Award-winning author Donald Antrim, whose new memoir is One Friday in April: A Story of Suicide and Survival (Norton). In presenting his viewpoint that suicide is a disease, Donald Antrim experiments early in the book with a presentation of labels and names for mental illness. As you heard in the interview, this list begins, “Depression, hysteria, melancholia, nervousness, neurosis…” and goes on for nearly two pages. This week’s Write the Book Prompt is to use a list of words in an interesting way to make a point. Perhaps you are writing about the foliage season. Might it be interesting to present a running list of trees and bushes that offer brilliant color in the fall: maple, oak, elm, hackberry, white birch, larch, tamarack, hazelnut. What could you do to make such a list both interesting, as poetic sounds, and evocative? How might you then transition back into your text to continue making your point? Good luck with your work in the coming week, and tune in next week for another prompt or suggestion. Music Credit: Aaron Shapiro 700

Write The Book: Conversations on Craft

Donald Antrim - 10/11/21

Award-winning director and playwright Lisa Peterson, who has penned a translation of Hamlet for the Play on Shakespeare project, a series published by ACMRS Press. This week’s Write the Book Prompt is to choose a piece of your work and try to translate it for a different audience than it was originally intended. Change the language so that it might have made sense three hundred years ago. Or put it into words you could read to a child. Change it to appeal to someone from a different culture. If you are bilingual, translate it into another language. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion. Music Credit: Aaron Shapiro 699

Lisa Peterson - 10/4/21

Award-winning author Ruth Ozeki, whose latest novel is The Book of Form and Emptiness (Viking).  In our conversation, Ruth mentioned that she has to dig really deep to find her characters and fully understand them. This week’s Write the Book Prompt is to consider a character you are working on; perhaps someone you don’t fully understand yet. Ask yourself these questions about this character:  What does he or she want? (And from here on, I’m going with she, to make life easier…) Has she had it before and lost it, or does she want something she has never had or achieved? What will happen if she does not get what she wants?  Will this affect anyone else?  Does she care about affecting anyone else?  Where does she come from?  What situation or life does she come from? What matters to her?  Who or what is keeping her from getting what she wants?  Does she know that this person or situation is to blame?  How does she feel about this person or situation?  What is she willing to do to change the situation?  Does she see herself clearly / does she understand herself?  Consider these and any other questions that might occur to you as you work on your character, take notes, and then try again to write from her perspective. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion. Music Credit: Aaron Shapiro 698

Ruth Ozeki - 9/27/21

Vermont Author and former WTB Co-Host Gary Miller, whose new nonfiction book for students and their teachers is There's No Way to Do It Wrong!: How to Get Young Learners to Take Risks, Tell Stories, Share Opinions, and Fall in Love with Writing.  Gary generously offered us one of his many writing prompts to use for a Write the Book Prompt today. And that prompt is to begin with the sentence, “They told me, but of course I didn’t listen.” See where it takes you. Write for seven minutes. And there is no way to do it wrong! Good luck with your work in the coming week and please tune in next week for another prompt or suggestion.  Music Credit: Aaron Shapiro

Gary Miller - 9/20/21

Vermont Poet Ralph Culver, whose new collection is A Passable Man (Mad Hat Press). In his poem, "Tableau," Ralph Culver writes about one person sharing a space with two other versions of himself, presumably over time (though this is never stated overtly). For a Write the Book Prompt, try experimenting with a similar moment that captures multiple expressions of one person - perhaps three ages, three states of mind, or three memories. Whatever strikes you as interesting. Good luck with this, and please tune in next week for another prompt or suggestion. Music Credit: Aaron Shapiro

Ralph Culver - 9/20/21

Interview with the poet Maggie Smith, whose new collection of poems, is Goldenrod (One Signal). This week’s Write the Book Prompt, suggested by my guest, Maggie Smith, is based on the work of Joe Brainard, who wrote the book I Remember. The book is essentially prose poetry, and each line begins with the words “I remember.” Maggie says that the idea is that if you do that over a couple of pages in a big rush without editing yourself or self-censoring, or even trying, you may find yourself connecting ideas you might not have otherwise. She says to consider “first thought, best thought,” and then use the material to mine through for new poems and projects. This same book was recommended in an earlier prompt suggestion from Lauren Fox, so I’m betting it’s a great exercise to try! But to put another spin on it, since Lauren also mentioned this for a prompt and perhaps you’ve already tried it, I’ll additionally suggest that you try writing lines that begin with the words “I miss…”  Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 695

Maggie Smith - 9/13/21

An interview from the archives with the author Jessica Hendry Nelson, who has a new book out - co-authored with fellow former Write the Book Guest Sean Prentiss: Advanced Creative Nonfiction: A Writer's Guide and Anthology, just out from Bloomsbury. During this interview, we talked about her memoir, If Only You People Could Follow Directions (Counterpoint). This week’s Write the Book Prompt is inspired by the title of my guest’s memoir, If Only You People Could Follow Directions. Write a list of simple directions concerning how to do something - how to change a tire, how to make pasta, how to tape a room before painting it - and then expand on that list, making it into an essay that has deeper meaning. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 694

Jessica Hendry Nelson - Archive Interview (9/6/21)

Vermont Author Nancy Hayes Kilgore, in a conversation about her new novel, Bitter Magic (Sunbury Press). As we mentioned during our interview, one character who Nancy Hayes Kilgore describes in Bitter Magic is the devil himself. He appears to Isobel Gowdie in a spot where a tree had stood only moments before. She depicts him as a blonde man wearing green, but during their encounter he changes. This week’s Write the Book Prompt is to write a character based on a famous non-human entity: a leprechaun, a fairy, a centaur, a cherub, a poltergeist, a ghost. Consider what you feel to be accurate about how this entity has been depicted historically, and how you might change that depiction. Will you use this character in your work without naming who or what it’s based on, or will you leave that to readers to identify? Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 693

Nancy Hayes Kilgore - 8/30/21

An interview from the archives with consultant and teacher Carolyn Conger, PhD, about her book Through the Dark Forest: Transforming Your Life in the Face of Death (Plume).  This week’s Write the Book Prompt was inspired by the book, Through the Dark Forest: Transforming Your Life in the Face of Death. No matter where you are in life - age-wise, health-wise, or otherwise - this week consider what you’ve left unfinished so far in your life, and what you would like to do about it. Maybe also keep in mind how you have navigated the pandemic, and whether the past year and a half have made you feel more vulnerable. Write about all the things that come up as you invite these thoughts and feelings. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 692  

Carolyn Conger, PhD - Archive Interview (8/23/21)

Poet, editor, scholar, and musician Tony Trigilio, whose new collection is Proof Something Happened, winner of the 2020 Marsh Hawk Poetry Prize. This week’s Write the Book Prompt was generously suggested by my guest, Tony Trigilio. This prompt is adapted from John Daido Loori's The Zen of Creativity: Cultivating Your Artistic Life. Sit with an object/memory/experience until it begins to reveal itself to you -- its details, contours, emotions, and so on. Be open to the possibility that you might need to sit for a long time. As you get more comfortable with the object's familiar contours, the odd, strange, subtle, mysterious, and absurd (and equally-as-real) aspects of this object of your mind will reveal themselves. Express these in a poem - any form, shape, structure, tone, or pitch. You are writing about "what else" the object is, and likely also writing about "what it is not." Like a painter working with negative space, this approach can help you discover the fullest sense of your subject matter. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 691

Tony Trigilio (8/16/21)

Best-selling author Caroline Leavitt, whose novel With or Without You just came out in paperback (Algonquin Books).  This week’s Write the Book Prompt was generously offered by my guest, Caroline Leavitt. Write a page about two people who are in love without mentioning passion, desire, kids or any other words associated with love. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 690

Caroline Leavitt - 8/9/21

Interview from the archives with poet and prose writer Barbara Henning, regarding her book A Swift Passage (Quale Press). I have family visiting this week - lots of loved ones filling our two guest rooms, and sleeping on the floor in the finished basement, and in one case staying in the dining room. It’s a lot of fun, and a bit of a clown car. Today’s Write the Book Prompt is to imagine a house full of visitors. What might look like in your case? Where will everyone sleep? How do they all get along? What do you feed them? Do any old rivalries resurface? Old flames? Does anything happen to create a moment of excitement or adventure? How would you establish the characteristics of each person to turn these visitors into interesting characters in a work of prose or poetry? Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 689

Barbara Henning - Archive Interview (8/2/21)

Bestselling author Christina Baker Kline, whose novel The Exiles, came out in paperback this month from Custom House.  This week’s Write the Book Prompt was generously offered by my guest, Christina Baker Kline, who suggests writing the details of your morning, making sure to include all five senses in the first paragraph. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 688

Christina Baker Kline - 7/29/21

Local author, yoga practitioner, and teacher Kyle Ferguson, whose new book (with co-author Anthony Grudin) is Beyond Hot Yoga: On Patterns, Practice and Movement (North Atlantic Books).  Kyle's reading during our interview is excepted from Beyond Hot Yoga: On Patterns, Practice, and Movement by Kyle Ferguson and Anthony Grudin, published by North Atlantic Books, copyright © 2021 by Kyle Ferguson and Anthony Grudin. Used by permission of publisher. One concept discussed in the book is that of “flipping” an established practice—turning it on its head, you might say—to explore the power of opposition. Can we do this as a writing exercise? What is a pattern for which you regularly reach? Do you always write in the morning and find it’s not flowing lately? Maybe write after lunch instead, or last thing at night; maybe write in a notebook rather than on the laptop. Craft-wise, do you start every scene mid-dialogue? Do you use the same tired gestures for your main character? How might you flip these patterns to explore the power of opposition? Perhaps you could begin a scene at the end of an important action, and find a way other than dialogue to present what has happened. Perhaps Matilda avoids her reflection for once. Perhaps she reaches for her younger sister’s hand and not that cigarette. Or would she never do that? Why not? If it’s not consistent with her character, what other than a cigarette will satisfy (or at least live comfortably on the page alongside) her tension and unhappiness? Will she nervously play with a necklace? Will she stalk from room to room, always as if she has a mission, though never actually having a mission? Perhaps this in itself can underscore that lack of purpose you’re going for, and her feelings of inadequacy. I have no idea, in fact, what you're working on and what the patterns of your writing practice look like. But for this week's Write the Book Prompt, consider ways to flip that practice, re-pattern your habits, and freshen both the words on the page, and the stories they tell. Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 687

Kyle Ferguson - 7/19/21

Author Patrick Hicks, whose new novel is In the Shadow of Dora: A Novel of the Holocaust and the Apollo Program (Stephen F. Austin University Press ).  This week’s Write the Book Prompt was generously suggested by my guest, Patrick Hicks. In order to develop new characters and make them believable, it's crucial to know their likes and dislikes. Patrick spends quite a bit of time doing character sketches before he starts writing in order to know their backgrounds and personalities. For fun, he sends his characters to the grocery store to buy five items. What do they need? What do they buy? Don't think about this for very long -- just write it down. What they buy will tell you something about their personalities, their wants and desires, and their daily lives. How do they get to the grocery store? By bus? Car? What kind of car do they drive? Why that particular kind of car? Do they have bumper stickers? What's in the car? How are they dressed when they go shopping? What are they thinking about as they move through the aisles? What's on their mind? Although this exercise takes less than 10 minutes, Patrick finds that it illuminates aspects of his characters that are new to him. He likes following them around and observing them. It offers surprising details, and he can see them more clearly as individuals. He writes that his students also love this exercise.  Good luck with your work in the coming week, and tune in next week for another prompt or suggestion.   Music Credit: Aaron Shapiro 686

Patrick Hicks (7/12/21)

A podcast for writers and curious readers, featuring interviews with authors, poets, agents, editors, and illustrators. One of Writer's Digest Magazine's 101 Best Website for Writers in 2016 and 2017. Vermont-grown.

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Write The Book: Conversations on Craft

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