Nina Sanadze received a special commendation for her work 'Apotheosis' in the churchie emerging art prize 2021. The exhibition was curated by Grace Herbert and judged by Rhana Devenport, Director of the Art Gallery of South Australia. Audio Described by Jan Pyke Image by Joe Ruckli

Institute of Modern Art

Audio Description | Nina Sanadze, 'Apotheosis' (2021)

Visaya Hoffie received a special commendation for her work 'Rich in Cryptocurrency' in the churchie emerging art prize 2021. The exhibition was curated by Grace Herbert and judged by Rhana Devenport, Director of the Art Gallery of South Australia. Audio Described by Jan Pyke Image by Joe Ruckli

Audio Description | Visaya Hoffie, 'Rich in Cryptocurrency' (2021)

Kyra Mancktelow received a special commendation for her work 'No Perception' in the churchie emerging art prize 2021. The exhibition was curated by Grace Herbert and judged by Rhana Devenport, Director of the Art Gallery of South Australia. Audio Described by Jan Pyke Image by Joe Ruckli

Audio Description | Kyra Mancktelow, 'No Perception' (2021)

In this talk ‘the churchie’ 2021 judge Rhana Devenport traces pivotal moments in her collaborations, commissions and projects with artists, from performances in the first Asia Pacific Triennial and artist residencies in Aotearoa New Zealand, to her current work as a curatorial advisor for the Aichi Triennale 2022 in Japan.

Rhana Devenport: Art Is The Highest Form Of Hope

See/Through - Audio Description by Institute of Modern Art

See/Through - Audio Description

See/Through - Interpretive Text by Institute of Modern Art

See/Through - Interpretive Text

How do First Nations artists approach representation in public spaces? Taking artist Yhonnie Scarce‘s new commission 'Missile Park' as a starting point, Blaklash co-founder Troy Casey, with architect Kevin O’Brien, and artists Judy Watson, and Tony Albert, explore the intersection of architecture, memorial culture, and the representation of First Nations histories in their own projects and practices.

Monumentalisation: conveying cultural narratives with installation and public art

Missile Park by Yhonnie Scarce is an exhibition at the Institute of Modern Art, Brisbane which runs from 17 July to 18 September, 2021. Recorded via video conference on the 27th of August, the artist is joined by IMA Executive Director Liz Nowell in conversation. Yhonnie Scarce was born in Woomera, South Australia in 1973, and belongs to the Kokatha and Nukunu peoples. Scarce is a master glass-blower, which she puts to the service of spectacular and spectral installations ranging from the intimate to the architectural, each full of aesthetic, cultural and political significance. Her work also engages the photographic archive and found objects to explore the impact and legacies of colonial and family histories and memory. Missile Park is a survey exhibition co-commissioned by the IMA with ACCA, Melbourne. It brings together work from the last 15 years of Scarce’s practice, alongside a major new commission from which the exhibition takes its name.

In Conversation, Yhonnie Scarce

Missile Park by Yhonnie Scarce is an exhibition at the Institute of Modern Art, Brisbane which runs from 17 July to 18 September, 2021. Yhonnie Scarce was born in Woomera, South Australia in 1973, and belongs to the Kokatha and Nukunu peoples. Scarce is a master glass-blower, which she puts to the service of spectacular and spectral installations ranging from the intimate to the architectural, each full of aesthetic, cultural and political significance. Her work also engages the photographic archive and found objects to explore the impact and legacies of colonial and family histories and memory. Missile Park is a survey exhibition co-commissioned by the IMA with ACCA, Melbourne. It brings together work from the last 15 years of Scarce’s practice, alongside a major new commission from which the exhibition takes its name. This audio tour developed by Jan Pyke will describe four key works from Missile Park, followed by didactic text written by exhibition co-curators Lisa Waup, Liz Nowell, and Max Delaney to aid interpretation. Aboriginal and Torres Strait Islander people are advised that this exhibition tour discusses images of deceased people.

01 Introduction To Missile Park By Yhonnie Scarce

02 Blood On The Wattle - Audio Description

03 Blood On The Wattle - Interpretive Text

Founded in 1975, the IMA is the oldest contemporary art space of its kind in Australia. As one of the country’s first non-collecting public galleries, the IMA has played an integral role in developing contemporary art in Queensland, Australia, and internationally.

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Institute of Modern Art

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