challenges our preconceptions and invites us to explore the vast spectrum of horror literature with fresh eyes. The collaborative nature of Twisted50 emerges as a powerful antidote to the isolation often experienced by writers. The project's structure, combining deadlines, peer feedback, and community support, creates an environment where creativity flourishes. Leo's observation that the community is "so important and unfortunately rare in the arts in general" underscores the unique value of this supportive ecosystem.Perhaps most compelling is the project's role in combating imposter syndrome - that persistent doubt in one's abilities that plagues so many creative individuals. Through structured feedback and encouragement, writers find their voice and confidence. The transformation is particularly evident in Eimear's experience, as she progressed from being hesitant about horror to producing multiple short stories and discovering the genre's unexpected mental health benefits. The success of Twisted50 demonstrates that when writers are given the right platform, support, and community, they can overcome their creative barriers and produce compelling work. Leo's experience with his first story about a sadistic job interview shows how the project encourages writers to push boundaries and explore challenging themes while maintaining a supportive environment. For anyone considering joining a writing community or exploring the horror genre, the experiences shared in this podcast make a compelling case for taking that leap. The combination of structured support, diverse perspectives, and genuine encouragement creates an environment where writers can grow, challenge themselves, and ultimately find their unique voice in the vast landscape of horror literature.

The Power of Community and Creative Growth: Insights from the Twisted50 Horror Writing ProjectIn an era where digital connections often feel superficial, the Twisted50 horror writing project stands as a testament to the enduring power of genuine creative communities. Through an enlightening podcast conversation between Chris Jones, Leo from Norway, and Eimear from Ireland, we discover how a shared passion for storytelling can transcend geographical boundaries and transform aspiring writers into published authors.The journey of these writers reveals a profound truth about the horror genre - it's not merely about violence or shock value, but rather a sophisticated medium for exploring deep-seated fears, societal issues, and personal transformations. As Eimear poignantly notes, "I had this idea that horror was very violent... But that's not what horror is about." This revelation challenges our preconceptions and invites us to explore the vast spectrum of horror literature with fresh eyes.The collaborative nature of Twisted50 emerges as a powerful antidote to the isolation often experienced by writers. The project's structure, combining deadlines, peer feedback, and community support, creates an environment where creativity flourishes. Leo's observation that the community is "so important and unfortunately rare in the arts in general" underscores the unique value of this supportive ecosystem.Perhaps most compelling is the project's role in combating imposter syndrome - that persistent doubt in one's abilities that plagues so many creative individuals. Through structured feedback and encouragement, writers find their voice and confidence. The transformation is particularly evident in Eimear's experience, as she progressed from being hesitant about horror to producing multiple short stories and discovering the genre's unexpected mental health benefits.The success of Twisted50 demonstrates that when writers are given the right platform, support, and community, they can overcome their creative barriers and produce compelling work. Leo's experience with his first story about a sadistic job interview shows how the project encourages writers to push boundaries and explore challenging themes while maintaining a supportive environment.For anyone considering joining a writing community or exploring the horror genre, the experiences shared in this podcast make a compelling case for taking that leap. The combination of structured support, diverse perspectives, and genuine encouragement creates an environment where writers can grow, challenge themselves, and ultimately find their unique voice in the vast landscape of horror literature.

Ep015: Writing Short Horror and The Amazing Benefits, Twisted50 Success Stories

<h2>Unpacking Marcus Ryder's Game-Changing Speech on Diversity in Creative Industries</h2><h2> </h2>Recorded at the first <a href="https://thetalentcampus.com/talent-campus-makes-it-reel/" rel="noopener noreferrer" target="_blank">Make It Reel event.</a> Marcus kicked off his talk by connecting ancient Greek theater to modern democracy. It's not just some history lesson - he's showing us how storytelling has always been at the heart of how societies figure themselves out. "You cannot have theatre without eventually leading to democracy." But here's where it gets really interesting - Marcus drops this stat about diversity that had everyone reconsidering. Nearly 97% of us could be considered "diverse" in some way. It totally flips the script on how we usually think about diversity, right? It's not about ticking boxes or meeting quotas; it's about actually representing the real world we live in. The challenging stories unfolded when Marcusr opens up about his role at the Film & TV Charity. The mental health stats he shared are honestly pretty scary - over a third of people in the industry having suicidal thoughts. The charity's work in supporting industry professionals through their tough times shows just how desperately needed these services are. He talks about being an "angry Black man" in the industry, "Working twice as hard to get half as far is not just tiring. The unfairness of it creates anger." He's not just sharing his feelings; he's backing it up with hard facts about the challenges Black-led businesses face. It's the kind of truth-telling that makes people uncomfortable but needs to be said. What really stuck with me was how Marcus emphasized the importance of community and friendship in surviving the industry. His speaks aboput how his success came from building strong networks, especially with other people of color. The way he wrapped it all together was inspiring. Instead of just leaving us with problems, he gave us hope through action. His message about building supportive relationships isn't just nice advice - it's a survival strategy. And it's not just about individual success; it's about changing the whole industry from the inside out. He showed us that behind every diversity statistic, there's a real person with real experiences trying to make it in this industry. That's the kind of perspective that actually changes minds and leads to real change.

Unpacking Marcus Ryder's Game-Changing Speech on Diversity in Creative IndustriesRecorded at the first Make It Reel event. Marcus kicked off his talk by connecting ancient Greek theater to modern democracy.It's not just some history lesson - he's showing us how storytelling has always been at the heart of how societies figure themselves out. "You cannot have theatre without eventually leading to democracy."But here's where it gets really interesting - Marcus drops this stat about diversity that had everyone reconsidering. Nearly 97% of us could be considered "diverse" in some way. It totally flips the script on how we usually think about diversity, right? It's not about ticking boxes or meeting quotas; it's about actually representing the real world we live in.The challenging stories unfolded when Marcusr opens up about his role at the Film & TV Charity. The mental health stats he shared are honestly pretty scary - over a third of people in the industry having suicidal thoughts. The charity's work in supporting industry professionals through their tough times shows just how desperately needed these services are.He talks about being an "angry Black man" in the industry, "Working twice as hard to get half as far is not just tiring. The unfairness of it creates anger." He's not just sharing his feelings; he's backing it up with hard facts about the challenges Black-led businesses face. It's the kind of truth-telling that makes people uncomfortable but needs to be said.What really stuck with me was how Marcus emphasized the importance of community and friendship in surviving the industry. His speaks aboput how his success came from building strong networks, especially with other people of color.The way he wrapped it all together was inspiring. Instead of just leaving us with problems, he gave us hope through action.His message about building supportive relationships isn't just nice advice - it's a survival strategy. And it's not just about individual success; it's about changing the whole industry from the inside out. He showed us that behind every diversity statistic, there's a real person with real experiences trying to make it in this industry. That's the kind of perspective that actually changes minds and leads to real change.

Ep014: Diversity in Film and TV, with Marcus Ryder MBE (Recorded at Make It Reel)

<h1>How to Navigate the Screenwriting Journey: Lessons from a Master</h1>The path to creating a compelling screenplay isn't just about putting words on paper - it's about falling head over heels in love with your story. That's one of the key takeaways from an enlightening masterclass with screenwriter Rowan, who compares writing to marriage: you've got to love it deeply because only that love will get you through the tough times. It's refreshing to hear a professional admit that writing isn't always sunshine and rainbows, but the passion makes it worthwhile. Getting started with a screenplay is like preparing for a long jump - the run-up is actually more important than the jump itself. Rowan emphasizes that before diving into the actual script, writers need to spend time developing their idea, testing it with trusted listeners, and refining it until it sparkles. He suggests creating a 3-5 page document that captures your story's essence, which is way more manageable than diving straight into a full script. One of the most fascinating aspects of Rowan's approach is his "floating" technique - a clever way to handle those darling ideas that you love but might not fit perfectly in your story. Instead of killing them off completely (as the old writing advice goes), he suggests keeping them in a sort of creative limbo. They might find their perfect place later, or they might inspire something entirely new. It's like having a safety net for your creative ideas. The relationship between content and structure comes across as a kind of dance in Rowan's explanation. You need both partners - the what (content) and the how (structure) - to create something meaningful. He breaks down the essential elements that make a story work: a compelling hook, solid turning points, and most importantly, a character's quest that makes the audience genuinely care. His memorable quote, "If you haven't got a quest, the most important thing about your character is what do they want? And why do I give a shit whether they get it or not?" really drives this point home. Theme emerges as another crucial element in Rowan's toolkit. He introduces the concept of a "dramatic argument" - distilling your entire story into one powerful statement. But what's really cool is his two-winged approach to theme: it needs to work both as an abstract message and as something concrete within the narrative. It's like having a philosophical idea that actually plays out in real (story) life. Throughout the masterclass, Rowan maintains this perfect balance between practical advice and inspirational wisdom. He's not just teaching techniques; he's sharing a mindset about how to approach the craft of screenwriting. His emphasis on taking responsibility for your own creative journey while embracing the freedom that comes with it is particularly powerful. When he says, "The more responsibility you take for your own life, the more freedom you will have," it feels like he's talking about more than just writing - it's about the whole creative journey. What makes this masterclass particularly valuable is how Rowan weaves his personal experiences throughout his teaching. He openly shares his struggles and successes with current projects (referred to as Project A and Project N), making the whole process feel more real and achievable. It's like getting a behind-the-scenes look at how a professional writer actually works, complete with all the messy, human moments that make the journey authentic. For anyone serious about screenwriting, the key message seems to be that success lies in the preparation, the passion, and the persistence to keep refining your work. It's not about waiting for inspiration to strike or hoping for a lucky break - it's about putting in the hard work while maintaining that "insane passion" that got you started in the first place.

How to Navigate the Screenwriting Journey: Lessons from a MasterThe path to creating a compelling screenplay isn't just about putting words on paper - it's about falling head over heels in love with your story. That's one of the key takeaways from an enlightening masterclass with screenwriter Rowan, who compares writing to marriage: you've got to love it deeply because only that love will get you through the tough times. It's refreshing to hear a professional admit that writing isn't always sunshine and rainbows, but the passion makes it worthwhile.Getting started with a screenplay is like preparing for a long jump - the run-up is actually more important than the jump itself. Rowan emphasizes that before diving into the actual script, writers need to spend time developing their idea, testing it with trusted listeners, and refining it until it sparkles. He suggests creating a 3-5 page document that captures your story's essence, which is way more manageable than diving straight into a full script.One of the most fascinating aspects of Rowan's approach is his "floating" technique - a clever way to handle those darling ideas that you love but might not fit perfectly in your story. Instead of killing them off completely (as the old writing advice goes), he suggests keeping them in a sort of creative limbo. They might find their perfect place later, or they might inspire something entirely new. It's like having a safety net for your creative ideas.The relationship between content and structure comes across as a kind of dance in Rowan's explanation. You need both partners - the what (content) and the how (structure) - to create something meaningful. He breaks down the essential elements that make a story work: a compelling hook, solid turning points, and most importantly, a character's quest that makes the audience genuinely care. His memorable quote, "If you haven't got a quest, the most important thing about your character is what do they want? And why do I give a shit whether they get it or not?" really drives this point home.Theme emerges as another crucial element in Rowan's toolkit. He introduces the concept of a "dramatic argument" - distilling your entire story into one powerful statement. But what's really cool is his two-winged approach to theme: it needs to work both as an abstract message and as something concrete within the narrative. It's like having a philosophical idea that actually plays out in real (story) life.Throughout the masterclass, Rowan maintains this perfect balance between practical advice and inspirational wisdom. He's not just teaching techniques; he's sharing a mindset about how to approach the craft of screenwriting. His emphasis on taking responsibility for your own creative journey while embracing the freedom that comes with it is particularly powerful. When he says, "The more responsibility you take for your own life, the more freedom you will have," it feels like he's talking about more than just writing - it's about the whole creative journey.What makes this masterclass particularly valuable is how Rowan weaves his personal experiences throughout his teaching. He openly shares his struggles and successes with current projects (referred to as Project A and Project N), making the whole process feel more real and achievable. It's like getting a behind-the-scenes look at how a professional writer actually works, complete with all the messy, human moments that make the journey authentic.For anyone serious about screenwriting, the key message seems to be that success lies in the preparation, the passion, and the persistence to keep refining your work. It's not about waiting for inspiration to strike or hoping for a lucky break - it's about putting in the hard work while maintaining that "insane passion" that got you started in the first place.

Ep013: How to Navigate the Screenwriting Journey: Lessons from a Master with Rowan Joffé at LondonSWF

Ever wondered what it takes to put together a horror anthology? Well, the recent chat between Chris Jones and Kate, the masterminds behind Twisted50 Volume 3, gives us a fascinating peek behind the curtain. Kate, who edited this latest volume, brought her A-game to the table, wading through a whopping 170 horror stories to find the cream of the crop. One of the coolest things they discussed was how they tackled the technical side of getting the book onto Amazon. Chris was pretty nervous about the whole thing, which is totally relatable if you've ever dealt with publishing platforms. It's like trying to solve a puzzle while wearing a blindfold - you know what you want to do, but the process can be super tricky. Kate dropped some serious knowledge bombs about what makes a horror story work. She's big on keeping things tight and snappy - no meandering sentences that leave readers scratching their heads. As she put it, "Something that happens when you have a lot of really long sentences all put together is it gets jumbled and you don't really process anything." That's solid gold advice right there for any writer looking to keep readers hooked. Here's something interesting - they're not just looking for great stories; they want engaged authors too. The Twisted50 team actually keeps tabs on how involved writers are with the community. So if you're thinking about submitting to future volumes, don't just fire off your story and ghost them. Get in there, mix it up with other writers, and show them you're serious about being part of the Twisted50 family. When it comes to screenplays (yeah, they take those too!), Kate emphasized how different they are from regular stories. Every word has to earn its place on the page, and dialogue needs to sound natural when read aloud. It's like the difference between writing a letter and having a conversation - they might tell the same story, but they need different approaches. The whole conversation wrapped up with some killer advice for aspiring Twisted50 contributors. My favorite bit was when they said, "Don't be afraid to get really, really weird." In a world of horror stories, being unique is your secret weapon. The Twisted50 community seems super supportive too, which is pretty rare in the publishing world. For anyone thinking about diving into horror writing, this podcast basically laid out a roadmap. Keep it tight, stay engaged, don't be afraid to get weird, and remember - you're not just submitting a story, you're potentially joining a community of horror enthusiasts who are all about helping each other succeed. The door's open for Twisted50 Volume 4, and based on what we heard, it sounds like an awesome opportunity for writers ready to embrace their dark side.

Ever wondered what it takes to put together a horror anthology? Well, the recent chat between Chris Jones and Kate, the masterminds behind Twisted50 Volume 3, gives us a fascinating peek behind the curtain. Kate, who edited this latest volume, brought her A-game to the table, wading through a whopping 170 horror stories to find the cream of the crop.One of the coolest things they discussed was how they tackled the technical side of getting the book onto Amazon. Chris was pretty nervous about the whole thing, which is totally relatable if you've ever dealt with publishing platforms. It's like trying to solve a puzzle while wearing a blindfold - you know what you want to do, but the process can be super tricky.Kate dropped some serious knowledge bombs about what makes a horror story work. She's big on keeping things tight and snappy - no meandering sentences that leave readers scratching their heads. As she put it, "Something that happens when you have a lot of really long sentences all put together is it gets jumbled and you don't really process anything." That's solid gold advice right there for any writer looking to keep readers hooked.Here's something interesting - they're not just looking for great stories; they want engaged authors too. The Twisted50 team actually keeps tabs on how involved writers are with the community. So if you're thinking about submitting to future volumes, don't just fire off your story and ghost them. Get in there, mix it up with other writers, and show them you're serious about being part of the Twisted50 family.When it comes to screenplays (yeah, they take those too!), Kate emphasized how different they are from regular stories. Every word has to earn its place on the page, and dialogue needs to sound natural when read aloud. It's like the difference between writing a letter and having a conversation - they might tell the same story, but they need different approaches.The whole conversation wrapped up with some killer advice for aspiring Twisted50 contributors. My favorite bit was when they said, "Don't be afraid to get really, really weird." In a world of horror stories, being unique is your secret weapon. The Twisted50 community seems super supportive too, which is pretty rare in the publishing world.For anyone thinking about diving into horror writing, this podcast basically laid out a roadmap. Keep it tight, stay engaged, don't be afraid to get weird, and remember - you're not just submitting a story, you're potentially joining a community of horror enthusiasts who are all about helping each other succeed. The door's open for Twisted50 Volume 4, and based on what we heard, it sounds like an awesome opportunity for writers ready to embrace their dark side.

Ep013: Meet Kate Bemis: Inside the Making of Twisted50 Volume 3: A Horror Anthology Journey

In this episode, Chris Jones, founder of the London Screenwriters Festival and Talent Campus Guerrilla Filmmakers Handbook, interviews Mark Renshaw, a past Talent Campus attendee. Mark shares his experiences at Talent Campus and the incredible adventures he has had since then. Despite the challenges of the pandemic, Mark has found success as a writer and filmmaker. He discusses winning the Austin screenwriting competition, being invited to work on a prestigious anthology series, and publishing his short stories in various books. Mark also talks about the importance of taking risks, staying persistent, and embracing opportunities that come your way. He credits Talent Campus for giving him the confidence and support to pursue his creative dreams. If you're looking for inspiration and practical advice on navigating the industry, this episode is a must-listen.Untitled

In this episode, Chris Jones, founder of the London Screenwriters Festival and Talent Campus Guerrilla Filmmakers Handbook, interviews Mark Renshaw, a past Talent Campus attendee. Mark shares his experiences at Talent Campus and the incredible adventures he has had since then. Despite the challenges of the pandemic, Mark has found success as a writer and filmmaker. He discusses winning the Austin screenwriting competition, being invited to work on a prestigious anthology series, and publishing his short stories in various books. Mark also talks about the importance of taking risks, staying persistent, and embracing opportunities that come your way. He credits Talent Campus for giving him the confidence and support to pursue his creative dreams. If you're looking for inspiration and practical advice on navigating the industry, this episode is a must-listen.Untitled

Ep011: Meet Mark Renshaw, Pitching and Connecting

In this episode, host Chris Jones sits down with Vera, a filmmaker and participant in Talent Campus, to discuss her journey from the program to her success stories in the world of film and theater. Vera shares her experiences of Talent Campus and how it opened doors for her in the industry. She talks about the importance of networking and the connections she made through the program, which led to opportunities in writing short films and co-developing a feature project. Vera also discusses her passion for environmentalism and how it influences her storytelling. She shares her experiences directing a theater production and the sense of creative fulfillment she found in the immediacy and control of live performances. Throughout the episode, Vera offers insights and advice for aspiring creatives, emphasizing the importance of finding your people and working with them to achieve creative fulfillment and success. Join Chris and Vera in this inspiring conversation about talent development, creative journeys, and the power of storytelling in different mediums.

In this episode, host Chris Jones sits down with Vera, a filmmaker and participant in Talent Campus, to discuss her journey from the program to her success stories in the world of film and theater.Vera shares her experiences of Talent Campus and how it opened doors for her in the industry. She talks about the importance of networking and the connections she made through the program, which led to opportunities in writing short films and co-developing a feature project.Vera also discusses her passion for environmentalism and how it influences her storytelling. She shares her experiences directing a theater production and the sense of creative fulfillment she found in the immediacy and control of live performances.Throughout the episode, Vera offers insights and advice for aspiring creatives, emphasizing the importance of finding your people and working with them to achieve creative fulfillment and success.Join Chris and Vera in this inspiring conversation about talent development, creative journeys, and the power of storytelling in different mediums.

Ep010: Meet Vera Mark, From Short Films to Theater

Unleashing Your Creative Potential: Lessons from the Talent Campus Experience In the ever-evolving landscape of filmmaking and screenwriting, finding both your voice and success can be a daunting challenge. However, as we learn from the inspiring journey of James, an alumni of the Talent Campus program, there are ways to accelerate your creative growth while maintaining what makes you you. The Talent Campus, described as a “total immersion” experience for storytellers, offers a transformative approach to honing one’s craft. At its core, the program emphasizes the importance of building a supportive creative community. James vividly recalls how the Talent Campus cohort became his “tribe,” a close-knit group that continues to provide unwavering support and honest feedback years after the program’s conclusion. This sense of belonging and shared purpose is a game-changer for anyone looking to find success in the screenwriting industry. One of the most compelling aspects of James’ journey is his evolution from a struggling screenwriter to a confident filmmaker. He’s learned to bring his own scripts to life, oftentimes leading more than just the script. James’ success with his short films, particularly his 52-second silent comedy with international acclaim, demonstrates the influence that Talent Campus had on both him and his career. The Talent Campus experience goes beyond mere skill-building; it facilitates a profound personal transformation. James recounts how the program helped him become more outgoing, authentic, and comfortable with expressing his emotions. This newfound authenticity has not only enhanced his creative work but has also positively impacted his personal life. By encouraging participants to embrace vulnerability, the Talent Campus fosters a more integrated and confident sense of self – an invaluable asset for any creative professional. Perhaps one of the most crucial takeaways from James’ story is the importance of becoming the “author of your own destiny.” In a field as competitive and challenging as filmmaking, waiting for opportunities to come your way is not always an option. Instead, James advises aspiring creatives to take on a leadership role, to become the “leader of the pack” who can rally others around their vision. He states that you must be “quite unreasonable” in pursuit of your goals, as your own belief is what determines your success. Ultimately, James’ journey through and beyond the Talent Campus serves as a powerful testament to the Talent Campus. For those looking to accelerate their creative careers, the lessons are clear: embrace vulnerability, seek out supportive environments that challenge you to grow, be willing to take charge of your projects, and never lose sight of your unique artistic voice. By following in James’ footsteps and embodying these principles, you too can unlock your creative potential and embark on a fulfilling journey in the world of filmmaking and storytelling.

Unleashing Your Creative Potential: Lessons from the Talent Campus ExperienceIn the ever-evolving landscape of filmmaking and screenwriting, finding both your voice and success can be a daunting challenge. However, as we learn from the inspiring journey of James, an alumni of the Talent Campus program, there are ways to accelerate your creative growth while maintaining what makes you you.The Talent Campus, described as a “total immersion” experience for storytellers, offers a transformative approach to honing one’s craft. At its core, the program emphasizes the importance of building a supportive creative community. James vividly recalls how the Talent Campus cohort became his “tribe,” a close-knit group that continues to provide unwavering support and honest feedback years after the program’s conclusion. This sense of belonging and shared purpose is a game-changer for anyone looking to find success in the screenwriting industry.One of the most compelling aspects of James’ journey is his evolution from a struggling screenwriter to a confident filmmaker. He’s learned to bring his own scripts to life, oftentimes leading more than just the script. James’ success with his short films, particularly his 52-second silent comedy with international acclaim, demonstrates the influence that Talent Campus had on both him and his career.The Talent Campus experience goes beyond mere skill-building; it facilitates a profound personal transformation. James recounts how the program helped him become more outgoing, authentic, and comfortable with expressing his emotions. This newfound authenticity has not only enhanced his creative work but has also positively impacted his personal life. By encouraging participants to embrace vulnerability, the Talent Campus fosters a more integrated and confident sense of self – an invaluable asset for any creative professional.Perhaps one of the most crucial takeaways from James’ story is the importance of becoming the “author of your own destiny.” In a field as competitive and challenging as filmmaking, waiting for opportunities to come your way is not always an option. Instead, James advises aspiring creatives to take on a leadership role, to become the “leader of the pack” who can rally others around their vision. He states that you must be “quite unreasonable” in pursuit of your goals, as your own belief is what determines your success.Ultimately, James’ journey through and beyond the Talent Campus serves as a powerful testament to the Talent Campus. For those looking to accelerate their creative careers, the lessons are clear: embrace vulnerability, seek out supportive environments that challenge you to grow, be willing to take charge of your projects, and never lose sight of your unique artistic voice. By following in James’ footsteps and embodying these principles, you too can unlock your creative potential and embark on a fulfilling journey in the world of filmmaking and storytelling.

Ep0009: Meet James Alexander Allen, Success In Prolific Short Film Making

On this episode, Chris Jones sits down with Paniota, a talented individual who has made her mark in the creative industry. Paniota shares her experience at Talent Campus and how it gave her the confidence and inspiration to pursue her dreams. She talks about the importance of taking control of your own destiny and not waiting for others to give you permission. Paniota also discusses her journey in putting on a successful play and producing her short film, Loose Strands. She emphasizes the value of hard work, being proactive, and building a supportive community. Tune in for this empowering conversation and get inspired to write a page a day towards your own creative goals.

On this episode, Chris Jones sits down with Paniota, a talented individual who has made her mark in the creative industry. Paniota shares her experience at Talent Campus and how it gave her the confidence and inspiration to pursue her dreams. She talks about the importance of taking control of your own destiny and not waiting for others to give you permission. Paniota also discusses her journey in putting on a successful play and producing her short film, Loose Strands. She emphasizes the value of hard work, being proactive, and building a supportive community. Tune in for this empowering conversation and get inspired to write a page a day towards your own creative goals.

Ep008: Meet Panayiota Panteli, From stage to screen

<h1>From Talent Campus to Feature Films: Matt White's Journey in Screenwriting</h1><h1> </h1>Matt White's journey from Talent Campus participant to successful filmmaker is a testament to the power of perseverance and networking. He describes the Talent Campus as "the most awesome cult I've ever joined in my life," highlighting the invaluable peer network he developed through the program. This network proved crucial in his subsequent projects, including the feature film "Paul Dude's Deadly Lunch Break." The making of "Paul Dood's Deadly Lunch Break" showcases the collaborative nature of filmmaking. Matt and his director friend, Nick Gillespie, transformed a dark thriller into a black comedy, involving talented actors and navigating the festival circuit. The film premiered at South by Southwest and later found its way to streaming platforms. Matt emphasizes the importance of being "beautifully ruthless" in pursuing opportunities and building connections after the film's release. One of the most significant takeaways from Matt's experience is the value of on-set experience for writers. He encourages aspiring screenwriters to "get on set, be a runner" to better understand the collaborative process of filmmaking. This hands-on experience can provide invaluable insights into how various crew members contribute to and enhance the original vision. Perhaps the most inspiring aspect of Matt's story is his journey to overcome his fear of public speaking. The Talent Campus experience helped him embrace his natural energy and enthusiasm, leading to success in pitching competitions. His win at the Sundance London pitching competition, where he pitched the feature film version of "The Sin Eater," stands out as a testament to his growth and the skills he developed through the program.

From Talent Campus to Feature Films: Matt White's Journey in ScreenwritingMatt White's journey from Talent Campus participant to successful filmmaker is a testament to the power of perseverance and networking. He describes the Talent Campus as "the most awesome cult I've ever joined in my life," highlighting the invaluable peer network he developed through the program. This network proved crucial in his subsequent projects, including the feature film "Paul Dude's Deadly Lunch Break."The making of "Paul Dood's Deadly Lunch Break" showcases the collaborative nature of filmmaking. Matt and his director friend, Nick Gillespie, transformed a dark thriller into a black comedy, involving talented actors and navigating the festival circuit. The film premiered at South by Southwest and later found its way to streaming platforms. Matt emphasizes the importance of being "beautifully ruthless" in pursuing opportunities and building connections after the film's release.One of the most significant takeaways from Matt's experience is the value of on-set experience for writers. He encourages aspiring screenwriters to "get on set, be a runner" to better understand the collaborative process of filmmaking. This hands-on experience can provide invaluable insights into how various crew members contribute to and enhance the original vision.Perhaps the most inspiring aspect of Matt's story is his journey to overcome his fear of public speaking. The Talent Campus experience helped him embrace his natural energy and enthusiasm, leading to success in pitching competitions. His win at the Sundance London pitching competition, where he pitched the feature film version of "The Sin Eater," stands out as a testament to his growth and the skills he developed through the program.

Ep007: Meet Matt White: Pitching and Screenwriting

Podcast from the London Screenwriters Festival

Podcast from the London Screenwriters Festival

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The London Screenwriters' Festival Podcast

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