From aliens to AI, from dragons to dwarves, from to nebulous clouds to sapient mushrooms, how do we conceive of non-human intelligence in our speculative worlds? Martha Wells joins us to discuss the various considerations in building a culture from a perspective entirely unlike our own, perhaps operating on different levels of consciousness, or through a hive mind, or dealing with entirely different biologies and ecologies. How do you on-board a reader to something beyond the human brain? Is that culture in conflict with human culture, or in peaceful coexistence, or do humans even exist in their world? How do we apply some of our basics of worldbuilding to this kind of crafting? Our Guest: Martha Wells has been an SF/F writer since her first fantasy novel was published in 1993, and her work includes The Books of the Raksura series, The Death of the Necromancer, the Fall of Ile-Rien trilogy, The Murderbot Diaries series, media tie-in fiction for Star Wars, Stargate: Atlantis, and Magic: the Gathering, as well as short fiction, YA novels, and non-fiction. She has won Nebula Awards, Hugo Awards, and Locus Awards, and her work has appeared on the Philip K. Dick Award ballot, the BSFA Award ballot, the USA Today Bestseller List, and the New York Times Bestseller List. Her books have been published in twenty-two languages. Transcript for Episode 61 (Thank you, dear scribes!)

World Building for Masochists

Episode 61: Worldbuilding: The Search for Intelligent Life ft. MARTHA WELLS

Worldbuilding is often considered part of the pre-writing process -- but sometimes, more worldbuilding happens mid-manuscript or even mid-series. What do you do with those interjections? Can you graft them in, or do some of them need to be deferred? What happens when answering one worldbuilding need knocks something else askew? How much can you retcon in, and what do you do if you've written yourself into a corner? In this episode, we examine the ongoing process of worldbuilding, once the plot is already in motion. We also look to our co-created world and consider what gaps and glaring omissions we currently have in our worldbuilding there! Transcript for Episode 60 (with thanks, as ever, to our lovely scribes!)

Episode 60: Worldbuilding: The Never-Ending Story

Worldbuilding can lead an author to generate a lot of fun ideas. But how do you figure out which of those ideas can actually be integrated into your story? Is there an upper limit on how many shiny notions the weight of the narrative will bear? In this episode, we discuss the balance in worldbuilding, as well as discussing how that balance is different in novels vs role-playing games. We also return to our collectively invented world and spend some time applying the concepts explored in recent episodes to our personal nations and our geopolitics! Transcript for Episode 59 (with thanks to our glorious scribes!)

Episode 59: Ooooh, Shiny! Crafting a World from Shiny Ideas

Most speculative fiction takes place in a society that has a government of some kind. But what, exactly is a state? And how does it come to be? C.L. Polk joins us to discuss the making and breaking of nations within your fantasy worlds. From farmboy kings to scheming dukes with surprisingly benevolent control of their printing presses, from the trials and tribulations of parliaments to the somewhat horrifying implications of magical lobbyists, we hope that you'll find ideas in here to help you craft a government to your preferred level of wonkiness. Transcript for Episode 58 (with thanks to our lovely scribes!) Our Guest: C. L. Polk (they/them) is the author of the World Fantasy Award winning novel Witchmark, the first novel of the Kingston Cycle. Their newest novel, The Midnight Bargain, was a finalist in the CBC Canada Reads Competition, and was nominated for the Nebula, FIYAH Ignyte, and World Fantasy Awards. After leaving high school early, they have worked as a film extra, sold vegetables on the street, and identified exotic insect species for a vast collection of lepidoptera before settling down to write fantasy novels. Mx. Polk lives near the Bow River in the traditional territories of the Blackfoot Confederacy (Siksika, Kainai, Piikani), the Tsuut’ina, the Îyâxe Nakoda Nations, and the Métis Nation (Region 3). They keep all their stuff in a tiny apartment with too many books and a yarn stash that could last a decade. They ride a green bicycle with a basket on the front. They drink good coffee because life is too short. They spend too much time on twitter. You can subscribe to their free newsletter on TinyLetter, or subscribe to their Patreon for content writing nerds like. Mx. Polk is represented by Caitlin McDonald of the Donald Maass Literary Agency.

Episode 58: L’Etat, C’est… Quoi? ft. C.L. POLK

How do people in your world handle death? Spiritually, financially, emotionally -- and, as may be relevant to your plot, how do they deal with actual dead bodies? Amanda Downum joins us to discuss the details of the deceased -- and she's both a writer and a licensed mortician, so she can answer some of the questions you've been afraid to Google, lest you end up on a government watchlist! Our Guest: Amanda was born in Virginia, and has since then spent time in Indonesia, Micronesia, Missouri, and Arizona, with brief layovers in California and Colorado. In 1990 she was sucked into the gravity well of Texas, and hasn't managed to escape. Yet. ​She lives in Austin with her partner and their snake, and can be found haunting absinthe bars, goth clubs, and other liminal spaces. Her hobbies used to include cooking hearts and rock climbing, but now most of her time is devoted to studying Mortuary Science. Her day job sometimes lets her dress as a giant worm. She can be summoned at a crossroads on the new moon, or through Facebook, Twitter, or Patreon.

Episode 57: Ask a Necromancer ft. AMANDA DOWNUM

Let's get granular! How much can your literal language -- the individual words you use, the cadence of your sentences, a conlang, a poetic tradition -- help convey your worldbuilding? Sarah Beth Durst joins us to talk about the fine tool of wordcraft in your prose and dialogue, as well as the importance of white space on the page. She also reminds us that fantasy fiction is always better with talking cats. Our Guest: Sarah Beth Durst is the award-winning author of over twenty fantasy books for kids, teens, and adults, including Spark, Drink Slay Love, and The Queens of Renthia series. She won an American Library Association Alex Award and a Mythopoeic Fantasy Award and has been a finalist for SFWA's Andre Norton Nebula Award three times. Sarah was born in Northboro, Massachusetts, a small town that later became the setting for her debut novel. At the age of ten, she decided she wanted to be a writer. (Before that, she wanted to be Wonder Woman, except with real flying ability instead of an invisible jet. She also would have accepted a career as a unicorn princess.) And she began writing fantasy stories. She later attended Princeton University, where she spent four years studying English, writing about dragons, and wondering what the campus gargoyles would say if they could talk. Sarah lives in Stony Brook, New York, with her husband, her children, and her ill-mannered cat. -- Transcript for Episode 56 (thank you, dear scribes!)

Episode 56: Word Building ft. SARAH BETH DURST

The fantasy genre comes in many flavors -- but how do we tease those apart? How important are they when worldbuilding, and how much are they inventions of the demands of marketing? In this episode, we explore the structural conventions, aesthetic flourishes, and reader expectations the define the many glorious subgenres of speculative fiction. Transcript for Episode 55 (thank you, wonderful scribes!)

Episode 55: Epic GrimDarkPunk Romance

When you're building for the near future, how far can you go? Is technology going to doom us, save us, or a bit of both? How does a society make that determination -- and how can your worldbuilding show those choices in action? In this episode with guest PJ Manney, we explore cyberpunk, technothrillers, and other alternate-near-future fiction. We also spend some time teasing apart the ideas of genre, aesthetic, and plot device, and where they overlap. Our Guest: PJ Manney is the author of the bestselling and Philip K. Dick Award nominated science fiction technothriller, (R)EVOLUTION (2015), published by 47North in the Phoenix Horizon trilogy with, (ID)ENTITY (2017), and (CON)SCIENCE, (2021). Set as alternate, future American histories, the novels chart the influence of world-changing technologies on power and nations.  A former chairperson of Humanity Plus, she helped rebrand the organization, launch H+ Magazine and organize the first multi-org conference on futurist topics, Convergence ’08. She authored "Yucky Gets Yummy: How Speculative Fiction Creates Society"​ and "Empathy in the Time of Technology: How Storytelling is the Key to Empathy,"​ foundational works on the neuropsychology of empathy and media.  Manney presented her ideas to National Geographic, the Producers Guild of America, Directors Guild of America, NASA-JPL, M.I.T., Huffington Post, The H+ Summit, and the Institute for Ethics and Emerging Technologies, is a frequent guest on podcasts/webshows including StarTalk, The World Transformed, Singularity 1on1 and Amazing Mind, and has published in BoingBoing, Live Science and Tor.com. She is also the first person to create and transfer a digital autograph for a novel verified by the blockchain. Manney consults for varied organizations about the future of humanity and technology, including artificial intelligence, robotics, cyborgs, nanotechnology, biotechnology, brain-computer interfaces, space, blockchains and cryptocurrencies. Manney graduated from Wesleyan University double majoring in Film and American Studies. She worked for over 25 years in film/TV: motion picture PR at Walt Disney/Touchstone Pictures; story development for independent film production companies; and writing as Patricia Manney for the critically acclaimed hit TV shows Hercules — The Legendary Journeys and Xena: Warrior Princess. She also co-founded Uncharted Entertainment, writing and/or creating many pilot scripts for television networks, including CBS, Fox, UPN, Discovery, ABC Family and Comedy Central. Manney lives with her husband in Southern California and is a dual citizen of the US and New Zealand. She is a member of the WGA, SFWA, ITW and PEN America. -- Transcript for Episode 54 (with thanks to our scribes!)

Episode 54: Cyberpunk Worldbuilding ft. PJ MANNEY

Our third season begins! We go back to the basics of worldbuilding -- and then we think about how to level up! When we're digging deep on our motto of "Choose, don't presume," what does that mean as we do more and more of it? How much work do you make for yourself as a writer? How does your worldbuilding serve your story and your characters? And, as always, we examine the craft of communicating those choices to the reader. Transcript for Episode 53 (with great thanks to our scribes!)   To celebrate our third season starting, we're hosting a giveaway! Enter to win a fantastic bundle of prizes from your WFM hosts, including: Signed copies of Rowenna Miller's Torn, Cass Morris's Give Way to Night, and Marshall Ryan Maresca's The Velocity of Revolution, A Murder of Mages, and An Import of Intrigue An Audible code for your choice of The Thorn of Dentonhill/The Alchemy of Chaos or A Murder of Mages/An Import of Intrigue An Audible code for a book of your choice (Any book at all! Excellent if you've been intending to check out some of our guests' amazing work!) Bookmarks handmade by Rowenna Aven Cycle stickers from Cass For shipping purposes, please note that all physical prizes are available to US addresses only. This contest is open for one week, until June 30th. We will select three winners, each of whom gets that bundle of goodies, and announce those winners in Episode 55!

Episode 53: Worldbuilding 301

We close out our second year of the podcast with another listener Q&A episode! Thanks to all of our wonderful listeners who supplied us with themes to riff on, from military ranks to looms to particular tools of worldbuilding. Transcript for Episode 52 (Thank you, wonderful scribes!)

Episode 52: Pot4ri

Gender is a construct -- so how is it built in your fantasy world? There's hardly a better place to interrogate our assumptions about societies, from ideas about marriage and family to established power structures to fashion and fripperies. E. J. Beaton joins us for a wide-ranging discussion about how we can examine, investigate, challenge, and reimagine gender and gender relations in our worldbuilding. Our Guest: E. J. Beaton is the author of the fantasy novel The Councillor, to be published by DAW Books on March 2, 2021. She has previously published a poetry collection, Unbroken Circle (Melbourne Poets Union), and has been shortlisted for the ACU Prize for Poetry and the Ada Cambridge Poetry Prize. She studied literature and writing at university, and her PhD thesis included analysis of Machiavellian politics in Shakespearean drama and fantasy literature. She lives in Melbourne, Australia.  Transcript for Episode 51, with thanks to our scribes! If you would like to join the scribe team, send us a line at worldbuildcast (at) gmail.com and we'll get you set up! Volunteering for the team comes with perks like early access to episodes and fancy Discord swag.

Episode 51: Gender, Equality, & Gender Equality ft. E.J. BEATON

For our fiftieth episode, we welcome an all-star panel of guests who write in major franchises! Delilah Dawson, Tini Howard, David Mack, and Mike Chen tell us what it's like to write for Star Wars, Star Trek, Marvel comics, and other IP worlds, from having seventeen editors to bringing their own perspectives and values to established universes. Transcript for Episode 50 (with special kudos to our scribes for taking on the challenge of differentiating seven different voices!)   Our Guests:  Delilah Dawson: Delilah S. Dawson is the New York Times bestselling writer of Star Wars: PHASMA, plus Galaxy’s Edge: Black Spire, The Secrets of Long Snoot, The Perfect Weapon, and Scorched; the Blud series, Servants of the Storm, the HIT series, Wake of Vultures and the Shadow series (as Lila Bowen), and a variety of short stories in anthologies such as Death & Honey, Robots vs. Fairies, Hellboy: an Assortment of Horrors, Violent Ends, Carniepunk, Three Slices, and Last Night a Superhero Saved My Life. With Kevin Hearne, she is the co-writer of the Tales of Pell series. Her next projects are MINE, a middle grade horror novel with Delacorte in Fall 2021 and THE VIOLENCE, a generational trauma tale set during a pandemic of random outbreaks of violence, out with Del Rey in 2022. Her comics credits include the creator-owned Ladycastle #1-4, Sparrowhawk #1-5, Star Pig #1-4, Firefly: The Sting, The X-Files Case Files: Florida Man #1-2, Adventure Time comics #66-69, Rick and Morty Presents: Pickle Rick, and Jim Henson's Labyrinth 2017 Special from BOOM! Studios, as well as stories in Star Wars Adventures #5, #6, #18, #25, and Star Wars: Forces of Destiny: Rose and Paige for IDW. Her most recent comics project is WELLINGTON, written with Aaron Mahnke of the Lore podcast. Delilah is the winner of the 2015 Fantasy Book of the Year from RT Book Reviews for WAKE OF VULTURES and the 2013 Steampunk Book of the Year and May Seal of Excellence for WICKED AS SHE WANTS. Her work has earned multiple stars from Kirkus, Publishers Weekly, Booklist, and Library Journal. She lives in Florida with her family.   Tini Howard: Tini Howard is an American writer of comic books, essays, and at least one upcoming novel. Since 2018, she has been writing comics exclusively for Marvel, including Thanos: Zero Sanctuary, Strikeforce, and Excalibur from the best-selling Dawn of X.  Tini's other graphic novel work spans several beloved properties, including Rick and Morty, GLOW, and Mighty Morphin Power Rangers. She has produced two graphic novels with IDW's Black Crown imprint — the critically-acclaimed Euthanauts with Nick Robles, and Assassinistas with Eisner Hall of Fame-inductee Gilbert Hernandez. She broke into comics in 2014 as a winner of the Top Cow Talent Hunt, which saw the publication of her first comic, Magdalena: Seventh Sacrament.  She lives in Los Angeles with her husband, Blake, and their two sons Orlando and General Hugs, who are cats.    David Mack: David Mack is the award-winning and The New York Times bestselling author of more than thirty-six novels and numerous short works of science-fiction, fantasy, and adventure, including the Star Trek Destiny and Cold Equations trilogies. Mack’s writing credits span television (for episodes of Star Trek: Deep Space Nine), film, and comic books. His latest novels are The Shadow Commission, the final volume of his Dark Arts trilogy published by Tor books; and his long-postponed Star Trek novel More Beautiful Than Death. His newest projects include the short story “Fiasco” in the pulp-homage anthology Thrilling Adventure Yarns 2021, and a new novel, Star Trek: Coda, Book III: Oblivion’s Gate, coming November 30, 2021. He currently works as a consultant on the upcoming animated television series Star Trek: Prodigy. Mack resides in New York City with his wife, Kara.   Mike Chen: Mike Chen is the author of We Could Be Heroes, Here And Now And Then (a finalist for Goodreads Choice - Best Sci-Fi, CALIBA Golden Poppy, and the Compton Crook Award) and A Beginning At The End ("a brilliant, fragile path through the darkness" -- Library Journal). His short fiction is featured in Star Wars: From A Certain Point Of View -- The Empire Strikes Back, and he has covered geek culture for sites such as Tor.com, The Mary Sue, and StarTrek.com. In a previous life, he covered the NHL for Fox Sports, SB Nation, and other outlets. A member of SFWA, Mike lives in the Bay Area with his wife, daughter, and rescue animals.

Episode 50: Playing in Somebody Else's Sandbox, ft. DELILAH DAWSON, TINI HOWARD, DAVID MACK, and MIKE CHEN

Picture it: It's a sweltering summer day, ninety degrees in the shade, heat mirages glimmering on the horizon. Can your characters strip down to their skivvies? Roll up their sleeves? Hike up their skirts? Or might they be shamed for so much as unbuttoning their collar? What cultural factors of religion, economy, gender, and sexuality play into that decision? In this episode, we discuss conventions of modesty, nudity, bragging, virtue-signalling, and other details of culture that you can use when building a multi-faceted and nuanced fantasy world! We also take a few moments to (immodestly) discuss our new status as Hugo Finalists for Best Fancast and to introduce ourselves to new listeners! Transcript for Episode 49, with thanks as ever to our wonderful scribes!

Episode 49: An Immodest Proposal

If your character finds an ancient mask half-buried in a field, is that just a cool remnant of an older culture, or are they about to unleash a demonic apocalypse? This week, Marina Lostetter joins us to talk about artefacts, archaeology, and the interpretation of material culture over time! Some of the ancient artefacts in your world might be plot-driving vessels of magic, wonder, or absolute chaos, but the everyday objects that get preserved and protected --or not! -- can communicate a lot of information about your world's history, values, and cultural shifts. Transcript for Episode 48 (with, as ever, great thanks to our scribes!) Our Guest: The open skies and dense forests of the Pacific Northwest are ideal for growing speculative fiction authors–or, at least, Marina would like to think so. Originally from Oregon, she now resides in Arkansas with her spouse, Alex. In her spare time she enjoys globetrotting, board games, and all things art-related. Her original short fiction has appeared in venues such as Lightspeed, Uncanny, and Shimmer Magazine.  Her debut novel, NOUMENON, and its sequels, NOUMENON INFINITY and NOUMENON ULTRA, are available from Harper Voyager.  Her first fantasy novel, THE HELM OF MIDNIGHT, is forthcoming from Tor. In addition, she has written tie-in materials for Star Citizen and the Aliens franchise. She is represented by DongWon Song of the Howard Morhaim Literary Agency, and she tweets as @MarinaLostetter.

Episode 48: That Belongs in a Museum, ft. MARINA LOSTETTER

Does anybody really know what time it is? Does anybody really care? Well... Yeah! If you're building a world, the concept of the passage of time is likely to matter. How long is your year? How do you name the months and days? How small or large are your units of measuring time? And how can you convey all of that to a reader without making it feel like a freshman year language course? In this wibbly-wobbly episode, we discuss the ever-present yet often-arbitrary division and definition of time and how it can work in your fantasy worldbuilding! Transcript for Episode 47, thanks to amazing scribes!

Episode 47: The Timey-Wimey Episode

A podcast by three fantasy authors who love to overcomplicate things for themselves.

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World Building for Masochists

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