ACKHAR BHRAMA / Anahata Naad or Sound of Silence is the vibration of ONSELF/GOD/UNIVERSE/NATURE. Life starts becoming magical when one is INTUNE with this SOUND. If you are interested to know more about this Sound. Please Visit following links by Sandeep Maheshwari: Basic Meditation Session: https://open.spotify.com/episode/0w6UP41y8uhiID3hNKChNO Sound of Silence: https://open.spotify.com/episode/6JGyNQLvKRwdisIDzc9Fu6

Nepali Books Audible

अक्षरब्रम्ह र मनको रहस्य || डा. जय प्रकाश अग्रवाल || मानव धर्म

गिता शास्त्रको सार के हो ? डा. जय प्रकाश अग्रवाल || मानव धर्म 

समर लभमा केही कुरा थिए जो साँच्चै अधुरा थिए । अतीतको कोणबाट मात्र एकोहोरो लेखिएकाले केही कौतुहल र जिज्ञास बाँकी थिए । केही प्रश्न पनि थिए, जसले उत्तर माग्थे । र, उत्तरले सिक्वेल । समर लभमा मुकझैं रहेकी सायाले यस उपन्यासमा आफ्नो कथा भन्छिन्, आफ्नै शब्दमा । उनको कथाले झन् धेरै प्रश्न उब्जाउँछन्, जसको उत्तर दिन उपन्यासको कठघरामा अतीत र सुस्मिता उपस्थित हुन्छन् । र, पटाक्षेप हुन्छ प्रेमका विविध रङ्गहरू । मनोविज्ञान, व्यङ्ग्य र भावुकता भरिएको यो उपन्यासभित्र प्रेम गर्ने हरेकले आफैंलाई पाउनेछन् । Saaya is a 2014 Nepali novel by Subin Bhattarai. It published by Fine Print in 2014 as sequel to Summer love. Bhattarai's third book and second novel, the plot concerns how the misunderstanding in Summer love cleared and how they convince their family. It was a best selling book in Nepal and it was reprinted in the same month August, and was one of the best-selling books in the country for the year. The book was launched by actresses Garima Panta and Keki Adhikari, and author Bhattarai himself at Nepal Academy, Kamaladi. It is the sequel of summer love. It is based on point of view of narrator, Atit, Saya and Susmita. According to the story, narrator takes the responsibility to mend the things between Atit and Saya. The novel starts with the narrator coming in contact with Saya to know her story. Saya says about her opinions and why she dissolved the relationship with Atit. She also says about physical relationship between Susmita and Atit. The narrator tries to know the fact from Susmita. Susmita also accepts what happened and also shows that there was Saya's fault in Atit's poor mental health. Narrator with the help of Sushmita finally convinces Saya that she should continue her relationship with Atit. Saya also goes to live with Atit. After sometime, they both come to Nepal and have short talks with narrator.. Atit visits his hometown, Dhangadhi and also calls Saya there. Atit's mother gives a Tilhari to Saya as token of love. They have fun but soon Saya has to go to Kathmandu for the engagement with Sujan, an NRN. Saya succeeds in breaking engagement but her parents are angry with her. Saya and Atit go for trip too. Later, they return to Norway. Saya's parents also come to visit Saya in Norway. During their visit, they find out that Saya is married after seeing Tilhari. Angry and furious, Saya's parents leave for Nepal. Saya's health also deteriorates after the incident. Atit looks after Saya. Saya wills to go to her father but Atil tries to stop her and not come in her father's sweet words. Saya goes to Nepal whereas Atit's condition degrades. He does not eat food and is always thinking about Saya. Soon, Saya calls Atit to Nepal. Atit finds Saya's father ill. Saya's father talks with him and says that they can live together in Norway and he didn't wanted inter caste marriage of Saya only due to pressure of society. Saya and Atit are united and this was all about their love story full of obstacles which they overcame successfully. The novel ends with Saya asking narrator that he must tell about his love story the next time they meet. 

साया [Saya] || सुबिन भट्टराई || NARRATED BY ACHYUT GHIMIRE

Bharat Mohan Adhikari (Nepali: भरतमोहन अधिकारी) (4 May 1936 – 2 March 2019) was a Nepali politician and freedom fighter. He became the Minister of Finance of Nepal in the 1994-95 government of Prime Minister Man Mohan Adhikari.[1] He was the first communist Finance Minister who championed "आफ्नो गाउं आफै बनाउ" (Make your own village). He was also the deputy prime minister of Nepal in the Deuba cabinet (2004–05) which was dissolved by King Gyanendra. In 2012, he was at the Medanta Medicity Hospital in New Delhi for suspected valvular heart disease, but was not treated for the same. Although a central figure of the CPN-UML, he was considered to have held more moderate views. Adhikari died on 2 March 2019 from multiple organ failure stemming from a severe case of COPD.

मेरो जीवन यात्रा : केही सम्झनाहरु || भाग 1 || भरतमोहन अधिकारी || Narrated by Sudip Gyawali

मेरो जीवन यात्रा : केही सम्झनाहरु || भाग 2 || भरतमोहन अधिकारी || Narrated by Sudip Gyawali

Although slavery was outlawed nearly a century ago and the Kamaiya culture was made a criminal offence in 2009, the practice is so ingrained in the Tarai that it is still accepted. In most cases the parents of the girls themselves sell or rent their daughters to landlords in auctions to reduce the burden of having to take care of them. Shanta Chaudhary was one of them. At the age of eight, she was leased for Rs 700 a year by her parents who had nine other children and sent off to work in a family in Dang. She was homesick, had to work 19 hours a day, and live in the cowshed. When she made mistakes Shanta was rudely reprimanded by the landlord’s wife and sometimes beaten. Shanta yearned to wear a clean uniform and go to school like the children in the family she worked for, she wanted to eat rice like them. During the rainy season, when she got sick, there was no one to take care of her and she missed her mother terribly. There were also decent households where she was treated well and she used to go to watch movies with the landlord’s daughter. Most kamlari girls face rape and abuse, so when Shanta became a teenager and had to fend off aggressive, unwanted advances from men, she got married to a friend for companionship and to keep herself safe. Her first son is handicapped, her second baby died of undernourishment, and when she tried to break free village goons set fire to her hut. Unlike other kamlari girls, Shanta decided to do something about the injustice and became an activist. She joined the UML party and became a nominated member of the Constituent Assembly so she could realise her dream of a Nepal free of the exploitation, discrimination, and abusethousands of other women like her had to suffer. After the CA was dissolved, Shanta decided to write about her life. And what a life. Told in simple, heartfelt sentences, you have to fight back tears as you learn of the tragic injustice that little girls like Shanta had to suffer. But there is little bitterness or resentment here, only a determination to set things right. Between the lines, you get a glimpse of the fierce fortitude of this remarkable woman. Shanta Chaudhary says she was inspired to write her book after reading Jhamak Ghimire’s masterpiece Jeevan Kanda Ki Phool. Struck by polio and confined to a wheelchair, Ghimire wrote her book with her toes and become an inspiration for many Nepali women. But even after finding her place in the national legislature, nominated to the powerful parliamentary committee on natural resources, and given a chance to contribute to the new constitution, Shanta was appalled by the way fellow MPs looked down on her for being a Tharu. “Even there, they made fun of my clothes, my accent, and the fact that I was illiterate,” she says, eyes brimming with tears. Shanta, now 34, taught herself to read and write while in the CA. And after the assembly was dissolved started writing her book because she feared that despite the laws, indentured servitude of girls from her community would continue. Shanta’s biggest regret is that the new constitution wasn’t passed last year and the CA was dissolved, but she is happy she could take the plight of her people to the highest law-making body in the land. Shanta Chaudhary’s book, Kamlari Dekhi Sabhasad Samma (From Kamlari To CA Member) adds to a growing corpus of books by inpsiring Nepali women, including Jhamak Ghimire, Radha Poudel, and Tara Rai.

कमलरीदेखि सभासद्सम्म [Kamlari Dekhi Sabhasad Samma] || शान्ता चौधरी [ Shanta Chaudhary] || Pawan Khadka

China Harayeko Manchhe (चिना हराएको मान्छे) is an autobiography written by Hari Bansha Acharya.The story features a god-fearing man who happens to lose his "China" or "Cheena" (horoscope). The storyline of Cheena Harayako Manchhe, is about a simple, god-fearing man who happens to lose his "China" or "Cheena" (horoscope). The autobiography depicts the author's childhood memories, fantasies and the struggles he had to face during his adolescent years. “The book is the tribute to my late wife Meera and proceeds from the book will go to a trust of her name,” said the author at a press meet. A polished and most celebrated comedian and film actor of Nepal, Acharya, during a launch ceremony of his book, wished he could be a god in his next life so that he in turn could transform the gods into human beings subject to pain, misery and suffering. He also made a confession that he had become an agnostic since all his efforts to save his wife, despite his devout worship of the gods, failed. “I wrote this book to heal my pain of losing her,” he further added. Born 9 October 1958, to Homanjaya Acharya and Ganesh Kumari in Gairidharan, Kathmandu, Hari Bansha Acharya has two sons, Trilok and Mohit. Hari Bansha's name is inseparably linked with his comedian partner, Madan Krishna Shrestha, another celebrated comedian/actor of Nepal.

चिना हराएको मान्छे [CHEENA HARAYEKO MANCHHE]|| भाग 1|| Hari Bansha Acharya [हरिवंश आचार्य ] || Achyut Ghimire

चिना हराएको मान्छे [CHEENA HARAYEKO MANCHHE]|| भाग 2|| Hari Bansha Acharya [हरिवंश आचार्य ] || Achyut Ghimire

“Maha ko Ma” is an autobiographical book that throws light on the unseen and perhaps the harsher side of the life of one of the most eminent entertainers in the Nepali entertainment scene, Madan Krishna Shrestha.

महको म || Maha Ko Ma || भाग 1 || मदनकृष्ण श्रेष्ठ || Madan Krishna Shrestha || Pawan Khadka

महको म || Maha Ko Ma || भाग 2 || मदनकृष्ण श्रेष्ठ || Madan Krishna Shrestha || Pawan Khadka

आधुनिक नेपालको जन्म भएयता झन्डै अढाई सय बर्षको इतिहासमा दशक लामो माओवादी बिद्रोह सबभन्दा ठूलो आन्तरिक चुनौतीका रुपमा देखा परेको थियो | निश्चय पनि त्यो बिद्रोह दिल्ली वा दरबारमा जन्मेको थिएन, हाम्रै पहाडी कान्ला-कन्दराबाट उब्जेको थियो | तर, त्यसको तीव्र फैलावटमा ती दुई शक्तिकेन्द्रको निर्णायक भूमिका रह्यो | तीमध्ये दरबारले पराजित भएर आफ्नो अस्तित्व नै नामेट पार्यो भने माओवादी आफैलाई बदलेर शान्तिपूर्ण मूलधारमा फर्क्यो | बाँकी रह्यो दिल्ली, जसको नेपालनीतिको अभिस्ट अझै पहेलीकै रुपमा छ |  यो पुस्तकमा नेपालका माओवादीलाई केन्द्रमा राखेर तत्कालीन राजतन्त्र र भारतीय संस्थापनसंग उनीहरुको त्यहि उतार-चढावपूर्ण सम्बन्ध केलाउन खोजिएको छ | यस अर्थमा, प्रयोगशाला नेपालि सङ्क्रणमा दिल्ली, दरबार र माओवादीको भूमिकाको लेखाजोखा हो | Prayogshala (Nepali: प्रयोगशाला: नेपाली सङ्क्रमणमा दिल्ली, दरबार र माओवादी;  'Laboratory: Role of the Maoists, the Durbar and New Delhi in Nepali Politics') is a book about the politics of Nepal. It was written by Sudheer Sharma. The book revolves around the Maoist insurgency, deposed monarchy and the role of New Delhi in Nepal's period of political transition. It was published by Fine Print.The book was translated and updated as The Nepal Nexus and published on 2019.

प्रयोगशाला नेपाली सङ्क्रमणमा दिल्ली, दरबार र माओवादी [Prayogshala] || भाग 1 || Sudheer Sharma || Ammy Reads

आधुनिक नेपालको जन्म भएयता झन्डै अढाई सय बर्षको इतिहासमा दशक लामो माओवादी बिद्रोह सबभन्दा ठूलो आन्तरिक चुनौतीका रुपमा देखा परेको थियो | निश्चय पनि त्यो बिद्रोह दिल्ली वा दरबारमा जन्मेको थिएन, हाम्रै पहाडी कान्ला-कन्दराबाट उब्जेको थियो | तर, त्यसको तीव्र फैलावटमा ती दुई शक्तिकेन्द्रको निर्णायक भूमिका रह्यो | तीमध्ये दरबारले पराजित भएर आफ्नो अस्तित्व नै नामेट पार्यो भने माओवादी आफैलाई बदलेर शान्तिपूर्ण मूलधारमा फर्क्यो | बाँकी रह्यो दिल्ली, जसको नेपालनीतिको अभिस्ट अझै पहेलीकै रुपमा छ | यो पुस्तकमा नेपालका माओवादीलाई केन्द्रमा राखेर तत्कालीन राजतन्त्र र भारतीय संस्थापनसंग उनीहरुको त्यहि उतार-चढावपूर्ण सम्बन्ध केलाउन खोजिएको छ | यस अर्थमा, प्रयोगशाला नेपालि सङ्क्रणमा दिल्ली, दरबार र माओवादीको भूमिकाको लेखाजोखा हो | Prayogshala (Nepali: प्रयोगशाला: नेपाली सङ्क्रमणमा दिल्ली, दरबार र माओवादी;  'Laboratory: Role of the Maoists, the Durbar and New Delhi in Nepali Politics') is a book about the politics of Nepal. It was written by Sudheer Sharma. The book revolves around the Maoist insurgency, deposed monarchy and the role of New Delhi in Nepal's period of political transition. It was published by Fine Print.The book was translated and updated as The Nepal Nexus and published on 2019.

प्रयोगशाला नेपाली सङ्क्रमणमा दिल्ली, दरबार र माओवादी [Prayogshala] || भाग 2 || Sudheer Sharma || Ammy Reads

Rakta Kunda meaning ‘pool of blood’ is a Nepali novel by journalist Krishna Abiral. Based on the accounts of real event that took place in the year 2001, precisely the Royal Massacre, the novel tries to describe and explain the context and the background as well as the activity that took place before, during and after the monstrous act. The story is based on the conversation with a mother and daughter duo, who served as the maids to Queen Mother Ratna Rajya Laxmi and former queen Komal, respectively. To be on the safe side, the writer labeled the book as a novel, although everything written in it is true. He interviewed the ladies and cross examined their answers and descriptions with other palace and security officials. The book gives an account of series of events that took place before and during the massacre which is said to be masterminded by the then Crown Prince Dipendra because he has arguments and fight with his mother, the then queen Aishwarya. Although the people of Nepal and the world are made to believe that the massacre was masterminded by the then Crown Prince, the book suggests otherwise. It mentions that the Crown Prince was framed and the killing had continued even after the prince fell to the ground after he shot himself in chest. Also, the absence of firearms near his body points somewhere else. It also mentions what the Royal family members and their guests were doing when the tragedy struck. The book has revealed many secrets of the palace and the Royal families, not only of that in-fateful night but also those that had happened years ago during the times of King Mahendra as well as King Tribhuvan. It also explains the misdeeds of the previous kings, highlighting the negative aspects and part of the Nepali Royal Family. The novel was published some years after the massacre took place as the informant as well as the writer feared for their safety. Rakta Kunda by Krishna Abiral is a good read if you are curious about what had happened on that night in 2001, however, the mystery still looms and has not been solved although the book opens up many untold stories and accounts of the night.

रक्तकुण्ड [Raktakunda] || कृष्ण अविरल || विशाल कार्की

ठ्याक्कै परिभाषित गर्न सकिन्न । आत्मकथा, संस्मरण र निबन्धको बीचैबीच यसरी बग्छ, खुसी । मानौं, कुनै पहाडी खोला मैदान हुँदै समुद्रमा विलीन भएको प्रक्रिया हो । संस्मरण भनेको आत्मरतिको पुलिन्दा मात्र होइन भन्ने लेखकले पुस्तकको सुरुआत नै आफ्नो अत्यधिक मदिरापानको लतबाट गरेका छन् । यो पुस्तकमा राजा, राष्ट्रपति र प्रधानमन्त्रीहरू मात्र छैनन् । साधारण ठानिएका असाधारण पात्र पनि छन् । पैसा, शक्ति र यौनको दुनियालाई लेखकले यसरी केलाएका छन्, पढ्नेहरू छक्क पर्न सक्छन् । घरघरमा हुने अभिभावक–सन्तान तनाव पृष्ठभूमिमा लेखिएका अंश पढेर धेरैका आँखा रसाउनेछन् । कतै पाठक मुस्कुराउनेछन् । चमकदार गद्य र तिक्खर सूक्तिले भरिपूर्ण यो पुस्तक विजय कुमारको जीवन चियाउने एउटा आँखीझ्याल पनि हो । यसमा अध्यात्म छुट्ने कुरै भएन । पढेपछि सजिलै बिर्सन नसकिने खालको पुस्तक हो यो । आखिर जीवनमा खुसीको खोज कसलाई पो नहोला र !  विजय कुमार बहुचर्चित टेलिभिजन कार्यक्रम ‘दिशानिर्देश’का प्रस्तोता हुन् । नेपाल साप्ताहिकका संस्थापक सम्पादक रहेका उनी स्तम्भकार पनि हुन् । Khusi (Nepali: खुसी) is a autobiographical book by Vijay Kumar Pandey. It was published in 2014 by FinePrint Publications and won the prestigious Madan Puraskar that year. The title of the book means happiness in Nepali language. Pandey is a Nepalese television presenter. The book depicts his story and is collection of his various experiences. The book won the prestigious Madan Puraskar for 2014.

खुसी [Khusi] || भाग 1 || विजय कुमार पाण्डे || Narrated by Pushpa Gurung

ठ्याक्कै परिभाषित गर्न सकिन्न । आत्मकथा, संस्मरण र निबन्धको बीचैबीच यसरी बग्छ, खुसी । मानौं, कुनै पहाडी खोला मैदान हुँदै समुद्रमा विलीन भएको प्रक्रिया हो । संस्मरण भनेको आत्मरतिको पुलिन्दा मात्र होइन भन्ने लेखकले पुस्तकको सुरुआत नै आफ्नो अत्यधिक मदिरापानको लतबाट गरेका छन् । यो पुस्तकमा राजा, राष्ट्रपति र प्रधानमन्त्रीहरू मात्र छैनन् । साधारण ठानिएका असाधारण पात्र पनि छन् । पैसा, शक्ति र यौनको दुनियालाई लेखकले यसरी केलाएका छन्, पढ्नेहरू छक्क पर्न सक्छन् । घरघरमा हुने अभिभावक–सन्तान तनाव पृष्ठभूमिमा लेखिएका अंश पढेर धेरैका आँखा रसाउनेछन् । कतै पाठक मुस्कुराउनेछन् । चमकदार गद्य र तिक्खर सूक्तिले भरिपूर्ण यो पुस्तक विजय कुमारको जीवन चियाउने एउटा आँखीझ्याल पनि हो । यसमा अध्यात्म छुट्ने कुरै भएन । पढेपछि सजिलै बिर्सन नसकिने खालको पुस्तक हो यो । आखिर जीवनमा खुसीको खोज कसलाई पो नहोला र ! विजय कुमार बहुचर्चित टेलिभिजन कार्यक्रम ‘दिशानिर्देश’का प्रस्तोता हुन् । नेपाल साप्ताहिकका संस्थापक सम्पादक रहेका उनी स्तम्भकार पनि हुन् । Khusi (Nepali: खुसी) is a autobiographical book by Vijay Kumar Pandey. It was published in 2014 by FinePrint Publications and won the prestigious Madan Puraskar that year. The title of the book means happiness in Nepali language. Pandey is a Nepalese television presenter. The book depicts his story and is collection of his various experiences. The book won the prestigious Madan Puraskar for 2014.

खुसी [Khusi] || भाग 2 || विजय कुमार पाण्डे || Narrated by Pushpa Gurung

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