Greg Jackson joins Deborah Treisman to read and discuss “Safari,” by Jennifer Egan, which was published in The New Yorker in 2010. Jackson has published a story collection, “Prodigals,” and a novel “The Dimension of a Cave,” which was one of The New Yorker's Best Books of 2023. He has been publishing in the magazine since 2014.

The New Yorker: Fiction

Greg Jackson Reads Jennifer Egan

Sterling HolyWhiteMountain joins Deborah Treisman to read and discuss “Labyrinth,” by Roberto Bolaño, translated from the Spanish by Chris Andrews, which was published in The New Yorker in 2012. HolyWhiteMountain is a Jones Lecturer at Stanford, and grew up on the Blackfeet Reservation in Montana.

Sterling HolyWhiteMountain Reads Roberto Bolaño

In the two hundredth episode of the New Yorker Fiction Podcast, Rivka Galchen joins Deborah Treisman to read and discuss “The Bees, Part 1,” by Aleksandar Hemon, which was published in The New Yorker in 2002. Galchen’s books include the story collection “American Innovations” and the novel “Everyone Knows Your Mother Is a Witch.”

Rivka Galchen Reads Aleksandar Hemon

Teju Cole joins Deborah Treisman to read and discuss “1=1,” by Anne Carson, which was published in The New Yorker in 2016. Cole’s novels include “Open City” and “Tremor,” which was published this year.

Teju Cole Reads Anne Carson

Margaret Atwood joins Deborah Treisman to read and discuss “Varieties of Exile,” by Mavis Gallant, which was published in The New Yorker in 1976. Atwood is the author of more than forty books of poetry and fiction, including the novels “The Handmaid’s Tale” and “The Testaments” and the story collection “Old Babes in the Wood,” which was published earlier this year. This is the first episode of the New Yorker Fiction Podcast to be recorded in front of a live audience. It was taped at the Hot Docs podcast festival, in Toronto, on October 21, 2023.

Margaret Atwood Reads Mavis Gallant, Live

Lucinda Rosenfeld joins Deborah Treisman to read and discuss “Returns,” by Annie Ernaux, translated from the French by Deborah Treisman, which was published in The New Yorker in 20233. Rosenfeld is the author of five novels, including “I’m So Happy for You” and “Class.”

Lucinda Rosenfeld Reads Annie Ernaux

Andrew O’Hagan joins Deborah Treisman to discuss “An Actor Prepares,” by Donald Antrim, which was published in The New Yorker in 1999. O’Hagan is the author of six novels, including “The Illuminations” and “Mayflies,” which was published in 2020 and won the Los Angeles Times Christopher Isherwood Prize.

Andrew O’Hagan Reads Donald Antrim

David Means joins Deborah Treisman to discuss “Face Time,” by Lorrie Moore, which was published in The New Yorker in 2020. Means is the author of a novel and six story collections, including “Instructions for a Funeral” and “Two Nurses, Smoking,” which came out in 2022.

David Means Reads Lorrie Moore

George Saunders joins Deborah Treisman to read and discuss “So Late in the Day,” by Claire Keegan, which was published in The New Yorker in 2022. Saunders is the author of the novel “Lincoln in the Bardo,” and five story collections, including “Tenth of December” and “Liberation Day,” which came out last year.

George Saunders Reads Claire Keegan

Ottessa Moshfegh joins Deborah Treisman to read and discuss “Two Ruminations on a Homeless Brother,” by David Means, which was published in The New Yorker in 2017. Moshfegh is the author of four novels, including “My Year of Rest and Relaxation” and “Lapvona.”

Ottessa Moshfegh Reads David Means

Jonas Hassen Khemiri joins Deborah Treisman to read and discuss “A Slice of Life,” by Vladimir Nabokov, translated from the Russian text of 1925, by Dmitri Nabokov, in collaboration with the author, which was published in The New Yorker in 1976. Khemiri is a Swedish fiction writer and playwright whose novels include “The Family Clause” and “Everything I Don’t Remember.”

Jonas Hassen Khemiri Reads Vladimir Nabokov

Saïd Sayrafiezadeh joins Deborah Treisman to read and discuss “Ill Seen Ill Said,” by Samuel Beckett, which was published in The New Yorker in 1981. Sayrafiezadeh is the author of a memoir and two story collections, the most recent of which, “American Estrangement,” was published in 2021.

Saïd Sayrafiezadeh Reads Samuel Beckett

We’re pleased to announce that “In The Dark,” the acclaimed investigative podcast from American Public Media, is joining The New Yorker and Condé Nast Entertainment. In its first two seasons, “In The Dark,” hosted by the reporter Madeleine Baran, has taken a close look at the criminal-justice system in America. The first season examined the abduction and murder, in 1989, of eleven-year-old Jacob Wetterling, and exposed devastating failures on the part of law enforcement. The second season focussed on Curtis Flowers, a Black man from Winona, Mississippi, who was tried six times for the same crime. When the show’s reporters began looking into the case, Flowers was on death row. After their reporting, the Supreme Court reversed Flowers’s conviction. Today, he is a free man.  A third season of “In The Dark,” which will be the show’s most ambitious one yet, is on its way. David Remnick recently sat down with Baran and the show’s managing producer, Samara Freemark, to talk about the remarkable first two seasons of the show, and what to expect in the future. To listen to the entirety of the “In The Dark” catalogue, subscribe wherever you get your podcasts.

Introducing: “In The Dark”

Claire-Louise Bennett joins Deborah Treisman to read and discuss “Family Walls,” by Maeve Brennan, which was published in The New Yorker in 1973. Bennett has published two books of fiction, “Pond” and “Checkout 19.”

Claire-Louise Bennett Reads Maeve Brennan

Clare Sestanovich joins Deborah Treisman to read and discuss “The Moons of Jupiter” by Alice Munro, which was published in The New Yorker in 1978. Sestanovich’s story collection, “Objects of Desire,” was published in 2021.

Clare Sestanovich Reads Alice Munro

A monthly reading and conversation with the New Yorker fiction editor Deborah Treisman.

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The New Yorker: Fiction

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