Listen now to a panel discussion on A Poem and a Mistake, written by Cheri Magid, with Alexis Grenell, Cheri Magid, Stephanie McCarter, Sarah Baskin and Tamila Woodard. Read more here: https://acca.melbourne/program/a-poem-and-a-mistake-by-cheri-magid/

ACCA Podcast

A Poem and a Mistake Panel Discussion

Ecological: Practices and challenge of sustainability Speakers: José Roca and Keg de Souza This program is part of ACCA’s 2021 Lecture Series, Experimental Institutionalism: Contemporary Art and Curatorial Ecologies, which delves into the artistic, curatorial, organisational and institutional models in which artists, curators and producers reflect and shape the role of contemporary art practice. José Roca is a Colombian curator living and working in Bogotá. He is currently the Artistic Director of FLORA ars+natura, an independent space for contemporary art in Bogotá. Roca was recently appointed as Artistic Director of the 23rd Biennale of Sydney in 2022. For a decade, he managed the arts program at Banco de la República in Bogotá. Roca was previously Estrellita B. Brodsky Adjunct Curator of Latin American Art for the Tate, London, and for a decade oversaw the arts program at the Museo del Banco de la República in Bogotá, establishing the institution as one of the most respected in Latin America. Keg de Souza lives and works in Sydney on unceded Gadigal land and uses mediums such as; temporary architecture, food, mapping and dialogical projects to explore the poetics and politics of space. This investigation of social and spatial environments is influenced by formal training in architecture and experiences of radical spaces through squatting and organising. Keg often creates site and situation specific projects with people, with an emphasis on knowledge exchange. These often manifest as temporary architectures that become framing devices to host pedagogical platforms, centring voices that are often marginalised, for learning about place.

Experimental Institutionalism: Ecological with Keg de Souza and José Roca

Electronic: Modelling the digital present and tools for the future Speakers: Seb Chan and Sahej Rahal Seb Chan is the Chief Experience Officer (CXO) at the Australian Centre for the Moving Image where he is responsible for a holistic, multi-channel, visitor-centred design strategy for the institution. Until August 2015, he was Director of Digital & Emerging Media, at Cooper Hewitt Smithsonian Design Museum in New York. There he led the museum’s digital renewal and its transformation into an interactive, playful new museum reopened after a 3-year rebuilding and reimagining. His team’s work won awards from the American Association of Museums and Museums and the Web, One Club, D&AD, Fast Company Innovation by Design, Core77 Design Awards, and has been featured in Slate, The Verge, Fast Company and elsewhere. A sculptor, coder, painter and performer, Sahej Rahal is a graduate of the Rachana Sansad Academy of Fine Art, Mumbai. He has been a recipient of a number of residencies including Bar1, Bangalore, 2011; FUTUR foundation, Zurich, 2011; INLAKS Shivdasani Foundation sponsored residency at KHOJ international artists’ association, New Delhi, 2013. Rahal has presentd work in major solo and group projects, including recently at Akademie Schloss Solitude & ZKM Center for Art and Media, Stuttgart, Germany in 2018, at the Vancouver Biennale and Australian Centre for Contemporary Art in 2019, in the 2020 Gwangju Biennale, and as part of Transmediale.

Experimental Institutionalism: Electronic with Seb Chan and Sahej Rahal

Listen now to Cheri Magid and Stephanie McCarter on ‘A Poem and A Mistake’, presented between 27 August – 12 September at acca.melbourne as part of the exhibition 'A Biography of Daphne.' Read more here: https://acca.melbourne/program/a-poem-and-a-mistake-by-cheri-magid/

In Conversation | Cheri Magid and Stephanie McCarter on ‘A Poem and A Mistake’

Listen now to Mihnea Mircan in conversation with artists Erik Bünger, Inge Meijer, and Katie West to discuss their works featured in the exhibition 'A Biography of Daphne'. A Biography of Daphne’ is a curatorial project that revisits the Classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglement in contemporary art. Daphne, the nymph who turned into a tree to evade the assault of the god Apollo, is a figure in, and of, crisis, but also a symbol of resistance and transformation. Read more here: acca.melbourne/exhibition/a-biography-of-daphne/

A Biography of Daphne Artist talks: Erik Bünger, Inge Meijer, and Katie West

Employment: Art, labour and changing modes of working This program is part of ACCA’s 2021 Lecture Series, Experimental Institutionalism: Contemporary Art and Curatorial Ecologies and features two short lectures by Alana Kushnir and Julieta Aranda followed by a conversation with ACCA Curator Miriam Kelly. Alana Kushnir explores collaboration, labour and scaling-up the artist’s studio in the context of the contemporary art ecology, and Julieta Aranda examines our relationship – as beings, as humans, as artists, as cultural workers – to the toxic environments that we have created. ABOUT THE SPEAKERS: Alana Kushnir an art lawyer, curator, art advisor and Director and Founder of Guestwork Agency based in Melbourne, Australia. She is the Principal Investigator of the Serpentine Galleries R&D Platform Legal Lab and a sessional lecturer at The University of Melbourne, teaching subjects on curating, contemporary art and art law. Julieta Aranda is an artist and co-director of the online platform e-flux. Her artistic practice spans installation, video, and print media, with a special interest in the creation and manipulation of artistic exchange and the subversion of traditional notions of commerce through art making. Read more, including full speaker biographies here: https://acca.melbourne/program/experimental-institutionalism-employment/ Read more about the series here: https://acca.melbourne/series/experimental-institutionalism-2021

Experimental Institutionalism: Employment with Alana Kushnir and Julieta Aranda

Listen to curator Mihnea Mircan in conversation with artists Ho Tzu Nyen, Jill Magid, and P. Staff and Candice Lin to discuss their works featured in the exhibition 'A Biography of Daphne'.

A Biography of Daphne Artist Talks: Ho Tzu Nyen, Jill Magid, P. Staff and Candice Lin

Listen to artists Lauren Burrow and Nicholas Mangan as they discuss their works featured in the exhibition 'A Biography of Daphne'. ​‘A Biography of Daphne’ is a curatorial project that revisits the Classical myth of Daphne as the starting point for an investigation of trauma and metamorphosis, symbiosis and entanglement in contemporary art. Daphne, the nymph who turned into a tree to evade the assault of the god Apollo, is a figure in, and of, crisis, but also a symbol of resistance and transformation. Read more here: https://acca.melbourne/exhibition/a-biography-of-daphne/

A Biography of Daphne Artist Talks: Lauren Burrow and Nicholas Mangan

What similarities and alliances can be drawn across borders, and how do we work and learn differently in response to the specificities of locality, place, culture and community? Can we work better together? What futures are possible or likely for the contemporary art ecology? Listen now to Expanded: Collectivity and Solidarity in Changing Times now, with ruangrupa and The Unbound Collective, as part of our lecture series Experimental Institutionalism: Contemporary Art and Curatorial Ecologies. ruangrupa is a Jakarta-based collective established in 2000. It is a non-profit organization that strives to support the idea of art within urban and cultural context by involving artists and other disciplines such as social sciences, politics, technology, media, etc, to give critical observation and views towards Indonesian urban contemporary issues. ruangrupa also produce collaborative works in the form of art projects such as exhibition, festival, art lab, workshop, research, as well as book, magazine and online-journal publication.  The Unbound Collective brings together years of research in a performance that moves through spaces that have historically seen Aboriginal and Torres Strait Islander Australians excluded and reduced to tell untold chapters of Australia’s true history. The Collective consists of Ali Gumillya Baker (curator), Simone Ulalka Tur, Faye Rosas Blanch and Natalie Harkin.

Experimental Institutionalism: Expanded with ruangrupa and The Unbound Collective

Listen now to the third conversation in the Think Tank series as part of the forthcoming exhibition Who’s Afraid of Public Space? Presented in partnership with Art Projects Australia (APA), this session will be moderated by ACCA’s Public Programs Coordinator Bianca Winataputri and include contributors Dewi Cooke, Eleanor Jackson, Sim Luttin, Michael Camakaris and Ed Service. ACCA is pleased to co-host further Think Tanks over the coming year to consider a wide array of considerations pertinent to the exhibition and the work of our partner organisations and co-hosts. The Think Tank discussions will continue to feed into the critical concerns of the overarching Who’s Afraid of Public Space? project, contributing to a polyphonic and polycentric understanding of our increasingly complex public realm.

Who’s Afraid of Public Space? Think Tank #3 – Visibility and Accessibility

Listen now to a conversation between between Yhonnie Scarce, Kokatha and Nukunu artist from South Australia, Mykaela Saunders, writer, teacher, and community researcher and Dimity Hawkins, Australian activist, researcher and academic. This podcast concludes the series produced in association with 'Yhonnie Scarce: Missile Park', including Glass with Yhonnie Scarce, Kristel Britcher and Lisa Slade, Architecture with Louis Mokak, Mikhail Rodrick and Kim Bridgland, Family with Hannah Presley and Lisa Waup and Concrete Archives with Yhonnie Scarce and Lisa Radford.

Nuclear: Yhonnie Scarce, Mykaela Saunders and Dimity Hawkins

Listen now to a conversation between Yhonnie Scarce, Kokatha and Nukunu artist from South Australia and Lisa Radford, artist and writer about their collaborative project 'Concrete Archives.' Stay tuned for further podcasts to be released, produced in association with 'Yhonnie Scarce: Missile Park.'

Concrete Archives: Yhonnie Scarce and Lisa Radford

Listen now to a conversation between Hannah Presley, currently curator of Indigenous art at the National Gallery of Victoria and inaugural curator for the Yalingwa program at ACCA, and Lisa Waup, artist and co-curator of 'Yhonnie Scarce: Missile Park.' Stay tuned for further podcasts to be released, produced in association with 'Yhonnie Scarce: Missile Park', on view at ACCA until 14 June.

Family: Hannah Presley and Lisa Waup

Listen now to a conversation between ​Louis Anderson Mokak, a Djugun man from West Kimberley and interdisciplinary designer, Mikhail Rodrick, architect at Wood Marsh and Yhonnie Scarce's long-term collaborator, and Kim Bridgland, a director at Melbourne based architecture studio Edition Office. ​ Stay tuned for further podcasts to be released, produced in association with 'Yhonnie Scarce: Missile Park', on view at ACCA until 14 June.

Architecture: Louis Mokak, Mikhail Rodrick and Kim Bridgland

ACCA and the non/fictionLab at RMIT are pleased to present a live snapshot of outcomes and processes from the 2021 program of Writing in the Expanded Field Volume 3: Overlapping Writing, developed in conjunction with ACCA’s summer show Overlapping Magisteria. Program participants: Des Barry, Anna Kate Blair, Alisa Blakeney, Sophia Cai, Kate Jama, Peta Murray, Diego Ramirez, Autumn Royal, Audrey Schmidt and Tina Stefanou. Encompassing living organisms, kinetic installations and immersive assemblages, Overlapping Magisteria pays attention to multiple ways of knowing, sensing, feeling and interacting with the world. The works by participating artists draw on various social, cultural, technical and material forms, unsettling the lingering divide between nature and culture towards more complex realms of knowledge and experience. Participants from Writing in the Expanded Field, Volume 3: Overlapping Writing have taken these exhibition themes as a provocation for further exploring what is possible when we shift position so that instead of writing about art we write with and from art. Building on the discoveries of Writing in the Expanded Field Volume 1 and Volume 2, and the ongoing inquiries of RMIT non/fictionLab, writer/participants are exploring embodiment, feeling, and intuition in the writer’s encounter with art, situating material, poetic and playful ways of knowing alongside critical and curatorial perspectives. Writers have also participated in an overlapping, or ‘cross-over writing’, methodology that explores decentred authorship and cacophonous voice alongside the development of individual pieces.

Public Readings – Writing in the Expanded Field #3: Overlapping Writing

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